Milk Money

The failing economics of the traditional small dairy farm, the rise of the factory mega-farm with its resultant pollution and disease, and the uncertain future of milk

A good poetry collection has a tender soul that deals with survival, violence, love, and loss using the frailty of language. Milk and Money, the unauthorized parody of the bestselling Milk and Honey, is none of these things, but it sure is hilarious. A good poetry collection has a tender soul that deals with survival, violence, love, and loss using the frailty of language. Milk and Money, the unauthorized parody of the bestselling Milk and Honey, is none of these things, but it sure is hilarious.

After Hurricane Katrina in 2005, many high-profile chefs in New Orleans pledged to help their city rebound from the flooding. Several formed their own charitable organizations, including the John Besh Foundation, to help revitalize the region and its restaurant scene. A year and a half after the disaster when the total number of open restaurants eclipsed the pre-Katrina count, it was embraced as a sign that the city itself had survived, and these chefs arguably became the de facto heroes of the city's recovery. Meanwhile, food justice organizations tried to tap into the city's legendary food culture to fundraise, marketing high-end dining events that centered these celebrity chefs. Jeanne K. Firth documents the growth of celebrity humanitarianism, viewing the phenomenon through the lens of feminist ethnography to understand how elite philanthropy is raced, classed, and gendered. Firth finds that cultures of sexism in the restaurant industry also infuse chef-led philanthropic initiatives. As she examines this particular flavor of elite, celebrity-based philanthropy, Firth illuminates the troubled relationships between consumerism, food justice movements, and public-private partnerships in development and humanitarian aid.

Inspired by Nick Katsoris’ children’s book series about a fluffy little lamb named Loukoumi, The Loukoumi Make A Difference Foundation teaches children to make a difference in their lives and the lives of others, uniting over 100,000 children annually to do good deeds. Come From Away is the award-winning musical about how during the week of 9/11, 7,000 stranded airline passengers found a safe harbor in Newfoundland, and were embraced by the people of Gander, while the world around them was thrown into chaos. Together The Loukoumi Foundation and Come From Away have partnered to share their joint message of kindness through the stories of 75 children, who are having fun paying it forward for causes that mean something to them. Get ready to be inspired by these extraordinary kids who are changing the world one good deed at a time, and join us in making a difference!

Breastfeeding vs. formula: could the choice we make put our children at risk?

'It is my thesis that this general production of life, or subsistence production - mainly performed through the non-wage labour of women and other non-wage labourers as slaves, contract workers and peasants in the colonies - constitutes the perennial basis upon which "capitalist productive labour" can be built up and exploited.' First published in 1986, Maria Mies's progressive book was hailed as a major paradigm shift for feminist theory, and it remains a major contribution to development theory and practice today. Tracing the social origins of the sexual division of labour, it offers a history of the related processes of colonization and 'housewifization' and extends this analysis to the contemporary new international division of labour. Mies's theory of capitalist patriarchy has become even more relevant today. This new edition includes a substantial new introduction in which she both applies her theory to the new globalized world and answers her critics.

It has been over ten years since I left Cambodia. Not a day has passed I don't think of the alternative of my life if I was not given the opportunity to leave, to have a family, and to have the education I do today. My life journey was unique, yet I am not the only one who experienced incredible hardship. I was one of the millions of children around the world who had the potential to make a difference if only they were given the opportunity to do so. This book is about the true story of one of these unknown children who was fortunate enough to have the opportunity to change not only his life but others around him in ways he had never imagined possible. I did not write this book for me but for all the children whose lives and experiences are unknown and unheard of to the world because they do not have the privilege of knowledge and opportunity to tell their stories. You and I, just like our life stories, don't have to be beautiful because we are real. Over the years, I found that sharing my life journey with those who are willing to accept me for who I am have been a tremendous help for me to cope with all that I went through. This story is one of the countless others that someone has yet to share. Whether it is through word of mouth or written scripts, I hope that my story finds its way to your heart and inspires you to share yours. I thank you for reading this memoir from the beginning to the end. It has been a privilege to be in my position, to be able to voice myself, and to be heard.

Jarred by not being considered Chinese by some people of Chinese ancestry living in Thailand despite her mainland China roots, Bao (anthropology, U. of Nevada, Las Vegas) studies what it means to be Chinese outside of China. She examines diasporic space, gendered language, changes in sex relations, and hybrid identity experienced by contemporary