I Love Music My First Sound Book

I Love Music  My First Sound Book
Author: Anonim
Publsiher: Cartwheel Books
Total Pages: 16
Release: 2016-10-25
Genre: Juvenile Nonfiction
ISBN: 1338032615

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Readers of every age will be enchanted by this charming board book, which is distinguished by the exceptional quality of the musical sounds that bring every picture to life. I Love Music has a button on every spread, which triggers one of six captivating sounds that introduces a familiar instrument to the reader. An incredibly simple but utterly fascinating interactive book with sounds bound to enchant young readers and ignite an early love of music! A delightful and compelling book in the My First Sound Book series that everyone in the family will enjoy reading again and again.

My First Music Book Guitar Sound Book

My First Music Book  Guitar  Sound Book
Author: IglooBooks
Publsiher: Igloo Books
Total Pages: 10
Release: 2018-09-04
Genre: Juvenile Fiction
ISBN: 1499881835

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Little ones will love learning to play music with this first guitar book. With easy-to-press buttons, and four well-known songs to master, there are hours of fun to be had with this awesome musical book.

Higher Education in Music in the Twenty First Century

Higher Education in Music in the Twenty First Century
Author: Björn Heile,Eva Moreda Rodriguez,Jane Stanley
Publsiher: Routledge
Total Pages: 212
Release: 2017-11-22
Genre: Music
ISBN: 9781317121954

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In this book, the contributors reconsider the fundamentals of Music as a university discipline by engaging with the questions: What should university study of music consist of? Are there any aspects, repertoires, pieces, composers and musicians that we want all students to know about? Are there any skills that we expect them to be able to master? How can we guarantee the relevance, rigour and cohesiveness of our curriculum? What is specific to higher education in music and what does it mean now and for the future? The book addresses many of the challenges students and teachers face in current higher education; indeed, the majority of today’s music students undoubtedly encounter a greater diversity of musical traditions and critical approaches to their study as well as a wider set of skills than their forebears. Welcome as these developments may be, they pose some risks too: more material cannot be added to the curriculum without either sacrificing depth for breadth or making much of it optional. The former provides students with a superficial and deceptive familiarity with a wide range of subject matter, but without the analytical skills and intellectual discipline required to truly master any of it. The latter easily results in a fragmentation of knowledge and skills, without a realistic opportunity for students to draw meaningful connections and arrive at a synthesis. The authors, Music academics from the University of Glasgow, provide case studies from their own extensive experience, which are complemented by an Afterword from Nicholas Cook, 1684 Professor of Music at the University of Cambridge. Together, they examine what students can and should learn about and from music and what skills and knowledge music graduates could or should possess in order to operate successfully in professional and public life. Coupled with these considerations are reflections on music’s social function and universities’ role in public life, concluding with the conviction that a university education in music is more than a personal investment in one’s future; it contributes to the public good.

The First Generation of Country Music Stars

The First Generation of Country Music Stars
Author: David Dicaire
Publsiher: McFarland
Total Pages: 312
Release: 2015-01-27
Genre: Music
ISBN: 0786485582

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This book focuses on 50 of the most important entertainers in the history of country music, from its beginnings in the folk music of early America through the 1970s. Divided into five distinct categories, it discusses the pioneers who brought mountain music to mass audiences; cowboys and radio stars who spread country music countrywide; honky-tonk and bluegrass musicians who differentiated country music during the 1940s; the major contributions that female artists made to the genre; and the modern country sound which dominated the genre from the late 1950s to the mid–1980s. Each entry includes a brief biography of the chosen artist with special emphasis on experiences which influenced their musical careers. Covered musicians include Fiddlin’ John Carson, Riley Puckett, Gene Autry, Roy Rogers, Bob Wills, Bill Monroe, Hank Williams, Sr., Dale Evans, June Carter Cash, Loretta Lynn, Buck Owens, Roy Clark, Willie Nelson and Merle Haggard.

Henry George Farmer and the First International Congress of Arab Music Cairo 1932

Henry George Farmer and the First International Congress of Arab Music  Cairo 1932
Author: Israel Katz
Publsiher: BRILL
Total Pages: 460
Release: 2015-03-20
Genre: History
ISBN: 9789004284142

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Musicologist Henry George Farmer (1882-1965) participated in the First International Congress of Arab Music in Cairo in 1932. His journal and minutes, which are presented in this book, reveal aspects and inner-workings of the Congress that have hitherto remained unknown.

Music Authorship and the Book in the First Century of Print

Music  Authorship  and the Book in the First Century of Print
Author: Kate van Orden
Publsiher: Univ of California Press
Total Pages: 256
Release: 2013-10-19
Genre: Music
ISBN: 9780520276505

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What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western musicÕs adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

Gra yna Bacewicz The First Lady of Polish Music

Gra  yna Bacewicz  The  First Lady of Polish Music
Author: Diana Ambache
Publsiher: Cambridge University Press
Total Pages: 171
Release: 2022-06-30
Genre: Music
ISBN: 9781108910309

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This Element explores the life and work of Grażyna Bacewicz (1909-1969), as a composer, violinist, pianist and author. She lived a remarkable life in Poland, navigating the complex world of Polish communist society and Soviet dominance after the Second World War, and brought Polish music to wider European attention. The Element describes the historical context of her life, her major achievements, and the language and development of her compositions, which attracted notable interest in Polish musical life. She wrote a wide range of pieces, making a significant contribution to the string repertoire, with important String Quartets and violin works. In her sixty years she achieved impressive triumphs as a women composer, served the Polish Composers Union and often judged major international competitions.

The Pianist s First Music Making For use in Conjunction with Tobias Matthay s The Child s First Steps in Piano Forte Playing Book II

The Pianist s First Music Making   For use in Conjunction with Tobias Matthay s  The Child s First Steps  in Piano Forte Playing   Book II
Author: Tobias Matthay
Publsiher: Read Books Ltd
Total Pages: 36
Release: 2020-09-17
Genre: Music
ISBN: 9781528766913

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Originally written to be read in conjunction with Matthay's “The Child's First Steps”, this book aims to offer young children and beginner piano players a series of exercises that will prove invaluable to their playing and allow them to proficiently play their first pieces of music. Tobias Augustus Matthay (1858 – 1945) was an English pianist, composer, and teacher. He was taught composition while at the Royal Academy of Music by Arthur Sullivan and Sir William Sterndale Bennett, and he was instructed in the piano by William Dorrell and Walter Macfarren. Other notable works by this author include: “The Act Of Touch In All Its Diversity” (1903), “The First Principles of Pianoforte Playing (1905)” and “Relaxation Studies” (1908). Contents include: “Weight-Touch with Arm Sideways”, “Weight-Touch with First Turned Over, Knuckles Up”, “Weight-Touch with Fingers Closed Together”, “Weight-Touch with Fingers Opened Out”, “Rotatory Exertions and Relaxations at Alternate Sides of the Hand”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.