Miami

Considered by many as the country’s most dynamic, fastest growing and sexiest city, Miami is more popular than ever before. Yet, it is a city that doesn’t merely change but evolves, never rewriting the past, just adding to its illustrious heritage. And this is the real beauty of Miami. The chic Surf Club and the vibrant Faena Hotel did not replace the emblematic Raleigh of the 1940s nor the Ritz Carlton of the 50s, rather they complement them. Classics like Joe’s Stone Crab continue to serve their signature fare to sell-out crowds each night, as new establishments attract with name chefs. The iconic art deco architecture remains on full display as the modern Herzog & de Meuron-designed Perez Art Museum stands in stark contrast. Replete with arts and culture year round from the international art at The Bass to the street art of Wynwood Walls, each December, the city is taken over by the global cultural elite for Art Basel Miami Beach, a fair that attracts over 80,000 visitors who turn out for the momentous art, such as Maurizio Cattelan’s show stopping “Comedian”, and the exuberant festivities hosted each evening.

- An insider's guide to Miami's hidden gems and lesser-known spots - Written by a true local, filled with independent advice, based on thorough research and the author's personal opinions - An inspirational and practical guide to the city's most interesting places, buildings, restaurants, shops, museums, galleries, neighborhoods, gardens and cafes, into 100 lists of 5 secrets - Photography by Valerie Sands - A recently updated edition in Luster's successful and attractive series of city guides With this new guide in your bag, you're set to go out and discover the best and most fun places in hotspot Miami: 500 addresses that many tourists don't know, a bit off the beaten track, but always loved by the locals and worth a visit. The 500 Hidden Secrets of Miami will take you to all the places that make Miami the lively and unique city it is, also known as the 'Gateway to the Caribbean', such as: the 5 nicest water views, 5 stunning Mediterranean revival buildings, 5 renowned Miami-based fashion designers, the 5 coolest hotel pools, and 5 wonderful parks, playgrounds, and museums to visit with your kids. It even includes some unusual experiences, such as swimming in a freshwater Venetian pool, or day trips to the Everglades and the Keys.

This study focuses on street art and large-scale murals in metropolitan Miami/Dade County, while also foregrounding the diasporic and aesthetic interventions made by migrant and second-generation artists whose families hail from the Caribbean and Latin America. Jana Evans Braziel argues that Caribbean and Latinx street artists define and visually mark the city of Miami as a diasporic, transnational urban space. These artists also help define Miami as a cosmopolitan city, yet one that is also a distinctly Caribbean and Latinx urban space, and simultaneously resist but also (at times reluctantly) participate in the forces of gentrification and urban re/development, particularly through the myriad and complex ways in which street art contributes to city branding and art tourism. The book will be of interest to scholars working in art history, urban studies, American studies, and Latin American/Caribbean studies.

Revealed: the dark and delicious side of Paradise.

During the late 1800s, prospectors in search of gold, silver, and copper began to settle around the Pinal Mountains area in Miami. By 1918, several mining companies had established roots and contributed to the town’s booming growth. The community established housing, schools, a hospital, and a town government, and the population grew to 5,000. Soon, Miami achieved recognition as one of the main mining towns in the state, along with neighboring Globe, Jerome, Morenci, Superior, Ajo, and Ray-Sonora. The new mining opportunities brought immigrants from around the world to settle in the area and eventually turned Arizona into a leading contributor to the copper industry. Although mining’s hold on the local economy has changed over the years, today at least 20 percent of Miami-area employment is centered around copper mining, which remains close to the heart of the first hardy miners’ descendants.

This book makes a contribution to the debates on diasporic identities and transnational communication. It provides an analysis of the Cuban American community and its relationship to Miami-based English- and Spanish-language media. Based on extensive ethnographic data, the author demonstrates how different media have been used, produced and influenced by segments of the Cuban American community in Miami. After establishing the significance of Miami as a locale to receive a high number of migrants after the Cuban revolution in 1959, what follows is an exploration of the interplay of collective Cuban American identity and the evolution of an exile community on the one hand and media institutions and their output on the other. In doing so, Miami-based press, radio, network television and online media are examined. The author moreover shows how mediated memories of pre-revolutionary Cuba have been kept alive in Miami and over time became more inclusive through the use of new media technologies.

Today, it is hard to conceive that at the turn of the 20th century Miami, Florida, was a sleepy town of 500 inhabitants. Over the years, many influences have shaped Miami into the cultural, educational, tourism, and commercial center that it is now. One of the primary reasons for the citys growth was the development of sportfishing. It all began in the 1920s, and by the beginning of World War II an entire industry was born. This is a pictorial of those days.

This book takes the reader on a tour of Miami, through micro and macro views of the people, cultures, politics, neighborhoods, money, and even insects that comprise the variety of the city.