Popish Midwife

In seventeenth-century London, thirteen years after the plague and twelve years after the Great Fire, the restoration of King Charles II has dulled the memory of Cromwell's puritan rule, yet fear and suspicion are rife. Religious turmoil is rarely far from tipping the scales into hysteria.Elizabeth Cellier, a bold and outspoken midwife, regularly visits Newgate Prison to distribute alms to victims of religious persecution. There she falls in with the charming Captain Willoughby, a debtor, whom she enlists to gather information about crimes against prisoners, so she might involve herself in petitioning the king in their name.''Tis a plot, Madam, of the direst sort.' With these whispered words Willoughby draws Elizabeth unwittingly into the infamous Popish Plot and soon not even the fearful warnings of her husband, Pierre, can loosen her bond with it.This is the incredible true story of one woman ahead of her time and her fight against prejudice and injustice.

The Art of Midwifery is the first book to examine midwives' lives and work across Europe in the early modern period. Drawing on a vast range of archival material from England, Holland, Germany, France, Italy and Spain, the contributors show the diversity in midwives' practices, competence, socio-economic background and education, as well as their public function and image. The Art of Midwifery is an excellent resource for students of women's history, social history and medical history.

This book is the first comprehensive and detailed study of early modern midwives in seventeenth-century London. Midwives, as a group, have been dismissed by historians as being inadequately educated and trained for the task of child delivery. The Midwives of Seventeenth-Century London rejects these claims by exploring the midwives' training and their licensing in an unofficial apprenticeship by the Church. Dr. Evenden also offers an accurate depiction of the midwives in their socioeconomic context by examining a wide range of seventeenth-century sources. This expansive study not only recovers the names of almost one thousand women who worked as midwives in the twelve London parishes, but also brings to light details about their spouses, their families and their associates.

This reference book, containing the biographies of more than 1,100 notable British women from Boudicca to Barbara Castle, is an absorbing record of female achievement spanning some 2,000 years of British life. Most of the lives included are those of women whose work took them in some way before the public and who therefore played a direct and important role in broadening the horizons of women. Also included are women who influenced events in a more indirect way: the wives of kings and politicians, mistresses, ladies in waiting and society hostesses. Originally published as The Europa Biographical Dictionary of British Women, this newly re-worked edition includes key figures who have died in the last 20 years, such as The Queen Mother, Baroness Ryder of Warsaw, Elizabeth Jennings and Christina Foyle.

At the intersections of early modern literature and history, Shakespeare and Women's Studies, Midwiving Subjects explores how Shakespearean drama and contemporary medical, religious and popular texts figured the midwife as a central producer of the body's cultural markers. In addition to attending most Englishwomen's births and testifying to their in extremis confessions about paternity, the midwife allegedly controlled the size of one's tongue and genitals at birth and was obligated to perform virginity exams, impotence tests and emergency baptisms. The signs of purity and masculinity, paternity and salvation were inherently open to interpretation, yet early modern culture authorized midwives to generate and announce them. Midwiving Subjects, then, challenges recent studies that read the midwife as a woman whose power was limited to a marginal and unruly birthroom community and instead uncovers the midwife's foundational role, not only in the rituals of reproduction, but in the process of cultural production itself. As a result of recent changes in managed healthcare and of increased attention to uncovering histories of women's experiences, midwives - past and present - are currently a subject of great interest. This book will appeal to readers interested in Shakespeare as well as the history of women and medicine.

This book recounts the journey of English midwives over six centuries and their battle for survival as a discrete profession, caring safely for childbearing women. With a particular focus on sixteenth and twentieth century midwifery practice, it includes new research which provides evidence of the identity, social status, lives, families and practice of contemporary midwives, and argues that the excellent care given by ecclesiastically licensed midwives in Tudor England was not bettered until the twentieth century. Relying on a wide variety of archived and personally collected material, this history illuminates the lives, words, professional experiences and outcomes of midwives. It explores the place of women in society, the development of midwifery education and regulation, the seventeenth century arrival of the accoucheurs and the continuing drive by obstetricians to medicalise birth. A fascinating and compelling read, it highlights the politics and challenges that have shaped midwifery practice today and encourages readers to be confident in midwifery-led care and giving women choices in childbirth. It is an important read for all those interested in childbirth.

Elizabeth Cellier, the scandalous celebrity known as the 'Popish midwife', became the focus of a large number of pamphlets in 1680: accounts of her two trials, her self-vindication, Malice Defeated, her opponent Thomas Dangerfield's rejoinder, and various anonymous satiric attacks against her. She was tried twice: the first time for the more serious charge of treason, and the second for libel, for publishing Malice Defeated. She was acquitted the first time, but found guilty the second, though her punishment was to be pilloried, not executed. She reemerges as the author of tracts on midwifery, proposing to James II the establishment of a professional guild of midwives. Her writings exhibit her remarkable determination to publish her accusations of judicial torture and her advocacy of the licensing of midwives as professional women, as well as exemplifying the importance of the printing press for enabling women to participate in the political public sphere.