Ten Little Indians

Los Angeles Times Book Prize Finalist: A “stellar collection” of stories about navigating life off the reservation, filled with laughter and heartbreak (People). In these lyrical, affectionate tales from the author of The Absolutely True Diary of a Part-Time Indian and The Lone Ranger and Tonto Fistfight in Heaven, characters navigate the crossroads of culture, battle stereotypes, and find themselves through everything from politics to basketball. Richard, the narrator of “Lawyer’s League,” grows up in Seattle, the son of “an African American giant who played defensive end for the University of Washington Huskies” and “a petite Spokane Indian ballerina.” A woman is caught in a restaurant when a suicide bomb goes off in “Can I Get a Witness.” And Estelle Walks Above (née Estelle Miller), studies her way off the Spokane Indian Reservation and goes on to both enjoy and resent the company of the white women of Seattle—who see her as a shamanic genius, and look to her for guidance on everything from sex and fashion to spirituality. These and the other “warm, revealing, invitingly roundabout stories” in Ten Little Indians run the gamut from earthy wit to sobering emotional truth, mapping the outer reaches of the human heart (The New York Times Book Review). From a New York Times–bestselling and National Book Award–winning author, these tales, “rambunctious and exuberant, bristle with an edgy and mordant humor” (Chicago Tribune). This ebook features an illustrated biography including rare photos from the author’s personal collection.

Ten people find themselves stranded in the lonely house on Indian Island when their supposed hosts send word that they have been detained. A mysterious voice, afterwards discovered to come from a gramophone record, indicts each on of them -- the eight guests and the two servants -- of murder. It transpires that no-one has met their hosts and that they have evidently been decoyed to the island. First one and then another dies; each death according to the rhyme of "Ten little Indians," and with each death one of the little china figurines on the mantelpiece is found broken. The tension grows as they realize that the killer is, in fact, one of themselves. Eventually only two little Indians are left; the real killer appears (his death having been feigned) and the remaining two are able to outwit him--Publisher's description

WINNER: Canada Reads 2022 WINNER: Governor General’s Literary Award for Fiction WINNER: Amazon First Novel Award WINNER: Kobo Emerging Author Prize Finalist: Scotiabank Giller Prize Finalist: Atwood Gibson Writers Trust Prize Finalist: BC & Yukon Book Prize Shortlist: Indigenous Voices Awards National Bestseller; A Globe and Mail Top 100 Book of the Year; A CBC Best Book of the Year; An Apple Best Book of the Year; A Kobo Best Book of the Year; An Indigo Best Book of the Year Taken from their families when they are very small and sent to a remote, church-run residential school, Kenny, Lucy, Clara, Howie and Maisie are barely out of childhood when they are finally released after years of detention. Alone and without any skills, support or families, the teens find their way to the seedy and foreign world of Downtown Eastside Vancouver, where they cling together, striving to find a place of safety and belonging in a world that doesn’t want them. The paths of the five friends cross and crisscross over the decades as they struggle to overcome, or at least forget, the trauma they endured during their years at the Mission. Fuelled by rage and furious with God, Clara finds her way into the dangerous, highly charged world of the American Indian Movement. Maisie internalizes her pain and continually places herself in dangerous situations. Famous for his daring escapes from the school, Kenny can’t stop running and moves restlessly from job to job—through fishing grounds, orchards and logging camps—trying to outrun his memories and his addiction. Lucy finds peace in motherhood and nurtures a secret compulsive disorder as she waits for Kenny to return to the life they once hoped to share together. After almost beating one of his tormentors to death, Howie serves time in prison, then tries once again to re-enter society and begin life anew. With compassion and insight, Five Little Indians chronicles the desperate quest of these residential school survivors to come to terms with their past and, ultimately, find a way forward.

They had been watching 10-year-old Shayla Bennett--an innocent little girl, all alone in the woods and completely at their mercy. No one would know she was missing. No one would ever hear her scream. And no one would ever again disturb the darkness of their ancient hiding place.

This spirited picture book celebrates Native American traditions as it teaches young children to count from one to ten. The whimsical illustrations of Ten Little Rabbits, reminiscent of Beatrix Potter, glow with brilliant color and are filled with fascinating detail. Each number introduces a facet of traditional Native American culture, such as Pueblo corn dances or Navajo weaving, and the simple, rhyming text is enhanced by a brief afterword on Native American customs. Ideal for story time or bedtime, this is a book sure to leave children counting rabbits instead of sheep. Winner of the International Reading Association Children’s Book Award Praise for Ten Little Rabbits “Writer Virginia Grossman and artist Sylvia Long, a Dakota Indian, have created this book with honestly and careful attention to authenticity and beauty, and the result is a high-quality combination of rhyme, culture, and artistic expression that will please children.” —Booklist “A valuable replacement for the old, stereotypical ten little Indians rhyme. . . . A delightful visual treat.” —TheFive Owls “A quiet, respectful survey of some Native American customs organized through the structure of a counting rhyme, populated by rabbits dressed in traditional garb. . . . Notes at the back identify each tribe represented (Plains, Pueblo, Great Lakes, Northwestern, and Southwestern peoples), and provide information about the pictures. The rabbits have an earnest charm reminiscent of Marjorie Flack’s industrious family.” —School Library Journal

First, there were ten—a curious assortment of strangers summoned as weekend guests to a little private island off the coast of Devon. Their host, an eccentric millionaire unknown to all of them, is nowhere to be found. All that the guests have in common is a wicked past they're unwilling to reveal—and a secret that will seal their fate. For each has been marked for murder. A famous nursery rhyme is framed and hung in every room of the mansion: "Ten little boys went out to dine; One choked his little self and then there were nine. Nine little boys sat up very late; One overslept himself and then there were eight. Eight little boys traveling in Devon; One said he'd stay there then there were seven. Seven little boys chopping up sticks; One chopped himself in half and then there were six. Six little boys playing with a hive; A bumblebee stung one and then there were five. Five little boys going in for law; One got in Chancery and then there were four. Four little boys going out to sea; A red herring swallowed one and then there were three. Three little boys walking in the zoo; A big bear hugged one and then there were two. Two little boys sitting in the sun; One got frizzled up and then there was one. One little boy left all alone; He went out and hanged himself and then there were none." When they realize that murders are occurring as described in the rhyme, terror mounts. One by one they fall prey. Before the weekend is out, there will be none. Who has choreographed this dastardly scheme? And who will be left to tell the tale? Only the dead are above suspicion.

This book is a comparative study of the five film and six television adaptations of Agatha Christie's most famous novel. Cast listings, story synopses, and descriptions of the films are give, along with biographies of the more than 100 actors who appeared in the productions