Still Life In Photography

The genre of still life is considered from a wide range of visual perspectives as it spans the history of photography from the early nineteenth century to the present.

Perweiler uses to demonstrate his professional techniques. Perweiler explains in detail the innovative methods and strikingly graphic arragements that make his work so widely admired by art directors and other photographers, and his examples include outstanding photographs of food, cosmetics, jewelry, and other small products.

Irving Penn is one of the leading photographers of the 20th century. His elegant and innovative photographs are the subject of this volume. It includes some 200 images.

Still life is a classic back in bloom. The Still Life showcases the evolution of this age-old genre in striking product portraiture by some of today's most imaginative photographers, designers, and stylists.

Combining practical business and legal advice with technical photographic information, covers such topics as tools and equipment, shooting techniques, and finding a professional-quality studio.

Every picture featured in 'Still Life and Special Effects Photography' is accompanied by a description of how the lighting was achieved, illustrations showing each lighting set - up. The first section is dedicated to shooting conventional still - life subjects (such as food, product shots and natural flora), and the second field of special - effect photography (montage, multiexposure, mirrors and props, constructing simple room sets, etc).

In her sumptuous photographic still lifes replete with flora, food, and artifacts, Paulette Tavormina creates intensely personal interpretations of timeless tableaux. With a painterly perspective reminiscent of Old Masters such as Francisco de Zurbarán, Adriaen Coorte, and Giovanna Garzoni, Tavormina’s meticulously orchestrated and lit photographs are boldly contemporary in their precision. Paulette Tavormina: Seizing Beauty presents the full array of her seductive and opulent still life series, heirs to the legacy of a cherished art tradition now seen through the lens of photography. Essays by art and photography scholars Silvia Malaguzzi, Mark Alice Durant, and Anke Van Wagenberg-Ter Hoeven delve into the seventeenth- and eighteenth-century sources of Tavormina’s inspiration, her stance in art photography, and how the conventions of yesterday’s painting can transform to make visually stunning photographic art for today.