Second Hand Time

Nobel Prize winner Svetlana Alexievich invents a new genre of narrative non-fiction as she writes the life stories of housewives, artists, party workers, students, soldiers, traders, living through a time of political upheaval -- the fall of the Soviet Union and the two decades that followed it.

“A masterpiece” (The Guardian) from the Nobel Prize–winning writer, an oral history of children’s experiences in World War II across Russia NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.” Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich’s collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded—a trauma that would change the course of the Russian nation. Collectively, this symphony of children’s stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals. Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. Praise for Last Witnesses “There is a special sort of clear-eyed humility to [Alexievich’s] reporting.”—The Guardian “A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. They are the first and last witnesses.”—The New Republic “A profound triumph.”—The Big Issue “[Alexievich] excavates and briefly gives prominence to demolished lives and eradicated communities. . . . It is impossible not to turn the page, impossible not to wonder whom we next might meet, impossible not to think differently about children caught in conflict.”—The Washington Post

From 1979 to 1989 Soviet troops engaged in a devastating war in Afghanistan that claimed thousands of casualties on both sides. While the Soviet Union talked about a 'peace-keeping' mission, the dead were shipped back in sealed zinc coffins. Boys in Zinc presents the honest testimonies of soldiers, doctors and nurses, mothers, wives and siblings who describe the lasting effects of war. Weaving together their stories, Svetlana Alexievich shows us the truth of the Soviet-Afghan conflict- the killing and the beauty of small everyday moments, the shame of returning veterans, the worries of all those left behind. When it was first published in the USSR in 1991, Boys in Zinc sparked huge controversy because of its unflinching, harrowing insight into the realities of war.

Isadora Myung Hee Sohn—Isa—has just spent ninety-five days in a pediatric burn unit in Albany, New York, recovering from the fire that burned her house and killed her parents. Moving back in time, Secondhand World casts a devastating spell, revealing the circumstances that led to the fire. Growing up the daughter of Korean-born parents, Isa is bullied by American classmates and barely noticed at home. Seeking the company of another outsider, Isa falls in love with Hero, an albino boy. But what starts out as a small teenage rebellion sets in motion a series of events and revelations Isa never could have foreseen.

A CBC Books Work of Canadian Nonfiction to Watch For in Spring 2022 An Amazon Best Book of the Month: Biographies and Memoirs A Los Angeles Times Book to Add to Your Reading List in February A Seattle Times Most Anticipated Book of 2022 A Vanity Fair New Book to Read this Month A Publishers Weekly’s Top Spring 2022 History Title A Literary Hub Most Anticipated Book of 2022 A The Millions Most Anticipated Book of 2022 A Town & Country Must-Read Book of Winter 2022 A Bustle Most Anticipated Book of February 2022 A The Lineup True Crime Book to Be Excited About in 2022 A Bookpage Most Anticipated Nonfiction A Bookriot 22 Great Books to Read in 2022 A CrimeReads Most Anticipated Crime Fiction of 2022 A true-crime masterpiece, this is a story of wrongful exoneration about killer Edgar Smith and the prominent crusaders who fell prey to his charm. Having spent almost half his lifetime in California's state penitentiary system, convicted killer Edgar Smith died in obscurity in 2017 at the age of eighty-three—a miracle, really, as he was meant to be executed nearly six decades earlier. Tried and convicted in the state of New Jersey for the 1957 murder of fifteen-year-old Victoria Zielinski, Smith was once the most famous convict in America. Scoundrel tells the true, almost-too-bizarre story of a man saved from Death Row by way of an unlikely friendship—developed in nearly 2000 pages of prison correspondence—with National Review founder William F. Buckley, Jr., one of the most famous figures in the neo-conservative movement. Buckley wrote articles, fundraised and hired lawyers to fight for a new trial, eventually enlisting the help of Sophie Wilkins, a book editor with whom Smith would have a torrid epistolary affair. As a result of these friends' advocacy, Smith not only gained his freedom, he vaulted to the highest intellectual echelons as a bestselling author, an expert on prison reform, and a minor celebrity—only to fall, spectacularly, back to earth, when his murderous impulses once more prevailed. Weinman's Scoundrel is a gripping investigation into a case where crime and culture intersect, where recent memory begins to slide into history and where the darkest of violent impulses meet literary ambition, human ego and hunger for fame.

"Originally published in Russian as U voiny--ne zhenskoe lietiso by Mastatskaya Litaratura, Minsk, in 1985. Originally published in English as War's unwomanly face by Progress Publishers, Moscow, in 1988"--Title page verso.