Rhythm And The Blues

Books, Movies, Rhythm, Blues by Nick Hornby - a collection of writing about film, music and books Books, Movies, Rhythm, Blues is the companion volume to Fan Mail, Nick Hornby's collection of writings on football. This second collection brings together the best of his other non-fiction pieces, on film and tv, writers and painters and music, and including one exceptional fragment of autobiography. With subject matter ranging from the Sundance Festival to Abbey Road Studios, from P.G. Wodehouse to The West Wing, these are pieces that 'were written for fun, or because I felt I had things to say and time to say them, or because the commissions were unusual and imaginative, or because ... I was being asked to go somewhere I had never been before.' This Penguin Special, available exclusively as an ebook, can be read in two hours or less. It will be loved by readers of High Fidelity and About a Boy, as well as fans of Hornby everywhere.

Atlantic Records partner and producer, Wexler presided over the evolution of the modern music business and made prodigious contributions through to our cultural history. Wexler has worked with the entire range of American genius: Ray Charles, Aretha Franklin, Otis Redding, Bob Dylan, Willie Nelson, and others. 75 photographs.

Patrice Larroque hypothesizes that early blues singers may have been influenced by the trochaic rhythm of English. English is stressed and timed, which means that there is a regular beat to the language, just like there is a beat in a blues song. This regular beat falls on important words in the sentence and unimportant ones do not get stressed. They are “squeezed” between the salient words to keep the rhythm. The apparent contradiction between the fundamentally trochaic rhythm of spoken English and the syncopated ternary rhythm of blues may be resolved as the stressed syllables of the trochee (a stressed-unstressed sequence) is naturally lengthened and assumes the role of one strongly and one weakly stressed syllable in a ternary rhythm. The book suggests investigating the rhythm of English and the rhythm of blues in order to show how the linguistic rhythm of a culture can be reflected in the rhythm of its music.

This in-depth blues rhythm guitar text is core curriculum of the University of Southern California's Studio Guitar Department, which is part of the prestigious Flora L. Thornton School of Music, located in Los Angeles, California. It features eighteen twelve-bar blues rhythm guitar accompaniments in the style of guitarists such as Chuck Berry, Eric Clapton, Jimmy Page and Stevie Ray Vaughan. Nine of the songs use a shuffle feel and nine use a straight eighth note feel. the play along CD contains two versions of each of the eighteen songs in the book. the first version has the guitar part and the second version is without the guitar. This gives you the ability to play along with the guitar part as a guide and also to play along with the track as the only guitarist.The examples are written using traditional musical notation and tablature. Included for each song is a short description of the important points to consider when learning each example. the book presents songs that will expand the guitarist's vocabulary by presenting a variety of different ways a guitarist can play through the twelve bar blues. A number of different chord variations, keys and tempos are used in demonstrating these eighteen idiomatic rhythm guitar parts that have been used by the masters.

From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down," this passionate and provocative book tells the complete story of black music in the last fifty years, and in doing so outlines the perilous position of black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves only to find itself diluted and submerged as crossover music.

A chronicle of the rise and development of a unique musical form. Inducted into the Blues Foundation's Blues Hall of Fame under its original title Walking to New Orleans, this fascinating history focuses on the music of major R&B artists and the crucial contributions of the New Orleans music industry. Newly revised for this edition, much of the material comes firsthand from those who helped create the genre, including Fats Domino, Ray Charles, and Wardell Quezergue.

Presents brief entries covering the history, significant artists, styles and influence of rhythm and blues, rap, and hip-hop music.