Perpetual Motion

The deceptively simple task of making a mechanism which would turn forever has fascinated many famous men and physicists throughout the centuries. In fact, the basic tenets of engineering grew from the failures of these perpetual motion machine designers. This work offers an illustrated overview of perpetual motion machines and their inventors.

Inspired by a brother's high school science project--a perpetual motion machine that could save the world-- The Perpetual Motion Machine is a memoir in essays that attempts to save a sibling by depicting the visceral pain that accompanies longing for some past impossibility. The collection has been a science project in its study of memory, in the calculation and plotting of the moments that make up a childhood. The preparation has been "in the field" in that it is built upon the gathering of lived experience; the evidence is photo albums, family interviews, and anecdotes from friends. The project has been one giant experiment--to see if they can all make it out alive.

A new exploration of how digital media assert the relevance of dance in a wired world How has the Internet changed dance? Dance performances can now be seen anywhere, can be looped endlessly at user whim, and can integrate crowds in unprecedented ways. Dance practices are evolving to explore these new possibilities. In Perpetual Motion, Harmony Bench argues that dance is a vital part of civil society and a means for building participation and community. She looks at how, after 9/11, it became a crucial way of recuperating the common character of public spaces. She explores how crowdsourcing dance contributes to the project of performing a common world, as well as the social relationships forged when we look at dance as a gift in the era of globalization. Throughout, she asks how dance brings people together in digital spaces and what dance’s digital travels might mean for how we experience and express community. From original research on dance today to political economies of digital media to the philosophy of dance, Perpetual Motion provides an ambitious, invigorating look at a commonly shared practice.

Set in southern Ontario in the late nineteenth century, at a time when the machine age was coming into its own, Perpetual Motion chronicles the fortunes of settler Robert Fraser, a man obsessed with power and control. Driven by the idea of inventing a perpetual motion machine which will utilize natural energy, he neglects and destroys not only the nature around him but his own family too, as his overbearing rationality becomes a kind of tragic lunacy. First published in 1982, Perpetual Motion is Graeme Gibson’s superb evocation of a time when faith in material progress is still challenged by superstition and a lingering belief in magic. It is an ironic yet compassionate examination of the painful consequences of human folly.

Imprisoned for life aboard a zeppelin that floats high above a fantastic metropolis, greeting-card writer Harold Winslow pens his memoirs. His only companions are the disembodied voice of Miranda Taligent, the only woman he has ever loved, and the cryogenically frozen body of her father, Prospero, the genius and industrial magnate who drove her insane. As Harold heads toward a last desperate confrontation with Prospero to save Miranda's life, he finds himself an unwitting participant in the creation of the greatest invention of them all: the perpetual motion machine. Beautifully written, stunningly imagined, and wickedly funny, Dexter Palmer's The Dream of Perpetual Motion is a heartfelt meditation on the place of love in a world dominated by technology.

In the last days of 1907, the German novelist and exponent of glass architecture Paul Scheerbart embarked upon an attempt to invent a perpetual motion machine. For the next two and a half years he would document his ongoing efforts (and failures) from his laundry-room-cum-laboratory, hiring plumbers and mechanics to construct his models while spinning out a series of imagined futures that his invention-in-the-making was going to enable. The Perpetual Motion Machine: The Story of an Invention, originally published in German in 1910, is an indefinable blend of diary, diagrams and digression that falls somewhere between memoir and reverie: a document of what poet and translator Andrew Joron calls a "two-and-a-half-year-long tantrum of the imagination." Shifting ambiguously from irony to enthusiasm and back, Scheerbart's unique amalgamation of visionary humor and optimistic failure ultimately proves to be a more literary invention than scientific: a perpetual motion of a fevered imagination that reads as if Robert Walser had tried his hand at science fiction. With "toiling wheels" inextricably embedded in his head, Scheerbart's visions of rising globalization, ecological devastation, militaristic weapons of mass destruction and the possible end of literature soon lead him to dread success more than failure. The Perpetual Motion Machine is an ode to the fertility of misery and a battle cry of the imagination against praxis.

A study of the life and work of Johann Bessler (aka Orffyreus)who claimed that he had perfected a Perpetual Motion machine in 1712. The evidence for his claims is examined and proof of his sincerity is discussed. The previously unknown existence of a coded message is revealed and described and the possible way in which the machine was constructed is examined.

Annotation Baker (curriculum and instruction, U. of Wisconsin) explores the history of philosophical treatments of the idea of "the child" and relates it to the development of concepts of pedagogical theory. Primarily focusing on the works of John Locke, Jean-Jacques Rousseau, Johann Herbart, and G. Stanley Hall, she describes how the notion of "the child" was related to theories about reason, interiority, and power. Her analysis owes much of its theoretical base to the work of postmodern philosophers such as Foucault and Derrida. Annotation c. Book News, Inc., Portland, OR (booknews.com)