Song Of The Open Road An Autobiography And Other Writings

Song of the Open Road: An Autobiography and Other Writings is the personal memoir of Paul Weston and Jo Stafford. Told through a collection of letters, supplementary manuscripts, and a previously unpublished autobiography, the book reveals the inner circle and rise-to-stardom of two of the most dominating musical figures in pre-rock 'n' roll America. Edited by Keith Pawlak.

Song of the Open Road: An Autobiography and Other Writings is the personal memoir of Paul Weston and Jo Stafford. Told through a collection of letters, supplementary manuscripts, and a previously unpublished autobiography, the book reveals the inner circle and rise-to-stardom of two of the most dominating musical figures in pre-rock 'n' roll America.

Walt Whitman's poem was first published in the 1856 collection Leaves of Grass.

From an acclaimed cultural critic, a narrative and social history of the Great American Songwriting era. Everybody knows and loves the American Songbook. But it’s a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn’t Gershwin, Porter, and Berlin, but “Come on-a My House” and “How Much Is That Doggie in the Window?” Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In The B Side, acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews—the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert—the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra. The B Side is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It’s destined to become a classic of American musical history.

Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts—from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke—especially in times of crisis—including comfort, catharsis, and connection.

From a devoted reader and lifelong bookseller, an eloquent and charming reflection on the singular importance of bookstores Do we need bookstores in the twenty-first century? If so, what makes a good one? In this beautifully written book, Jeff Deutsch—the director of Chicago’s Seminary Co-op Bookstores, one of the finest bookstores in the world—pays loving tribute to one of our most important and endangered civic institutions. He considers how qualities like space, time, abundance, and community find expression in a good bookstore. Along the way, he also predicts—perhaps audaciously—a future in which the bookstore not only endures, but realizes its highest aspirations. In exploring why good bookstores matter, Deutsch draws on his lifelong experience as a bookseller, but also his upbringing as an Orthodox Jew. This spiritual and cultural heritage instilled in him a reverence for reading, not as a means to a living, but as an essential part of a meaningful life. Central among Deutsch’s arguments for the necessity of bookstores is the incalculable value of browsing—since, when we are deep in the act of looking at the shelves, we move through space as though we are inside the mind itself, immersed in self-reflection. In the age of one-click shopping, this is no ordinary defense of bookstores, but rather an urgent account of why they are essential places of discovery, refuge, and fulfillment that enrich the communities that are lucky enough to have them.

Was Walt Whitman--celebrated poet of freedom and democracy--a determinist at heart? A close study of Leaves of Grass shows that Whitman consistently acknowledges the inevitability of all things. As John McDonald argues, this seeming contradiction lies at the heart of Whitman's poetry, a fact continually overlooked in the more than 100 years that critics have written about the poet and his magnum opus. This volume contains an extensive study of Walt Whitman's poetry that explores both Whitman's guiding philosophy and its uses to unlock meaning within Leaves of Grass. Beginning with a detailed explanation of determinism, the author examines Whitman's use of indirection, which the poet referred to at times as a game played to evade the reader's comprehension. The work seeks to define a philosophy which was, in the author's opinion, the most significant influence in Whitman's thought and in his art. Various poems are examined in depth, including Song of Myself, Passage to India and the particularly significant With Antecedents. Gathered here will be evidence from Whitman's poems and prose and from his notes and quoted remarks, enough evidence to show beyond doubt that determinism was indeed his most significant influence. An innovative look at one of America's greatest poets.