Short Nights Of The Shadow Catcher

A narrative account of the pioneering photographer's life-risking effort to document a disappearing North American Indian nation offers insight into the danger and resolve behind his venture, his elevation to an impassioned advocate and the posthumous discovery of his considerable achievements. By the Pulitzer Prize-winning author of The Big Burn. 75,000 first printing.

Inspired by the life of legendary photographer Edward Curtis, a series of tales about a photographer's developing relationship with the Native Americans he astonishes by showing them pictures of themselves is interspersed with parallel tales about an unsung soldier, a husband, and a father. Reprint. 40,000 first printing.

A New York Times Notable Book of the Year Winner of the Mountains and Plains Book Seller's Association Award "Sprawling in scope. . . . Mr. Egan uses the past powerfully to explain and give dimension to the present." --The New York Times "Fine reportage . . . honed and polished until it reads more like literature than journalism." --Los Angeles Times "They have tried to tame it, shave it, fence it, cut it, dam it, drain it, nuke it, poison it, pave it, and subdivide it," writes Timothy Egan of the West; still, "this region's hold on the American character has never seemed stronger." In this colorful and revealing journey through the eleven states west of the 100th meridian, Egan, a third-generation westerner, evokes a lovely and troubled country where land is religion and the holy war between preservers and possessors never ends. Egan leads us on an unconventional, freewheeling tour: from America's oldest continuously inhabited community, the Ancoma Pueblo in New Mexico, to the high kitsch of Lake Havasu City, Arizona, where London Bridge has been painstakingly rebuilt stone by stone; from the fragile beauty of Idaho's Bitterroot Range to the gross excess of Las Vegas, a city built as though in defiance of its arid environment. In a unique blend of travel writing, historical reflection, and passionate polemic, Egan has produced a moving study of the West: how it became what it is, and where it is going. "The writing is simply wonderful. From the opening paragraph, Egan seduces the reader. . . . Entertaining, thought provoking." --The Arizona Daily Star Weekly "A western breeziness and love of open spaces shines through Lasso the Wind. . . . The writing is simple and evocative." --The Economist

In a tour de force of historical reportage, Timothy Egan’s National Book Award–winning story rescues an iconic chapter of American history from the shadows. The dust storms that terrorized the High Plains in the darkest years of the Depression were like nothing ever seen before or since. Following a dozen families and their communities through the rise and fall of the region, Timothy Egan tells of their desperate attempts to carry on through blinding black dust blizzards, crop failure, and the death of loved ones. Brilliantly capturing the terrifying drama of catastrophe, he does equal justice to the human characters who become his heroes, “the stoic, long-suffering men and women whose lives he opens up with urgency and respect” (New York Times). In an era that promises ever-greater natural disasters, The Worst Hard Time is “arguably the best nonfiction book yet” (Austin Statesman Journal) on the greatest environmental disaster ever to be visited upon our land and a powerful reminder about the dangers of trifling with nature. This e-book includes a sample chapter of THE IMMORTAL IRISHMAN.

Sixty of Edward Curtis' photographs are included in this story of his life and the Native American cultures he studied early in the twentieth century, creating what is still the most extensive and informative collection of its kind.

A fantastic book! Timothy Egan describes his journeys in the Pacific Northwest through visits to salmon fisheries, redwood forests and the manicured English gardens of Vancouver. Here is a blend of history, anthropology and politics.

In the New York Times bestseller The Immortal Irishman, Pulitzer Prize-winning author Timothy Egan illuminates the dawn of the great Irish American story, with all its twists and triumphs, through the life of one heroic man. A dashing young orator during the Great Hunger of the 1840s, Thomas Francis Meagher led a failed uprising against British rule, for which he was banished to a Tasmanian prison colony for life. But two years later he was “back from the dead” and in New York, instantly the most famous Irishman in America. Meagher’s rebirth included his leading the newly formed Irish Brigade in many of the fiercest battles of the Civil War. Afterward, he tried to build a new Ireland in the wild west of Montana — a quixotic adventure that ended in the great mystery of his disappearance, which Egan resolves convincingly at last. “This is marvelous stuff. Thomas F. Meagher strides onto Egan's beautifully wrought pages just as he lived — powerfully larger than life. A fascinating account of an extraordinary life.”—Daniel James Brown, #1 New York Times bestselling author of Facing the Mountain

Bold, sometimes abrasive, forever passionate, Edward Curtis was the quintessential romantic visionary. Curtis struggled through an impoverished boyhood in Minnesota to become a successful society photographer in Seattle. But he soon moved far beyond weddings and studio portraits to his lifes worka multi-volume photographic and ethnogrpahic work on the vanishing world of the North American Indian. Initially, Teddy Roosevelt and J.P. Morgan backed the ambitious project. But as the work stretched over years, Curtis found himself alone with his vision, struggling to finance himself and his crews. The 20-volume North American Indians, finally completed in 1930, cost Curtis his marriage, his friendships, his home, and his health. By the time he died in 1952, he and his monumental work had lapsed into obscurity. In this richly designed book, Anne Makepeace, creator of an award-winning documentary on Curtiss life, reexamines the lasting impact of his work. Curtiss photographs, once ignored, now serve as a link between the romantic past and contemporary Native American communities, who have used his images to reclaim and resurrect their traditions.