Synagogues

Commemorating the 500th anniversary of the founding of the Venice Ghetto, this magnificent hand-bound Ultimate Collection volume introduces readers to the beauty and historical and spiritual significance of the five principal synagogues in Venice, the most important markers of Jewish faith and culture in the Most Serene Republic. Behind the walls of the Ghetto, Venetian Jews expressed strong ties to the traditions of their forefathers in constructing these beautiful places of worship. The architecture, furnishings, and decorations blended the memory of their different countries of origin with traditions of Venetian artistic culture, bequeathing the City on the Lagoon enduring monuments of unparalleled eminence that remain sites of reverence and admiration.

This beautifully illustrated volume looks at the spaces created by and for Jews in areas under the political or religious control of Muslims. Covering regions as diverse as Central Asia, the Middle East, North Africa and Spain, it asks how the architecture of synagogues responded to contextual issues and traditions, and how these contexts influenced the design and evolution of synagogues. As well as revealing how synagogues reflect the culture of the Jewish minority at macro and micro scales, from the city to the interior, the book also considers patterns of the development of synagogues in urban contexts and in connection with urban elements and monuments.

This collection of over twenty essays brings together scholars from three continents to discuss the early synagogue. It addresses the questions of: When and where did the synagogue originate? What was its early distribution? What was its role in Judaism? The print edition is available as a set of two volumes (9789004112544).

In the aftermath of World War II, the United States experienced a rapid expansion of church and synagogue construction as part of a larger “religious boom.” The synagogues built in that era illustrate how their designs pushed the envelope in aesthetics and construction. The design of the synagogues departed from traditional concepts, embraced modernism and innovations in building technology, and evolved beyond the formal/rational style of early 1950s modern architecture to more of an expressionistic design. The latter resulted in abstraction of architectural forms and details, and the inclusion of Jewish art in the new synagogues. The Architecture of Modern American Synagogues, 1950s–1960s introduces an architectural analysis of selected modern American synagogues and reveals how they express American Jewry’s resilience in continuing their physical and spiritual identity, while embracing modernism, American values, and landscape. In addition, the book contributes to the discourse on preserving the recent past (e.g., mid 20th century architecture). While most of the investigations on that topic deal with the “brick & mortar” challenges, this book introduces preservation issues as a function of changes in demographics, in faith rituals, in building codes, and in energy conservation. As an introduction or a reexamination, The Architecture of Modern American Synagogues, 1950s–1960s offers a fresh perspective on an important moment in American Jewish society and culture as reflected in their houses of worship and adds to the literature on modern American sacred architecture. The book may appeal to Jewish congregations, architects, preservationists, scholars, and students in fields of studies such as architectural design, sacred architecture, American modern architecture and building technology, Post WWII religious and Jewish studies, and preservation and conservation.

An engaging exploration of synagogues, their history and decoration.

Lee Shai Weissbach's innovative study sheds light on the functioning of smaller Jewish communities in a state representative of many in the Midwest and South. The synagogue buildings of Kentucky tell much about the experience of Kentucky Jewry. Synagogues, especially in smaller towns, have often served as the only setting available for a wide variety of communal activities. Weissbach outlines the history of every congregation established in Kentucky and every house of worship that has served Kentucky Jewry over the last 150 years, considering such issues as the financing of construction, the selection of architects, the way synagogue buildings reveal congregational attitudes, and the way local synagogue design reflects national trends. Eighty-two photographs show every one of Kentucky's synagogues, including buildings that are no longer standing or have been converted to other uses. This pictorial record documents the variety, distinctiveness, and significance of these buildings as a part of the Commonwealth's architectural, cultural, and religious landscape.

You may never have heard of a building being lifted off its foundations and moved, not once, but three times! This is the story of the Little Synagogue, the Montefiori Institute, which was originally built in 1916. It became a gathering place for Jewish pioneering ranchers and their neighbours who helped to open up Canada’s West early in the twentieth century. When the dust bowl of the Great Depression dried up the land, most of the farmers left the area, and the Little Synagogue was abandoned. It was eventually moved and turned into a small house in Hanna, Alberta. Years later, a group of Jewish Calgarians heard that the Little Synagogue still existed and decided to track it down, restore it, and donate it to Calgary’s Heritage Park. In June 2009, the fully restored Little Synagogue was opened and now attracts visitors from all over the world. This charming Canadian history story for early and middle readers is filled with archival and interpretive photographs. It’s a special part of the great Canadian historical mosaic that will engage readers of all ages.