Murder At Mallowan Hall

A treat for fans of Masterpiece Mystery and Downton Abbey, Colleen Cambridge’s charming and inventive new historical series introduces an unforgettable heroine in Phyllida Bright, fictional housekeeper for none other than famed mystery novelist Agatha Christie. Hijinks—and murder—ensue. Tucked away among Devon’s rolling green hills, Mallowan Hall combines the best of English tradition with the modern conveniences of 1930. Housekeeper Phyllida Bright manages the large household with an iron fist in her very elegant glove. In one respect, however, Mallowan Hall stands far apart from other picturesque country houses. For the manor is home to archaeologist Max Mallowan and his famous wife—Agatha Christie . . . Phyllida is both loyal to and protective of the crime writer, who is as much friend as employer. An aficionado of detective fiction, Phyllida has yet to find a gentleman in real life half as fascinating as Mrs. Agatha’s Belgian hero, Hercule Poirot. But though accustomed to murder and its methods as frequent topics of conversation, Phyllida is unprepared for the sight of a very real, very dead body on the library floor . . . It soon becomes clear that the victim arrived at Mallowan Hall under false pretenses during a weekend party. And when another dead body is discovered—this time, one of her housemaids—Phyllida decides to follow in M. Poirot’s footsteps to determine which of the Mallowans’ guests is the killer. Now only Phyllida’s wits will prevent her own story from coming to an abrupt end . . .

The Sittaford Mystery is Dame Agatha at her most intriguing, as a séance in a snowbound house predicts a particularly grisly murder. In a remote house in the middle of Dartmoor, six shadowy figures huddle around a table for a seance. Tension rises as the spirits spell out a chilling message: "Captain Trevelyan . . . dead . . . murder." Is this black magic or simply a macabre joke? The only way to be certain is to locate Captain Trevelyan. Unfortunately, his home is six miles away and, with snowdrifts blocking the roads, someone will have to make the journey on foot. . . .

Midwife Sarah Brandt Malloy and her detective husband, Frank, must discover who killed a prominent—but despised—society banker before an innocent family is destroyed in Murder on Wall Street, an all-new Gaslight Mystery in the USA Today bestselling series. Reformed gangster Jack Robinson is working hard to bolster his image in Gilded Age New York City society as he prepares to become a new father. But when Hayden Norcross, the man who nearly ruined his wife, is shot in cold blood, Jack knows the police will soon come knocking on his door. Frank Malloy has to agree—things don’t look good for Jack. But surely a man as unlikeable as Hayden had more than a few enemies. And it’s soon clear that plenty of the upper echelon as well as the denizens of the most squalid areas of the city seem to have hated him. Sarah and Frank have their work cut out for them. As the daughter of the elite Decker family, Sarah has access to the social circles Hayden frequented, and the more she learns about his horrific treatment of women, the more disturbed she becomes. And as Frank investigates, he finds that Hayden had a host of unsavory habits that may have hastened his demise. But who finally killed him? Sarah and Frank must put the pieces together quickly before time runs out and Jack’s hard-won new life and family are ripped apart.

Wild-hearted Kentuckian Stella Kendrick cautiously navigates the strict demands of British high society as the future Lady of Morrington Hall. But when petty scandals lead to bloody murder, her outspoken nature could be all that keeps her alive . . . Following a whirlwind engagement to Viscount “Lyndy” Lyndhurst, Stella is finding her footing within an elite social circle in picturesque rural England. Except teatime with refined friends can be more dangerous than etiquette faux pas—especially in the company of Lady Philippa, the woman Lyndy was once set to marry, and her husband, the ostentatious Lord Fairbrother . . . Outrage erupts and accusations fly after Lord Fairbrother’s pony wins best in breed for the seventh consecutive year. The man has his share of secrets and adversaries, but Stella and Lyndy are in for a brutal shock when they discover his body floating in the river during a quiet morning fishing trip. Suddenly unwelcome around hardly-grieving Lady Philippa and Lyndy’s endlessly critical mother, Stella faces the bitter reality that she may always be an outsider—and one of her trusted new acquaintances may be a calculating killer. Now, Stella and her fiancé must fight against the current to catch the culprit, before they’re the next couple torn apart by tragedy.

Donald Langham and Maria Dupré must navigate a rocky road to find a killer when a body is found next to a standing stone. Newlyweds Donald Langham and Maria Dupré have moved to the country. They're excited about starting a new life in the picturesque village of Ingoldby-over-Water – and about meeting their new neighbours. But they’ve barely moved into Yew Tree Cottage when their new neighbour at Standing Stone Manor, Professor Edwin Robertshaw, invites Donald over to discuss some ‘fishy business’. Shortly after, a body is found by the professor’s precious standing stone in the manor grounds. Donald and Maria discover tensions, disputes and resentment raging below the surface of this idyllic village, but can they find out which of the villagers is a cold-blooded killer?

Stella Kendrick is an all-American heiress who can’t be tamed. But when the lively aspiring equine trainer tangles with British aristocracy, she meets her match—and a murderer . . . Like the Thoroughbreds she rides across the Kentucky countryside, Stella takes adventure by the reins when she’s asked to attend a mysterious wedding in rural England. But once she arrives at the lush Morrington Hall estate, her cold, ambitious father reveals that he has arranged to give away his daughter as bride to the Earl of Atherly’s financially strapped son . . . Stella refuses to be sold off like a prized pony. Yet there’s something intriguing about her groom-to-be, the roguish Viscount “Lyndy” Lyndhurst. The unlikely pair could actually be on the right track with each other . . . until they find the vicar who was to marry them dead in the library. Now, Stella and Lyndy must put their marriage on hold to prevent an unbridled criminal from destroying their new life together right out of the gate . . . “Delightful . . . Eccentric, humorous characters add to the intrigue . . . Fans of historical cozies will be enchanted.” —Publishers Weekly “Well-drawn characters, a richly described historical setting with details of horse racing, and a tentative romance distinguish this agreeable cozy.” —Booklist

Agatha Christie’s most famous murder mystery, reissued with a striking new cover designed to appeal to the latest generation of Agatha Christie fans and book lovers.

“Delightful...Fans of Victoria Thompson or Deanna Raybourn are sure to enjoy dipping into this historical series.”—Library Journal With the dawn of the twentieth century on the horizon, the fortunes of the venerable Vanderbilt family still shine brightly in the glittering high society of Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance. . . Responding to a frantic call on her newfangled telephone from her eighteen-year-old cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress--Consuelo's mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo of a happy future. But the future is short-lived for the fortune teller, who is found dead by her crystal ball, strangled with a silk scarf. Standing above her is one of the Vanderbilts' maids, who is promptly taken into police custody. After the frenzy has died down, Consuelo is nowhere to be found. At Alva's request, Emma must employ her sleuthing skills to determine if the vanishing Vanderbilt has eloped with the beau of her choice--or if her disappearance may be directly connected to the murder. . .