Nothing Ever Happens Here

Warm and hopeful, this is a touching and honest depiction of a family changing together-and staying together. "I wonder what people would think if they could take the front off our house like a doll's house and watch us. All in the same house, but everyone separate. No one talking, but everyone thinking the same thing. Will we ever be a normal family again?" Izzy's family is under the spotlight when her dad comes out as Danielle, a trans woman. Izzy is terrified her family will be torn apart. Will she lose her dad? Will her parents break up? And what will people at school say? Now all eyes are on Izzy. Can she face her fears, find her voice, and stand up for her family and what's right?

An accessible child-centred story about self-acceptance and the importance of opening up to those closest to you. Becky and Josh are almost-twins, with two mums and the same anonymous donor dad. Josh can't wait until he's eighteen, the legal age when he can finally contact his donor, and he'll do anything to find out more - even if it involves lying. Becky can't stop thinking about her new friend, Carli. Could her feelings for Carli be a sign of something more? Becky and Josh both want their parents to be proud of them...but right now, they're struggling to even accept themselves. Praise for Sarah Hagger-Holt's debut, Nothing Ever Happens Here "A barrier-breaking, empathy-inducing story for all." LoveReading4Kids "I can't wait for kids to read it - it's a book a lot of people need right now." Jay Hulme, award-winning poet "Compassionate and sweet and full of people trying their best. Highly recommended." Robin Stevens "Pitch perfect as far as I'm concerned. I wish there'd been books like this in my day." Christine Burns MBE, British Political Activist

This isn’t a romance of easy solutions. It’s a love story between two men who should never have come together. In Andrew’s world, nothing much happens. His days with his wife and son are content, if not passionate. The new neighbors are about to change all that Nathan is looking forward to the arrival of his new baby and his first teaching job. Then he meets Andrew, and his world turns upside down. Tension morphs into passion and it’s obvious to everyone, however hard they try to hide it. Even from each other. But Andrew and Nathan love their families too. Making decisions is never easy and in a small cul-de-sac, the two men have hard choices to make. Do they follow their hearts or their responsibilities? CW: Cheating

A New York Times Book Review Notable Book of 2017 An electrifying first collection from one of the most exciting short story writers of our time "I can’t recall the last time I laughed this hard at a book. Simultaneously, I’m shocked and scandalized. She’s brilliant, this young woman."—David Sedaris Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel. And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

A New York Times Bestseller • A Read with Jenna Today Show Book Club Pick! Named a Best Book of the Year by The New York Times Book Review, The Washington Post, People, Entertainment Weekly, USA Today, TIME, The A.V. Club, Buzzfeed, and PopSugar “I can’t believe how good this book is.... It’s wholly original. It’s also perfect.... Wilson writes with such a light touch.... The brilliance of the novel [is] that it distracts you with these weirdo characters and mesmerizing and funny sentences and then hits you in a way you didn’t see coming. You’re laughing so hard you don’t even realize that you’ve suddenly caught fire.” —Taffy Brodesser-Akner, author of Fleishman is in Trouble, New York Times Book Review From the New York Times bestselling author of The Family Fang, a moving and uproarious novel about a woman who finds meaning in her life when she begins caring for two children with a remarkable ability. Lillian and Madison were unlikely roommates and yet inseparable friends at their elite boarding school. But then Lillian had to leave the school unexpectedly in the wake of a scandal and they’ve barely spoken since. Until now, when Lillian gets a letter from Madison pleading for her help. Madison’s twin stepkids are moving in with her family and she wants Lillian to be their caretaker. However, there’s a catch: the twins spontaneously combust when they get agitated, flames igniting from their skin in a startling but beautiful way. Lillian is convinced Madison is pulling her leg, but it’s the truth. Thinking of her dead-end life at home, the life that has consistently disappointed her, Lillian figures she has nothing to lose. Over the course of one humid, demanding summer, Lillian and the twins learn to trust each other—and stay cool—while also staying out of the way of Madison’s buttoned-up politician husband. Surprised by her own ingenuity yet unused to the intense feelings of protectiveness she feels for them, Lillian ultimately begins to accept that she needs these strange children as much as they need her—urgently and fiercely. Couldn’t this be the start of the amazing life she’d always hoped for? With white-hot wit and a big, tender heart, Kevin Wilson has written his best book yet—a most unusual story of parental love.

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

A deeply personal collection filled with reflections on love, death, creativity and healing, from the award-winning author of Bruny and The Museum of Modern Love. 'Funny, devastating, miraculous, and delightful. This is an extraordinary life story, extraordinarily told.' Bri Lee, author of Eggshell Skull '[Rose] takes us to the edge of a volcanic crater of grief, passion and spirituality. Dazzling and devastating.' Tim Rogers, author of Detours Born on the island of Tasmania, Heather Rose falls in love with nature, but a family tragedy at age twelve sets her on a course to explore life and all its mysteries. Here is a wild barefoot girl keen for adventure, a seeker of truth initiated in ancient rituals, a fledgling writer who becomes one of Australia's most acclaimed authors, a fierce mother whose body may falter at any moment. Nothing Bad Ever Happens Here is a luminous, compelling and utterly surprising memoir by the bestselling author of Stella Prize-winner The Museum of Modern Love and Bruny. Heartbreaking and beautiful, this is a love story brimming with courage and joy against all odds, one that will bring wonder, light and comfort to all who read it. Praise for Heather Rose: 'With rare subtlety and humanity, this novel relocates the difficult path to wonder in us all.' The Christina Stead Prize judges on The Museum of Modern Love 'A glorious novel, meditative and special in a way that defies easy articulation.' Hannah Kent, author of Burial Rites on The Museum of Modern Love 'An entertaining and thought-provoking romp with authentic dialogue with characters that are all complex and multidimensional...Rose writes with emotional intuition [and] has that eminently readable interiority that only a novel can bring.' Louise Swinn, The Saturday Paper on Bruny 'Audacious and beautiful.' Dominic Smith, author of The Last Painting of Sara de Vos on The Museum of Modern Love 'Captivating ... a gem of a novel.' Library Journal, starred review on The Museum of Modern Love 'Heather Rose takes no prisoners in this hugely entertaining satirical novel.' Readings on Bruny 'Part political thriller, part family saga, part love letter to Tasmania, this is [Rose's] most ambitious novel to date.' Australian Book Review on Bruny 'Believable, relatable people, families, romance, grief and the terser political narrative all come together with magnificent brio.' The Sydney Morning Herald on Bruny 'Deeply involving ... profound ... emotionally rich and thought-provoking.' Booklist, starred review on The Museum of Modern Love 'From the first pages of The River Wife, the reader is struck by the beauty of the prose. There is a fluid brook-like quality to the writing. (A celebration of) the beauty of nature and the enduring power of story.' The Age