Music Ways Of Listening
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Music Ways of Listening
Author | : Elliott Schwartz |
Publsiher | : Unknown |
Total Pages | : 570 |
Release | : 1982 |
Genre | : Music |
ISBN | : STANFORD:36105007517183 |
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"Music: Ways of Listening" is intended for use in introductory college courses for students with little or no prior background in music, and is focused upon the development of perceptive listening skills and a broad survey of the Western concert literature. -- From preface.
Ways of Listening
Author | : Eric Clarke |
Publsiher | : Oxford University Press |
Total Pages | : 256 |
Release | : 2005-07-21 |
Genre | : Music |
ISBN | : 0195348540 |
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In recent years, many psychologists and cognitive scientists have published their views on the psychology of music. Unfortunately, this scientific literature has remained inaccessible to musicologists and musicians, and has neglected their insights on the subject. In Ways of Listening, musicologist Eric Clarke explores musical meaning, music's critical function in human lives, and the relationship between listening and musical material. Clarke outlines an "ecological approach" to understanding the perception of music. The way we hear and understand music is not simply a function of our brain structure or of the musical "codes" given to us by culture, Clarke argues. Instead, cognitive, psychoacoustical, and semiotic issues must be considered within the physical and social contexts of listening. In essence, Clarke adapts John Gibson's influential ecological theory of perception to the complex process of perceiving music. In addition to making a theoretical argument, the author offers a number of case studies to illustrate his concept. For example, he analyzes the experience of listening to Jimi Hendrix's performance of the Star Spangled Banner at Woodstock in 1969. Clarke examines how Hendrix's choice of instrument and venue, use of distortion, and the political climate in which he performed all had an impact on his audience's perception of the anthem. A complex convergence of broad cultural contexts and specific musical features - the entire "ecology" of the listening experience - is responsible for this performance's impact. Including both the best psychological research and careful musicological scholarship, Clarke's book offers the most complex and insightful perspective on musical meaning to date. It will be of interest to musicologists, musicians, psychologists, and scholars of aesthetics.
Ways of Listening
Author | : Howard Meltzer |
Publsiher | : Unknown |
Total Pages | : 0 |
Release | : 2014-01-15 |
Genre | : Music appreciation |
ISBN | : 1465223843 |
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How do we listen to music? How do we talk about music? Why is music important to many people? Does music exist in all cultures? Do all people listen to music in the same way? Ways of Listening is about music and ideas about music. It explores the different ways in which people have listened to music through history.
The Listening Book
Author | : W. A. Mathieu |
Publsiher | : Shambhala Publications |
Total Pages | : 192 |
Release | : 1991-03-27 |
Genre | : Music |
ISBN | : 9780834827677 |
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The Listening Book is about rediscovering the power of listening as an instrument of self-discovery and personal transformation. By exploring our capacity for listening to sounds and for making music, we can awaken and release our full creative powers. Mathieu offers suggestions and encouragement on many aspects of music-making, and provides playful exercises to help readers appreciate the connection between sound, music, and everyday life.
Classical Music
Author | : Alexander Waugh |
Publsiher | : MacMillan Publishing Company |
Total Pages | : 152 |
Release | : 1995 |
Genre | : Apreciación musical |
ISBN | : UCSD:31822023260151 |
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Here is an innovative and thoroughly enjoyable approach to demystifying classical music for the devotee and the novice alike. Consisting of a fully illustrated book with unique musical timelines and an accompanying CD, it teaches the reader to navigate any piece of music--from operas to piano sonatas to complete orchestral movements. Over 200 color photos.
The Musician s Way A Guide to Practice Performance and Wellness
Author | : Gerald Klickstein |
Publsiher | : Oxford University Press, USA |
Total Pages | : 357 |
Release | : 2009-08-06 |
Genre | : Music |
ISBN | : 9780199711291 |
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In The Musician's Way, veteran performer and educator Gerald Klickstein combines the latest research with his 30 years of professional experience to provide aspiring musicians with a roadmap to artistic excellence. Part I, Artful Practice, describes strategies to interpret and memorize compositions, fuel motivation, collaborate, and more. Part II, Fearless Performance, lifts the lid on the hidden causes of nervousness and shows how musicians can become confident performers. Part III, Lifelong Creativity, surveys tactics to prevent music-related injuries and equips musicians to tap their own innate creativity. Written in a conversational style, The Musician's Way presents an inclusive system for all instrumentalists and vocalists to advance their musical abilities and succeed as performing artists.
Musical Listening in the Age of Technological Reproduction
Author | : Gianmario Borio |
Publsiher | : Routledge |
Total Pages | : 486 |
Release | : 2016-04-29 |
Genre | : Music |
ISBN | : 9781317091448 |
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It is undeniable that technology has made a tangible impact on the nature of musical listening. The new media have changed our relationship with music in a myriad of ways, not least because the experience of listening can now be prolonged at will and repeated at any time and in any space. Moreover, among the more striking social phenomena ushered in by the technological revolution, one cannot fail to mention music’s current status as a commodity and popular music’s unprecedented global reach. In response to these new social and perceptual conditions, the act of listening has diversified into a wide range of patterns of behaviour which seem to resist any attempt at unification. Concentrated listening, the form of musical reception fostered by Western art music, now appears to be but one of the many ways in which audiences respond to organized sound. Cinema, for example, has developed specific ways of combining images and sounds; and, more recently, digital technology has redefined the standard forms of mass communication. Information is aestheticized, and music in turn is incorporated into pre-existing symbolic fields. This volume - the first in the series Musical Cultures of the Twentieth Century - offers a wide-ranging exploration of the relations between sound, technology and listening practices, considered from the complementary perspectives of art music and popular music, music theatre and multimedia, composition and performance, ethnographic and anthropological research.
What to Listen for in Music
Author | : Aaron Copland |
Publsiher | : Signet Book |
Total Pages | : 192 |
Release | : 1957 |
Genre | : Music |
ISBN | : 0451617215 |
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In this fascinating analysis of how to listen to music intelligently, Aaron Copland raises two basic questions: Are you hearing everything that is going on? Are you really being sensitive to it? If you cannot answer yes to both questions, you owe it to yourself to read this book. Whether you listen to Mozart or Duke Ellington, Aaron Copland's provocative suggestions for listening to music from his point of view will bring you a deeper appreciation of the most rewarding of all art forms. This classic work, the only book of its kind written by an eminent American composer, features: - Chapters on contemporary music and film music - Recommended recordings for each chapter - A selected list of books for further reading and reference In this edition, leading music critic Alan Rich continues Copland's discussion of contemporary music for today's listeners and traces the composer's success in bringing music lovers "closer to the magical mysteries of the music we can hear and want to hear better."