Tara Revisited

"This volume cuts through romantic myth, combining period photographs and illustrations with new documentary sources to tell the real story of Southern women during the Civil War." "Drawing from a wealth of poignant letters, diaries, slave narratives, and other accounts, Catherine Clinton provides a vivid social and cultural history of the diverse communities of Southern women during the Civil War."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Cutting through romantic myth, this captivating volume combines period photographs and illustrations with new documentary sources to tell the real story of southern women during the Civil War. Drawing from a wealth of poignant letters, diaries, slave narratives, and other accounts, Catherine Clinton provides a vivid social and cultural history of the diverse communities of Southern women during the Civil War: the heroic African-American women who struggled for freedom, the tireless nurses who faced gruesome duties, the intriguing handful who donned uniforms, and those brave women who spied and even died for the Confederacy. Photographs, drawings, prints, and other period illustrations bring this buried chapter of Civil War history to life, taking the reader from the cotton fields to the hearthsides, from shrapnel-riddled mansions to slave cabins. Clinton places these women within the context of war, illuminating both legendary and anonymous women along the way. Tracing oral traditions and Southern literature from Reconstruction through our era, the author demonstrates how a deadly mix of sentiment and fabrication perpetuates tales of idyllic plantations inhabited by benevolent masters and contented slaves. The book concludes with Clinton's perceptive and often witty discussion of how, over the years, we continue to embrace mythic figures like Scarlett and Mammy in aspects of popular culture ranging from Hollywood epics to pancake syrup.

In its examination of a state too often neglected by Civil War historians, The Fate of Texas presents Texas as a decidedly Southern, yet in many ways unusual, state seriously committed to and deeply affected by the Confederate war effort in a multitude of ways. When the state joined the Confederacy and fought in the war, its fate was uncertain. The war touched every portion of the population and all aspects of life in Texas. Never before has a group of historians examined the impact of the war on so many facets of the state.

Deeds, wills, divorce decrees, and other evidence of the public lives of nineteenth-century women belie the long-held beliefs of their public invisibility. Angela Boswell's Her Act and Deed: Women's Lives in a Rural Southern County, 1837-1873 follows the threads of Southern women's lives as they weave through the public records of one Texas county during the middle of the nineteenth century. Her unique approach to exploring women's roles in a South that spanned the frontier, antebellum, Civil War, and Reconstruction eras illuminates the truths of the feminine world of those periods, and her analysis of this set of complete public records for those years challenges the theory of men's and women's separate spheres of influence, as advanced by many scholars. The world Boswell reconstructs allows readers a more egalitarian, multicultural look at life: working class and poor women, both black and white, join their more affluent sisters in the pages of the Colorado County, Texas, courthouse records. Those same records reveal that the men of that world--most of them planters or farmers, the majority of them owning at least a few slaves--are a force for women to reckon with, both in public and at home. The almost constant presence of men in the home and their need to uphold the dominant, slave-holding hierarchy produced a patriarchy more pervasive than that experienced by women in the urban north. Eminently readable and accessible to scholars and general readers alike, Her Act and Deed represents a welcome addition to the classroom, to the scholar's library, and to Texas history collections.

The South has long played a central role in America’s national imagination—the site of the trauma of slavery and of a vast nostalgia industry, alternatively the nation’s moral other and its moral center. Reconstructing Dixie explores how ideas about the South function within American culture. Narratives of the region often cohere around such tropes as southern hospitality and the southern (white) lady. Tara McPherson argues that these discursive constructions tend to conceal and disavow hard historical truths, particularly regarding race relations and the ways racial inequities underwrite southern femininity. Advocating conceptions of the South less mythologized and more tethered to complex realities, McPherson seeks to bring into view that which is repeatedly obscured—the South’s history of both racial injustice and cross-racial alliance. Illuminating crucial connections between understandings of race, gender, and place on the one hand and narrative and images on the other, McPherson reads a number of representations of the South produced from the 1930s to the present. These are drawn from fiction, film, television, southern studies scholarship, popular journalism, music, tourist sites, the internet, and autobiography. She examines modes of affect or ways of "feeling southern" to reveal how these feelings, along with the narratives and images she discusses, sanction particular racial logics. A wide-ranging cultural studies critique, Reconstructing Dixie calls for vibrant new ways of thinking about the South and for a revamped and reinvigorated southern studies. Reconstructing Dixie will appeal to scholars in American, southern, and cultural studies, and to those in African American, media, and women’s studies.

Anne Firor Scott’s The Southern Lady: From Pedestal to Politics, 1830–1930 stirred a keen interest among historians in both the approach and message of her book. Using women’s diaries, letters, and other personal documents, Scott brought to life southern women as wives and mothers, as members of their communities and churches, and as sometimes sassy but rarely passive agents. She brilliantly demonstrated that the familiar dichotomies of the personal versus the public, the private versus the civic, which had dominated traditional scholarship about men, could not be made to fit women’s lives. In doing so, she helped to open up vast terrains of women’s experiences for historical scholarship. This volume, based on papers presented at the University of Mississippi’s annual Chancellor Porter L. Fortune Symposium in Southern History, brings together essays by scholars at the forefront of contemporary scholarship on American women’s history. Each regards The Southern Lady as having shaped her historical perspective and inspired her choice of topics in important ways. These essays together demonstrate that the power of imagination and scholarly courage manifested in Scott’s and other early American women historians’ work has blossomed into a gracious plentitude.

As many as 20,000 women worked in Union and Confederate hospitals during America's bloodiest war. Black and white, and from various social classes, these women served as nurses, administrators, matrons, seamstresses, cooks, laundresses, and custodial workers. Jane E. Schultz provides the first full history of these female relief workers, showing how the domestic and military arenas merged in Civil War America, blurring the line between homefront and battlefront. Schultz uses government records, private manuscripts, and published sources by and about women hospital workers, some of whom are familiar--such as Dorothea Dix, Clara Barton, Louisa May Alcott, and Sojourner Truth--but most of whom are not well-known. Examining the lives and legacies of these women, Schultz considers who they were, how they became involved in wartime hospital work, how they adjusted to it, and how they challenged it. She demonstrates that class, race, and gender roles linked female workers with soldiers, both black and white, but became sites of conflict between the women and doctors and even among themselves. Schultz also explores the women's postwar lives--their professional and domestic choices, their pursuit of pensions, and their memorials to the war in published narratives. Surprisingly few parlayed their war experience into postwar medical work, and their extremely varied postwar experiences, Schultz argues, defy any simple narrative of pre-professionalism, triumphalism, or conciliation.