Perfect Illusion

From showmance to romance? Will Alex open her heart (and mind) and let notorious playboy Daniel Kerrington in? Part of the Perfect universe that includes Perfect Addiction, the fan favorite novel that inspired the film! Now a motion picture on Amazon Prime starring Kiana Madeira, Ross Butler, and Matthew Noszka! When her parents’ company fails, Alex Woods finds herself at the mercy of billionaire Harry Kerrington, who will bail them out but only at a cost. That price? Alex must agree to be engaged to Harry’s playboy son for a period of three years. Three years to put her life on hold. Three years where she has to pretend. Three years she won’t get back . . . Daniel isn’t happy about the arrangement, either. But he’s willing to make it work, to prove to his father that he’s ready to run the company. And when the sparks do more than fly, Daniel will do anything to prove to Alex that he’s worthy of her, that he’s changed his ways. Except she doesn’t know if she can ever trust him, or her heart—both of which have betrayed her before . . . Perfect Illusion is the first book in the Perfect Series from Claudia Tan, and this steamy new adult romance from the Wattpad superstar will take your heart for a ride and never let go!

A Historical Introduction to the Philosophy of Mind is designed both to provide a selection of core readings on the subject and to make those readings accessible by providing commentaries to guide the reader through initially intimidating material. Each commentary explains technical concepts and provides background on obscure arguments as they arise, setting them in the historical and intellectual milieu from which they emerged. The readings concentrate on providing the student with a solid grounding in the theories of representative figures of the major philosophical movements, from Plato and Aristotle to important recent figures such as Fodor and Dennett. A glossary of key terms is also included.

It does not treat Romanticism as a limited "period" dominated by some construed singular master-ethos or dialectic; rather, it follows the literary patterns and dynamics of Romanticism as a flow of interactive currents across geocultural frontiers

Have you always wondered how to be an illusionist? Do you wish to perform on a large stage for thousands of people? Maybe you are a working magician specializing in close up or stage magic and are looking to put together a bigger show for a special event? "How to be an Illusionist" is a first-of-its kind introductory reference guide on performing a modern illusion show in today's entertainment & pop culture market. In this comprehensive guide, you will learn step by step how to put an illusion show together, regardless of whether you perform illusions for fun, as a hobby, part-time or professionally. You will receive a goldmine of information that will empower you with practical knowledge to take on the world of grand illusions; including a primer on over 100 well-known illusions performed today with credits. The reference guide consists of 10 modules of information that is worth thousands of dollars' to the performing illusionist and has taken years of experience to learn and develop. It features over 80 full-colour photographs of a dozen international illusionists in performance including David DaVinci (USA), David & Abi Haines (USA), Kyle Knight & Mistie (USA), Miguel Gavilan (Spain), Hector Ruiz (Spain), Remy Savary (France), Adeline Ng (Singapore), Daniel Ka (Spain), Sam Powers (Australia), Jason Bishop (USA), Jay Mattioli (USA) and Sean Alexander (U.K.)."

Charles Travis presents a series of connected essays on current topics in philosophy of perception. The book is informed throughout by a number of central insights of Gottlob Frege's, notably about some intrinsic differences between objects of thought and objects of perception, and about the essential publicity of thought, and hence of its objects. Travis addresses a number of key questions, including how perception can make the world bear for the perceiver on the thing for him to do or think; what it might be for there to be perceptual experiences indistinguishable from ones of perceiving (hence from experiences of one's surroundings); what it might be for things to look a certain way to the experiencer, where this is not for things to look that way; what the upshot of (sub-personal) perceptual processing might be, what sorts of capacities are drawn on in representing something as (being) something. Besides Frege, the essays owe much to J. L. Austin, something to J. M. Hinton, and more than a little to John McDowell and to Thompson Clarke. They engage critically with McDowell and with Clarke, as well as with such philosophers as Christopher Peacocke, Tyler Burge, Jerry Fodor, Elisabeth Anscombe, A. J. Ayer, and H. A. Prichard.

In his new book, perhaps the most cogent expression of his mature thought, Jean Baudrillard turns detective in order to investigate a crime which he hopes may yet be solved: the "murder" of reality. To solve the crime would be to unravel the social and technological processes by which reality has quite simply vanished under the deadly glare of media "real time." But Baudrillard is not merely intending to lament the disappearance of the real, an occurrence he recently described as "the most important event of modern history," nor even to meditate upon the paradoxes of reality and illusion, truth and its masks. The Perfect Crime is also the work of a great moraliste: a penetrating examination of vital aspects of the social, political and cultural life of the "advanced democracies" in the (very) late twentieth century. Where critics like McLuhan once exposed the alienating consequences of "the medium," Baudrillard lays bare the depredatory effects of an oppressive transparency on our social lives, of a relentless positivity on our critical faculties, and of a withering 'high definition' on our very sense of reality.

Why would a talented young woman enter into a torrid affair with hunger, drugs, sex, and death? Through five lengthy hospital stays, endless therapy, and the loss of family, friends, jobs, and all sense of what it means to be "normal," Marya Hornbacher lovingly embraced her anorexia and bulimia -- until a particularly horrifying bout with the disease in college put the romance of wasting away to rest forever. A vivid, honest, and emotionally wrenching memoir, Wasted is the story of one woman's travels to reality's darker side -- and her decision to find her way back on her own terms.