Mies Van Der Rohe

1952/53 erbaute Mies van der Rohe die Crown Hall in Chicago: das Domizil fur Architektur, Stadt- und Regionalplanung auf dem Campus des Illinois Institute of Technology. Das Stahl- und Glasgebaude kommt ohne innere Stutzen aus, das Dach ist an vier Stahltragern aufgehangt. In der Halle - einem ganz grossen Raum mit niedrigen Wandabschlussen - sind Zeichenraum, Bibliothek und Ausstellungsraum untergebracht, im Untergeschoss die Unterrichtsraume und Werkstatten. Mies Suche nach immer klareren Strukturen gelangt in diesem Bau zur Meisterschaft. Werner Blaser, ehemaliger Mitarbeiter Mies van der Rohes, liefert eine sorgfaltige, von personlichen Erfahrungen gepragte Darstellung dieses epochemachenden Gebaudes in Text und Bild.

Photographer Paul Clemence celebrates a revered icon of modern architecture, the Farnsworth House, located near Plano, Illinois, and designed in 1951 by architect Ludwig Mies van der Rohe. Striking architetural details are captured in 20 eye-catching B & W postcards. Whether mailing or framing the stunning images, this book is a must-have for devotees of architecture, design, Modernism, the Bauhaus, Mies van der Rohe, and photography.

This essential and comprehensive Mies monograph focuses in its analysis on Mies’ design intentions: it reconstructs the buildings in their orginal state, examines them from the present day persepctive and rediscovers the inspiring architecture of a great modern master. The book presents eighty of Mies’ works in chronological order. Approximately thirty of these works are analyzed in detail in three parts. In the first part, the construction is documented in its built state; for this all the ground plans were redrawn by the author. The second part outlines the changes to the buildings and the third part develops the results of this investigation with regard to their relevance to the contemporaryview of Mies’ work.

The true story of the intimate relationship that gave birth to the Farnsworth House, a masterpiece of twentieth-century architecture—and disintegrated into a bitter feud over love, money, gender, and the very nature of art. “An intimate portrait . . . alive with architectural intrigue.”—Architect Magazine In 1945, Edith Farnsworth asked the German architect Mies van der Rohe, already renowned for his avant-garde buildings, to design a weekend home for her outside of Chicago. Edith was a woman ahead of her time—unmarried, she was a distinguished medical researcher, as well as an accomplished violinist, translator, and poet. The two quickly began spending weekends together, talking philosophy, Catholic mysticism, and, of course, architecture over wine-soaked picnic lunches. Their personal and professional collaboration would produce the Farnsworth House, one of the most important works of architecture of all time, a blindingly original structure made up almost entirely of glass and steel. But the minimalist marvel, built in 1951, was plagued by cost overruns and a sudden chilling of the two friends’ mutual affection. Though the building became world famous, Edith found it impossible to live in, because of its constant leaks, flooding, and complete lack of privacy. Alienated and aggrieved, she lent her name to a public campaign against Mies, cheered on by Frank Lloyd Wright. Mies, in turn, sued her for unpaid monies. The ensuing lengthy trial heard evidence of purported incompetence by an acclaimed architect, and allegations of psychological cruelty and emotional trauma. A commercial dispute litigated in a rural Illinois courthouse became a trial of modernist art and architecture itself. Interweaving personal drama and cultural history, Alex Beam presents a stylish, enthralling narrative tapestry, illuminating the fascinating history behind one of the twentieth century’s most beautiful and significant architectural projects.

This is a thorough revision, brimming with new material, of Franz Schulze's classic biography about architect Mies van der Rohe. The consensus among architectural historians is that Schulze s book is the bestand most authoritativeone ever written (not to mention the only biography) about Mies, who introduced the International Style to America and established Chicago and IIT as a hub of mid-century modern design."

"The thirty years modernist legend Mies van der Rohe spent working in America arguably reflect his most consistent and mature efforts toward achieving his goal: a new architecture for the twentieth century. Focusing on this American period, Conversations with Mies van der Rohe gives new credence to this claim by presenting the architect's most important design concerns in his own words. In this collection of interviews Mies talks freely about his relationship with clients, the common language he sought in his architectural projects, the influences on his work, and the synthesis of architecture and technology that he advanced in his designs and built works. An essay by Inaki Abalos provides a context for these interviews and looks at Mies's legacy from a contemporary perspective."--

Presents 2 villas, now museums, designed by Mies van der Rohe. A further understanding is given by examining specific on-site interventions by artists Yves Klein, Sol LeWitt, Richard Serra and Ernst Caramelle.