Museum Of Chance

"Museum of Chance is the first publication of Museum Bhavan, which is a collection of museums made by Dayanita Singh in New Delhi. The museums hoiuse old and new images made by the artist. Each wooden structure can be placed and opened in different ways, and holds around a hundred framed images, some on view, while others wait for their turn in the reserve collection, also kept inside the structures. As Singh keeps adding images to the museums, the museums themselves give birth to other museums. For example, the Museum of Embraces comes out of the Museum of Chance, and the Museum of Vitrines is contained within the Museum of Furniture. This publication is a mass produced artist book for the museum by the same name. Each image in the book is a cover image on one of the books."--Colophon.

Now we can see / Geoff Dyer -- In conversation / Stephanie Rosenthal and Dayanita Singh -- Bookcarts -- File museum -- Little ladies museum 1961-present -- Museum of chance -- Museum of embraces -- Museum of furniture -- Museum of machines -- Museum of men, recent -- Museum of photography.

WINNER of CBC Canada Reads In the tradition of Elie Wiesel’s Night and Primo Levi’s Survival in Auschwitz comes a bestselling new memoir by Canadian survivor Finalist for the 2017 RBC Taylor Prize More than 70 years after the Nazi camps were liberated by the Allies, a new Canadian Holocaust memoir details the rural Hungarian deportations to Auschwitz-Birkenau, back-breaking slave labour in Auschwitz I, the infamous “death march” in January 1945, the painful aftermath of liberation, a journey of physical and psychological healing. Tibor “Max” Eisen was born in Moldava, Czechoslovakia into an Orthodox Jewish family. He had an extended family of sixty members, and he lived in a family compound with his parents, his two younger brothers, his baby sister, his paternal grandparents and his uncle and aunt. In the spring of1944--five and a half years after his region had been annexed to Hungary and the morning after the family’s yearly Passover Seder--gendarmes forcibly removed Eisen and his family from their home. They were brought to a brickyard and eventually loaded onto crowded cattle cars bound for Auschwitz-Birkenau. At fifteen years of age, Eisen survived the selection process and he was inducted into the camp as a slave labourer. One day, Eisen received a terrible blow from an SS guard. Severely injured, he was dumped at the hospital where a Polish political prisoner and physician, Tadeusz Orzeszko, operated on him. Despite his significant injury, Orzeszko saved Eisen from certain death in the gas chambers by giving him a job as a cleaner in the operating room. After his liberation and new trials in Communist Czechoslovakia, Eisen immigrated to Canada in 1949, where he has dedicated the last twenty-two years of his life to educating others about the Holocaust across Canada and around the world. The author will be donating a portion of his royalties from this book to institutions promoting tolerance and understanding.

Loyalty. Envy. Obligation. Dreams. Disappointment. Fear. Negligence. Coping. Elation. Lust. Nature. Freedom. Heartbreak. Insouciance. Audacity. Gluttony. Belief. God. Karma. Knowing what you want (there is probably a French word for it). Saying Yes. Destiny. Truth. Devotion. Forgiveness. Life. Happiness (ever after). Hannah and Zoe haven’t had much in their lives, but they’ve always had each other. So when Zoe tells Hannah she needs to get out of their down-and-out New Jersey town, they pile into Hannah’s beat-up old Le Mans and head west, putting everything—their deadbeat parents, their disappointing love lives, their inevitable enrollment at community college—behind them. As they chase storms and make new friends, Zoe tells Hannah she wants more for her. She wants her to live bigger, dream grander, aim higher. And so Zoe begins teaching Hannah all about life’s intangible things, concepts sadly missing from her existence—things like audacity, insouciance, karma, and even happiness. An unforgettable read from the acclaimed author of The Probability of Miracles, The Museum of Intangible Things sparkles with the humor and heartbreak of true friendship and first love.

Text by Aveek Sen.

Dayanita Singh's File Room is an elegy to paper in the age of the digitization of information and knowledge. The analogue photographer and bookmaker has a unique relationship with paper that is integral not only to the work of making of images, texts and memory, but also to a larger confrontation with chaos, mortality and disorder in the labyrinths of working bureaucratic archives in a country of more than a billion people. The endless rows of files in Indian courts, municipal offices, state archives and other such institutions for the conservation of human data create monuments to knowledge and to the arts of memory. They have their own atmosphere and architecture, rooted both in history and in the present. Archivists spend their lives organizing and conserving these forests of paper; historians and scholars forage in them for voices from the past; and the lives of ordinary men and women get entangled in the bureaucratic and litigious systems with their own copiousness of paperwork and files. Including an interview with Hans Ulrich Obrist that relates this book with Singh's other books and bodies of work, and texts by Aveek Sen that explore the different ways in which the mad world of files and paperwork continue to touch ordinary lives, File Room is itself an archive of archives. It documents, and reflects on, the nature of paper as material and symbol in the work of making photographs and books. Dayanita Singh was born in New Delhi in 1961 and studied at the National Institute of Design in Ahmedabad and the International Center of Photography in New York. Singh has exhibited at institutions including the Serpentine Gallery in London and Hamburger Bahnhof in Berlin. Handcrafting books is central to her practice. Singh's books at Steidl include Privacy (2004), Go Away Closer (2007), Sent a Letter (2008) and Dream Villa (2010).

In Dream Villa Singh explores how the night transforms what seems ordinary by day into something mysterious and unsettling. This series of colour photographs presents a landscape which exists as much in the artist's imagination as in the real world. Singh travels to many different cities never knowing where Dream Villa or its inhabitants will present themselves. It is a place where nothing is quite as it seems to be - it comes alive at night, when all is lit by artificial light and the moon is just ornamentation.

A photographic archive of dance in its manifold forms, from Bollywood to classical dance Ever since Museum of Chance (2015), and particularly in her award-winning Museum Bhavan (2017), Dayanita Singh (born 1961) has created museums in book form--little offset symphonies that create a fluid space between the museum/gallery and publishing. Now, in Museum of Dance, Singh collects all the images of people dancing that she made in the 1980s and '90s--from her mother, Nony Singh, her friend and collaborator Mona Ahmed (subject of Singh's 2001 visual novel Myself Mona Ahmed), to classical dancers and the renowned Bollywood choreographer Masterji. Published to coincide with her traveling retrospective Dancing with the Camera, this book is Singh's tribute to dance, as well as her exploration of photography and bookmaking as metaphorical forms of dance--where rehearsed and spontaneous rhythms combine through intuition in unpredictable ways.