Murder In France

An intriguing study of murder in France between the wars, when barely a week seemed to pass without a sensational murder occurring.

When political intrigue drove Louis Morgon from a successful career at the State Department, he moved to a cottage in France, far from Washington and what he called "the sordid world." He took up painting. He grew vegetables and flowers. He ate long, lovely meals on the terrace overlooking fields of sunflowers. He thought that he had found happiness. Then one day Louis's past lands squarely on his doorstep. It does so in the shape of a dead man. His throat has been slit. He wears a cap with liberte embroidered on it. Except for the local cop, Jean Renard, the police are strangely uninterested. This seems peculiar to Renard, but not to Louis. He knows who the murderer is. He also knows that he is likely to be the next victim. And there is very little he or Renard or anyone else can do. Each clue they find raises more questions than it answers. Nothing is as it appears. Louis's best hope is to turn the tables on his murderer. Instead of knowledge, he has only his intuition and his intelligence. Instead of power or influence, he has only his own past. Louis finds himself on a lonely and dangerous journey of self-discovery. He thought he was beyond surprises. But every turn of the road reveals new mysteries, and the resolution is a shock. A French Country Murder is a story of political intrigue, corruption and jealousy. It is also a story of love and friendship and, of course, France. This book was later published as Le Crime.

In 1718, a young woman named Moricette Nayl fought with her brother’s mother-in-law and accidentally killed her. Ruled a homicide, the incident set in motion an investigation, a trial, Moricette's flight from justice, an execution in effigy and, ultimately, the pardon of the killer and her reintegration into the community. Based on the detailed records of the court dossier, this microhistory reveals the social networks of a small town, the history of interpersonal violence, the complex criminal justice system at work, and the power of restoring harmony after a tragedy of this magnitude. An enduring mystery is the reluctance of those closest to the crime to participate in the legal process. An explanation for their silence sheds light on the turmoil of the criminal justice system in France in the decades leading up to the French Revolution. Neither independent feudal lords nor an elite tamed by an Absolutist king, the gentlemen overseeing justice in this place maintained a delicate balance between their personal power and the rule of law. The incident and its aftermath also reveal the bonds that make community possible, even in the face of senseless violence.

In August 1870 in the French village of Hautefaye, a young nobleman, falsely accused of shouting republican slogans, was tortured for hours by a mob of peasants who later burned him alive. This book is a fascinating inquiry into the social and political ingredients of an alchemy that transformed ordinary people into brutal executioners.

On the evening of May 16, 1937, the train doors opened at the Porte Dorée station in the Paris Métro to reveal a dying woman slumped by a window, an eight-inch stiletto buried to its hilt in her neck. No one witnessed the crime, and the killer left behind little forensic evidence. This first-ever murder in the Paris Métro dominated the headlines for weeks during the summer of 1937, as journalists and the police slowly uncovered the shocking truth about the victim: a twenty-nine-year-old Italian immigrant, the beautiful and elusive Laetitia Toureaux. Toureaux toiled each day in a factory, but spent her nights working as a spy in the seamy Parisian underworld. Just as the dangerous spy Mata Hari fascinated Parisians of an earlier generation, the mystery of Toureaux's murder held the French public spellbound in pre-war Paris, as the police tried and failed to identify her assassin. In Murder in the Métro, Gayle K. Brunelle and Annette Finley-Croswhite unravel Toureaux's complicated and mysterious life, assessing her complex identity within the larger political context of the time. They follow the trail of Toureaux's murder investigation to the Comité Secret d'Action Révolutionnaire, a secret right-wing political organization popularly known as the Cagoule, or "hooded ones." Obsessed with the Communist threat they perceived in the growing power of labor unions and the French left wing, the Cagoule's leaders aimed to overthrow France's Third Republic and install an authoritarian regime allied with Italy. With Mussolini as their ally and Italian fascism as their model, they did not shrink from committing violent crimes and fomenting terror to accomplish their goal. In 1936, Toureaux -- at the behest of the French police -- infiltrated this dangerous group of terrorists and seduced one of its leaders, Gabriel Jeantet, to gain more information. This operation, the authors show, eventually cost Toureaux her life. The tale of Laetitia Toureaux epitomizes the turbulence of 1930s France, as the country prepared for a war most people dreaded but assumed would come. This period, therefore, generated great anxiety but also offered new opportunities -- and risks -- to Toureaux as she embraced the identity of a "modern" woman. The authors unravel her murder as they detail her story and that of the Cagoule, within the popular culture and conflicted politics of 1930s France. By examining documents related to Toureaux's murder -- documents the French government has sealed from public view until 2038 -- Brunelle and Finley-Croswhite link Toureaux's death not only to the Cagoule but also to the Italian secret service, for whom she acted as an informant. Their research provides likely answers to the question of the identity of Toureaux's murderer and offers a fascinating look at the dark and dangerous streets of pre--World War II Paris.

Meet Aimée Leduc, the smart, stylish Parisian private investigator, in her bestselling first investigation Aimée Leduc has always sworn she would stick to tech investigation—no criminal cases for her. Especially since her father, the late police detective, was killed in the line of duty. But when an elderly Jewish man approaches Aimée with a top-secret decoding job on behalf of a woman in his synagogue, Aimée unwittingly takes on more than she is expecting. She drops off her findings at her client’s house in the Marais, Paris’s historic Jewish quarter, and finds the woman strangled, a swastika carved on her forehead. With the help of her partner, René, Aimée sets out to solve this horrendous murder, but finds herself in an increasingly dangerous web of ancient secrets and buried war crimes.

The book provides a first hand account of the processing of a murder case through the French criminal justice system from the initial police investigation through to the compilation of the dossier, the hearing and the appeal, and the press coverage of the case. The study provides an effective comparison between 'adversarial' and 'inquisitorial' processes and will be valuable for anyone with an interest in comparative law, criminal process and legal systems.

Seeking a quiet spot to write his memoirs, Laurent de Rodergues secludes himself in Saint-Chartier, a village in the heart of France where his grandfather once lived. Yet his tranquil life is soon disturbed by Carlos, an eccentric Irish-Argentine millionaire determined to give the town's medieval château a costly and controversial makeover. Where some see a benefactor, others see a high-handed intruder whose endless renovations have left their music festival without a home. And when the château is unveiled at last, after months of anticipation, the whole town turns out to gaze in wonder - only to find their host lying dead in a pool of blood. Laurent suspects foul play, and when the gendarmes find nothing, he makes it his mission to unmask the murderer. But where to begin? From jilted lovers to jealous rivals, disgruntled employees to shadowy associates - not to mention more than a few angry musicians - practically everyone had a reason to want Carlos dead. As Laurent quickly learns, beneath its idyllic façade, the town of Saint-Chartier is rife with resentment and secret passions.