Tarzan Forever

A biography that takes a penetrating look at Edgar Rice Burroughs, the writer who invented the superhero of the century--Tarzan--whose adventures continue to enthrall audiences. of photos.

This collection seeks to understand the long-lasting and global appeal of Tarzan: Why is a story about a feral boy, who is raised by apes in the African jungle, so compelling and so adaptable to different cultural contexts and audiences? How is it that the same narrative serves as the basis for both children’s cartoons and lavish musical productions or as a vehicle for both nationalistic discourse and for light romantic fantasy? Considering a history of criticism that highlights the imperialistic, sexist, racist underpinnings of the original Tarzan narrative, why would this character and story appeal to so many readers and viewers around the world? The essays in this volume, written by scholars living and working in Australia, Canada, Israel, The Netherlands, Germany, France and the United States explore these questions using various critical lenses. Chapters include discussions of Tarzan novels, comics, television shows, toys, films, and performances produced or distributed in the U.S., Canada, Israel, Palestine, Britain, India, The Netherlands, Germany and France and consider such topics as imperialism, national identities, language acquisition, adaptation, gender constructions, Tarzan’s influence on child readers and Tarzan’s continued and broad influence on cultures around the world. What emerges, when these pieces are placed into dialogue with one another, is an immensely complex picture of an enduring, multi-faceted global pop culture icon.

From his first appearance in 1912, Tarzan became a multimedia franchise whose cultural influence extended well beyond mere entertainment. The original 20th century superhero, the Lord of the Apes was the inspiration behind such early archetypes as The Shadow and Doc Savage, themselves the basis for heroes like Batman and Superman. Long before Comic-Cons and Trekkies, the first Tarzan fan club was formed in America in 1916, pioneering the fandom movement that pervades modern pop culture. This book examines Tarzan in his various media representations—hunter, warrior, secret agent, fighter of communists and Nazis—and in his numerous story arcs, including crossover adventures featuring historical characters like Arthur Conan Doyle and Nikola Tesla.

One of the most influential and revered illustrators ever adapts two of Edgar Rice Burroughs’ most beloved Tarzan novels! Burne Hogarth’s color Tarzan of the Apes and black-and-white Jungle Tales of Tarzan graphic novels are finally collected into one deluxe hardcover. After his inspirational run drawing Tarzan Sunday newspaper strips and before his landmark instructional art books changed the industry forever, Burne Hogarth (Dynamic Anatomy, Dynamic Figure Drawing, and others) dazzled the world with these remarkably lively, complex, and faithful adaptations of Burroughs’ legendary lord of the jungle!

The post-Darwinian theory of atavism forecasted obstacles to human progress in the reappearance of throwback physical or cultural traits after several generations of absence. In this original and stimulating work, Dana Seitler explores the ways in which modernity itself is an atavism, shaping a historical and theoretical account of its dramatic rise and impact on Western culture and imagination.

So, just how was Tarzan created? Eager to know the inside story about the legendary John Carter and the amazing cities and peoples of Barsoom? Perhaps your taste is more suited to David Innes and the fantastic lost world at the Earth?s core? Or maybe wrong-way Napier and the bizarre civilizations of cloud-enshrouded Venus are more to your liking? These pages contain all that you will ever want to know about the wondrous worlds and unforgettable characters penned by the master storyteller Edgar Rice Burroughs. ø Richard A. Lupoff, the respected critic and writer who helped spark a Burroughs revival in the 1960s, reveals fascinating details about the stories written by the creator of Tarzan. Featured here are outlines of all of Burroughs?s major novels, with descriptions of how they were each written and their respective sources of inspiration. This Bison Books edition includes a new foreword by fantasy writer Michael Moorcock, a new introduction by the author, a final chapter by Phillip R. Burger, as well as corrected text and an updated bibliography.

One of today's best young novelists, Ray Robertson is also one of its ablest critics. Mental Hygiene is a collection of his most entertaining, insightful, controversial, and funniest reviews and essays written over the last five years. Believing that ''writers have a responsibility to help maintain the mental hygiene of their time, '' Robertson, following in the footsteps of Mordecai Richler and other novelist-critics such as Anthony Burgess, Kingsley and Martin Amis and John Updike, is at the front line of contemporary literary debate. Whether castigating the bland cabal he refers to as McCanlit, poking fun at the trendy ephemera of intellectual fashion or arguing for his own unique fictional aesthetic, Robertson pulls no punches and suffers no fools

The first and best of the Tarzan novels, of which Edgar Rice Burroughs eventually wrote several dozen, Tarzan of the Apes remains one of the signature stories of American popular literature, as readable as it is famous. Tarzan himself, in the words of Arthur C. Clarke, is “the best known character in the whole of fiction.” As John Taliaferro asserts in his Introduction to this Modern Library Paperback Classic, “There is no question that [Tarzan of the Apes] is one of the most entertaining and exemplary books of the last century. . . . [It] is not merely a story from a bygone era; it is a tale as old as time, and for all time, too.”