Patterns In Interior Environments

Das Buch bietet eine Fülle technischer Informationen zu psychophysischen und psychologischen Effekten verschiedener Typen von Strukturen und Mustern in der Wohnumgebung und zu deren Wahrnehmung durch den Kunden. Zahlreiche teils farbige Photos verdeutlichen, welche Muster sich für Lehr- oder Verkaufsräume, Krankenhäuser und Erholungsheime, Kantinen und andere spezielle Lebensbereiche eignen. (03/99)

The new edition of the leading textbook remains the gold standard for interior design education. In this twelfth edition of Beginnings of Interior Environments, established interior designer and professor Lynn M. Jones, ASID, IDEC collaborates with innovator Heidi Plumb, IIDA, IDEC, to deliver a practical and balanced overview of commercial and residential interior design. Written to offer coverage of the creative and technical characteristics of the profession, the text also addresses Council for Interior Design Accreditation (CIDA) content. Part I opens with a discussion on the scope and value of the profession and includes a pictorial overview of the history of design. Subsequent parts cover design fundamentals, the spatial envelope—including space planning and systems—, products and materiality, and designing for a living. A new chapter addresses the art and science of visual communications. Hundreds of images from actual design projects, supplied by national and international design firms, illustrate quality examples. “Precedent Studies” include in-house production work from these practicing designers. Content, updated throughout, includes additional information on design thinking, inclusivity, WELL building standards, casework, and architectural millwork. New end-of-chapter self-directed projects provide students the opportunity to apply their knowledge. Written by two successful educators and practitioners, both NCIDQ certified with terminal degrees, the text applies a balance between education and practice. It is the ideal textbook for introductory interior design or interior architecture courses, and an invaluable resource for anyone looking to apply a holistic interior design perspective to their own home or business. As in previous editions, the text Introduces interior design with a foundation in its health, safety, and welfare benefits Explores design fundamentals, including visual literacy, and the elements and principles of design, with a special emphasis on color and now visual communications Discusses construction, including building components, codes, regulations, as well as lighting, electrical, and communication systems Offers an in-depth examination of the profession, including career pathways and professional organizations Reviews critical global issues such as sustainability, universal design, and culturally sensitive design Includes a dedicated section on interior materials and finishes—floorings, ceilings, wallcoverings, upholstery—and furnishings such as furniture, art, and accessories Leads students to analyze the needs of clients to design safe and sustainable environments that enhance the quality of life Includes a companion site for instructors featuring PowerPoint slides and an Instructor's manual with discussion points, objectives, lecture outlines, learning activities, and example quizzes with answers

Sustainable Design for Interior Environments, 2nd Edition, builds on the first edition s premise that the interior design profession has a social and moral responsibility to protect the health, safety, and welfare of people and the environment. The text equips professors, students, and practitioners to design sustainable interiors by addressing LEED certification, environmental concerns, ecosystems, ethics, values, worldviews, and the ways in which science and technology can be used to address environmental challenges. Through content, organization, and pedagogical features, the book integrates complex sustainability topics directly into the design process, thereby enabling readers to apply the concepts of sustainability with the same ease as they do the elements and principles of design.

Sustainable Design for Interior Environments, 2nd Edition, builds on the first edition's premise that the interior design profession has a social and moral responsibility to protect the health, safety, and welfare of people and the environment. The text equips professors, students, and practitioners to design sustainable interiors by addressing LEED certification, environmental concerns, ecosystems, ethics, values, worldviews, and the ways in which science and technology can be used to address environmental challenges. Through content, organization, and pedagogical features, the book integrates complex sustainability topics directly into the design process, thereby enabling readers to apply the concepts of sustainability with the same ease as they do the elements and principles of design.

Organized by types of materials and applications, this guidehelps designers successfully address material evaluation andselection of interior components. Engagingly written, highlydetailed, and helpfully illustrated with more than 550 colorillustrations, Materials for Interior Environments is acomprehensive guide to everything a designer needs to know aboutthe materials available for interiors—from aestheticqualities to manufacturing and fabrication, applications,installation and maintenance, and specifications for materials usedin commercial and residential applications.

Published on the eve of the fortieth anniversary of Designers Guild, this lavishly illustrated portfolio showcases the latest interior designs by one of the world’s most acclaimed designers. This is Tricia Guild’s most ambitious and sumptuous book to date: a stunning survey of interiors that feature her signature sense of "contemporary traditional" style with layers of pattern, bold colors, and varying textures. Always at the forefront of interior design, Tricia Guild has achieved critical acclaim with her up-to-the-minute collections of fabrics, wallpapers, and furnishings that showcase her unparalleled gift for color, innate understanding of space and proportion, and sheer brilliance at mixing patterns and textures. She blends femininity and understated elegance in her uniquely innovative yet classic approach whether designing a sleek Manhattan loft, a casual English country bedroom, a rustic Mediterranean-style hacienda, or an eclectic Parisian apartment. Truly a feast for the eye, the book features layers of pattern and color, a stunning binding with several different materials and textures, and three different types of paper. Original six-color photographs and a text rich in insights from the designer’s own design briefs and sketches make this a useful sourcebook for professionals and will inspire anyone aspiring to decorate their own home.

You can use this book to design a house for yourself with your family; you can use it to work with your neighbors to improve your town and neighborhood; you can use it to design an office, or a workshop, or a public building. And you can use it to guide you in the actual process of construction. After a ten-year silence, Christopher Alexander and his colleagues at the Center for Environmental Structure are now publishing a major statement in the form of three books which will, in their words, "lay the basis for an entirely new approach to architecture, building and planning, which will we hope replace existing ideas and practices entirely." The three books are The Timeless Way of Building, The Oregon Experiment, and this book, A Pattern Language. At the core of these books is the idea that people should design for themselves their own houses, streets, and communities. This idea may be radical (it implies a radical transformation of the architectural profession) but it comes simply from the observation that most of the wonderful places of the world were not made by architects but by the people. At the core of the books, too, is the point that in designing their environments people always rely on certain "languages," which, like the languages we speak, allow them to articulate and communicate an infinite variety of designs within a forma system which gives them coherence. This book provides a language of this kind. It will enable a person to make a design for almost any kind of building, or any part of the built environment. "Patterns," the units of this language, are answers to design problems (How high should a window sill be? How many stories should a building have? How much space in a neighborhood should be devoted to grass and trees?). More than 250 of the patterns in this pattern language are given: each consists of a problem statement, a discussion of the problem with an illustration, and a solution. As the authors say in their introduction, many of the patterns are archetypal, so deeply rooted in the nature of things that it seemly likely that they will be a part of human nature, and human action, as much in five hundred years as they are today.