Nature Notes

Once in a great while, as the New York Times noted recently, a naturalist writes a book that changes the way people look at the living world. John James Audubon’s Birds of America, published in 1838, was one. Roger Tory Peterson’s 1934 Field Guide to the Birds was another. How does such insight into nature develop? Pioneering a new niche in the study of plants and animals in their native habitat, Field Notes on Science and Nature allows readers to peer over the shoulders and into the notebooks of a dozen eminent field workers, to study firsthand their observational methods, materials, and fleeting impressions. What did George Schaller note when studying the lions of the Serengeti? What lists did Kenn Kaufman keep during his 1973 “big year”? How does Piotr Naskrecki use relational databases and electronic field notes? In what way is Bernd Heinrich’s approach “truly Thoreauvian,” in E. O. Wilson’s view? Recording observations in the field is an indispensable scientific skill, but researchers are not generally willing to share their personal records with others. Here, for the first time, are reproductions of actual pages from notebooks. And in essays abounding with fascinating anecdotes, the authors reflect on the contexts in which the notes were taken. Covering disciplines as diverse as ornithology, entomology, ecology, paleontology, anthropology, botany, and animal behavior, Field Notes offers specific examples that professional naturalists can emulate to fine-tune their own field methods, along with practical advice that amateur naturalists and students can use to document their adventures.

A collection of stories and images to celebrate the natural world around us. This book makes a great gift for anyone who loves Maine wildlife. It was written by Harpswell's Ed Robinson. All proceeds from the sale of the book will benefit the work of Harpswell Heritage Land Trust to preserve special places in Harpswell and educate and engage our community.

The spread of the towns, the disforesting of the hills, and other causes are conspiring to destroy many of the conditions which made the Riviera of former days so happy a resort for the lovers of Nature. But there will always be much to observe and much to study in so favoured a region. Quirky, erudite and eminently readable, the fifty-four essays comprising Riviera Nature Notes give an astonishingly clear picture of plant and animal life in the South of France at the turn of the twentieth century--not to mention a fascinating insight into the social mores of the time. A hundred years later the book is as fresh, topical and inviting as when it was first published. Preferring to remain anonymous as a naturalist, not only out of modesty but to guard the integrity of his liturgical writings, its clergyman author speaks of olives and pines, myrtles and figs, mosquitoes and rare butterflies--to name but a few of his subjects--with such passion and verve as to bring the land from the Ligurian coastline to the Maritime Alps vividly alive. gardens at La Mortola, Italy and benefactor of the Royal Horticultural Society's sixty-acre estate at Wisley, a second edition incorporated photographs taken by the temperamental and extravagant heiress Ellen Wilmot, in many ways a greater figure in the plant world than her close contemporary Gertrude Jekyll. Our anonymous author moved in the best horticultural and botanical circles, wore his learning lightly, and unusually for the time, spoke to the common man and the general reader on equal terms. With an engaging, sometimes acerbic, always entertaining and informative voice speaking effortlessly across the years, he will once again garner admirers among nature lovers, gardeners and travellers alike.

Nineteenth-century writer and journalist Louisa Atkinson was a remarkable woman. She was the author, at the age of 23, of the first novel penned by a native-born woman to be published in Australia. She was also a keen naturalist, whose close observations and detailed knowledge of the natural world found expression in the articles she wrote for Sydney newspapers. Yet Louisa Atkinson also created many artworks of the flora and fauna around her home in the Blue Mountains, most of which went unpublished during her lifetime. Presented in the style of a sketchbook, and organised by season, Louisa Atkinson’s Nature Notes teams Louisa’s beautiful drawings and paintings of Australian plants, animals and birds with short extracts from her nature writings. The book includes an essay about Louisa Atkinson’s life and milieu by nature and science writer Penny Olsen. In Louisa Atkinson: Nature Notes Louisa’s beautiful sketches of Australian plants and wildlife are brought together with her articles from the Sydney newspapers in a reimagining of one of her sketchbooks. The result is a season-by-season account of nature in the Australian bush, observed by one who had a great respect and love for even the smallest of creatures. Perfect for dipping into, Louisa Atkinson’s Nature Notes is a nostalgic coffee-table book for anyone who loves art, nature or history. An ideal Mother’s Day or Christmas gift. The selection of Louisa’s writings was edited and chosen by natural history author, Penny Olsen, who has also contributed a short lively biography at the back of the book.