Odd Girl Out

The classic 1950s love story from the Queen of Lesbian Pulp Fiction, and author of Odd Girl Out, I Am a Woman, Women in the Shadows, Journey to a Woman and Beebo Brinker She was the brain, the sparkle, the gay rebel of the sorority, and wonders of wonders, she chose Laura as her roommate. That was how it began... Suddenly they were alone on an island of forbidden bliss Taking a pseudonym in the interest of privacy, Bannon wrote her first book, Odd Girl Out, as a coming-of-age novel that involved love between college sorority sisters. When an editor singled-out the school-girl romance as her story's most compelling feature, the book was re-written for a lesbian pulp fiction audience. Unlike most pulps, however, Bannon broke with tradition by avoiding sensationalistic plots in favour of emotionally engaged character development. Odd Girl Out enjoyed tremendous success, inspiring other ground-breaking works, most notably Beebo Brinker. “Odd Girl Out begins the saga of Laura, off on her own at college, appallingly shy and terminally polite...Laura meets Beth, whose brash straightforwardness and friendly attitude take the younger woman by storm, leading into an equally stormy affair” Metro Times

A sensory portrait of an autistic mind From childhood, Laura James knew she was different. She struggled to cope in a world that often made no sense to her, as though her brain had its own operating system. It wasn't until she reached her forties that she found out why: Suddenly and surprisingly, she was diagnosed with autism. With a touching and searing honesty, Laura challenges everything we think we know about what it means to be autistic. Married with four children and a successful journalist, Laura examines the ways in which autism has shaped her career, her approach to motherhood, and her closest relationships. Laura's upbeat, witty writing offers new insight into the day-to-day struggles of living with autism, as her extreme attention to sensory detail--a common aspect of her autism--is fascinating to observe through her eyes. As Laura grapples with defining her own identity, she also looks at the unique benefits neurodiversity can bring. Lyrical and lush, Odd Girl Out shows how being different doesn't mean being less, and proves that it is never too late for any of us to find our rightful place in the world.

Identifies the subtle means by which girls behave aggressively toward one another and examines specific behaviors while explaining the importance of enabling girls to express anger and resolve conflicts.

Ex-government agent Frank Compton must keep an extraordinary little girl safe from the malevolent group intelligence seeking to enslave the universe in the explosive third installment of Hugo Award–winning author Timothy Zahn’s Quadrail series Frank Compton is glad he’s finally back on his home planet of Earth—galaxy-hopping aboard the Quadrail on his continuing mission to prevent the Modhri group mind from ruling the universe is exhausting business—but hadn’t expected to find a young woman waiting for him in his New York apartment with a loaded gun in her hand. Ignoring her demands that he rescue her 10-year-old sister, the former Western Alliance Intelligence agent sends his unwelcome guest packing—only to find himself under arrest the following day for her brutal murder. Released on bail and determined to do the right thing, Compton makes tracks for the world of New Tigris. But a captive child is not all that he discovers there: Little Rebekah may also hold the key to the ultimate defeat of the Modhri. Suddenly, keeping one small girl safe is the most important—and dangerous—task Compton has ever undertaken. And with the Modhris’ mind-slave “walkers” everywhere, there may be no safe place for an “abomination” and her protector to hide.

From the lauded, bestselling author of the Cazalet Chronicles, in Odd Girl Out, Elizabeth Jane Howard reveals with devastating accuracy a marriage put in a most destructive situation. Anna and Edmund Cornhill have a happy marriage and a lovely home. They are content, complete, absorbed in their private idyll. Arabella, who comes to stay one lazy summer, is rich, rootless and amoral – and, as they find out, beautiful and loving. With her elegant prose the author traces the web of love and desire that entangles these three; but it is Arabella who finally loses out.

When Odd Girl Out was first published, it ignited a long-overdue conversation about the hidden culture of female bullying. Today the dirty looks, taunting notes and social exclusion that plague girls' friendships have gained new momentum in cyberspace. In this revised and updated edition, educator and bullying expert Rachel Simmons gives girls, parents and educators proven and innovative strategies for navigating social dynamics online, as well as brand new classroom initiatives and step-by-step parental suggestions for dealing with conventional bullying. Including the latest research and real-life stories, Odd Girl Out continues to be the definitive resource on the most pressing social issues facing girls today.

Bestselling author of Odd Girl Out, Rachel Simmons exposes the myth of the Good Girl, freeing girls from its impossible standards and encouraging them to embrace their real selves In The Curse of the Good Girl, bestselling author Rachel Simmons argues that in lionizing the Good Girl we are teaching girls to embrace a version of selfhood that sharply curtails their power and potential. Unerringly nice, polite, modest, and selfless, the Good Girl is a paradigm so narrowly defined that it's unachievable. When girls inevitably fail to live up-experiencing conflicts with peers, making mistakes in the classroom or on the playing field-they are paralyzed by self-criticism, stunting the growth of vital skills and habits. Simmons traces the poisonous impact of Good Girl pressure on development and provides a strategy to reverse the tide. At once expository and prescriptive, The Curse of the Good Girl is a call to arms from a new front in female empowerment. Looking to the stories shared by the women and girls who attend her workshops, Simmons shows that Good Girl pressure from parents, teachers, coaches, media, and peers erects a psychological glass ceiling that begins to enforce its confines in girlhood and extends across the female lifespan. The curse of the Good Girl erodes girls' ability to know, express, and manage a complete range of feelings. It expects girls to be selfless, limiting the expression of their needs. It requires modesty, depriving the permission to articulate their strengths and goals. It diminishes assertive body language, quieting voices and weakening handshakes. It touches all areas of girls' lives and follows many into adulthood, limiting their personal and professional potential. Since the popularization of the Ophelia phenomenon, we have lamented the loss of self-esteem in adolescent girls, recognizing that while the doors of opportunity are open to twenty-first-century American girls, many lack the confidence to walk through them. In The Curse of the Good Girl, Simmons provides a catalog of tangible lessons in bolstering the self and silencing the curse of the Good Girl. At the core of Simmons's radical argument is her belief that the most critical freedom we can win for our daughters is the liberty not only to listen to their inner voice but also to act on it.

A broad spectrum of lesbian life, past and present.