The Art Of Charlie Chan Hock Chye

NEW YORK TIMES BESTSELLER • From a bestselling graphic novelist comes “a hugely ambitious, stylistically acrobatic work” (The New York Times Book Review) that brings us on a uniquely moving, funny, and thought-provoking journey through the life of an artist and the history of a nation. Meet Charlie Chan Hock Chye. Now in his early 70s, Chan has been making comics in his native Singapore since 1954, when he was a boy of 16. As he looks back on his career over five decades, we see his stories unfold before us in a dazzling array of art styles and forms, their development mirroring the evolution in the political and social landscape of his homeland and of the comic book medium itself. With The Art of Charlie Chan Hock Chye, Sonny Liew has drawn together a myriad of genres to create a thoroughly ingenious and engaging work, where the line between truth and construct may sometimes be blurred, but where the story told is always enthralling.

A 2017 Eisner Award Winner for Best Writer/Artist, Best US Edition of International Material—Asia, and Best Publication Design Winner of the Singapore Literature Prize 2016 A New York Times bestseller An Economist Book of the Year 2016 An NPR Graphic Novel Pick for 2016 A Washington Post Best Graphic Novel of 2016 A New York Post Best Books of 2016 A Publishers Weekly Best Book of 2016 A South China Morning Post Top 10 Asian books of 2016 An A.V. Club Best Comics of 2016 A Comic Books Resources Top 100 Comics of 2016 A Mental Floss Most Interesting Graphic Novel of 2016 Meet Charlie Chan Hock Chye. Now in his early 70s, Chan has been making comics in his native Singapore since 1954, when he was a boy of 16. As he looks back on his career over five decades, we see his stories unfold before us in a dazzling array of art styles and forms, their development mirroring the evolution in the political and social landscape of his homeland and of the comic book medium itself. With The Art of Charlie Chan Hock Chye Sonny Liew has drawn together a myriad of genres to create a thoroughly ingenious and engaging work, where the line between truth and construct may sometimes be blurred, but where the story told is always enthralling, bringing us on a uniquely moving, funny, and thought-provoking journey through the life of an artist and the history of a nation.

Warm Nights, Deathless Days: The Life of Georgette Chen is Eisner-nominated comic artist Sonny Liew’s response to the legacy of one of Singapore’s most prominent pioneer artists Georgette Chen (1906 – 1993). The result is a moving portrait of Chen’s life, thoughts, and dreams, a charming chronicle of her days as a precocious young painter to her winning of Singapore’s prestigious Cultural Medallion in 1982. Richly illustrated in a soft, milky palette, the comic captures the quiet space of art and friendship that Chen sheltered amid a turbulent backdrop of political turmoil and personal hardship. This book is the third title in the National Gallery’s Dreaming Art Series, presenting original illustrated stories by contemporary practitioners in the arts in response to key works in the National Collection.

Anthology bringing together creators based mainly in Southeast Asia, i.e. Singapore, Malaysia, Thailand, and Vietnam.

A lively graphic narrative reports on censorship of political cartoons around the world, featuring interviews with censored cartoonists from Pittsburgh to Beijing. Why do the powerful feel so threatened by political cartoons? Cartoons don't tell secrets or move markets. Yet, as Cherian George and Sonny Liew show us in Red Lines, cartoonists have been harassed, trolled, sued, fired, jailed, attacked, and assassinated for their insolence. The robustness of political cartooning--one of the most elemental forms of political speech--says something about the health of democracy. In a lively graphic narrative--illustrated by Liew, himself a prize-winning cartoonist--Red Lines crisscrosses the globe to feel the pulse of a vocation under attack. A Syrian cartoonist insults the president and has his hands broken by goons. An Indian cartoonist stands up to misogyny and receives rape threats. An Israeli artist finds his antiracist works censored by social media algorithms. And the New York Times, caught in the crossfire of the culture wars, decides to stop publishing editorial cartoons completely. Red Lines studies thin-skinned tyrants, the invisible hand of market censorship, and demands in the name of social justice to rein in the right to offend. It includes interviews with more than sixty cartoonists and insights from art historians, legal scholars, and political scientists--all presented in graphic form. This engaging account makes it clear that cartoon censorship doesn't just matter to cartoonists and their fans. When the red lines are misapplied, all citizens are potential victims.

This is a psychedelically drawn, boldly political retelling of the 1950s graphic novel The Eternaut, whose imagery is still used as a symbol of resistance in Latin America to this day. The 1950s version of The Eternaut, a seminal Argentine work, is drawn in F. Solano Lopez’s clean, orderly comics art style. In the 1969 reboot, the darker tone is reflected in Breccia's Expressionist art. In The Eternaut 1969, the great world powers have forsaken South America to alien invaders, and POV character Juan Salvo, along with his friend Professor Favalli, metalworker Franco, and neighbor Susanna, join the resistance in Buenos Aires with the knowledge that the outside world will not come to their aid. Through the lenses of these timeless characters, the politically prescient creators ask readers to consider the implications of global domination by the "great powers" before it’s too late.

A touching yet unsentimental story about growing up in Singapore seen through the eyes of Yong, a 12-year-old, who experiences the paradoxes of life even if he doesn’t always understand everything. Between the rigorous demands of school and taking care of his younger sibling, Yong deals with the death of Ah Por, upheavals in his family, run-ins with the neighbourhood gang leader, infatuation and finally, the end of a friendship. Set in a Housing Development Board (HDB) estate, Gone Case is a coming-of-age story with many memorable moments. It won the Singapore Literature Prize Commendation Award in 1996 and was on the National Library Board's Read! Singapore 2011 list. It was adapted into a telemovie, produced and written by Lee Thean Jeen, directed by Ler Jiyuan in 2013. Reader Reviews "GONE CASE might be the most underrated work of fiction in Singaporean letters... I love this book: the Singlish; the spare, sometimes lyrical and always unpretentious language; the silences and what they imply. The novel’s episodic narrative even mirrors the TV serials of the era. I’m waiting for someone to make a proper film of it, and to render on screen, among many memorable images, the most poignant closing paragraph in Singaporean literature." - Alvin Pang, author of City of Rain and Testing The Silence, from Goodreads "A quietly disturbing novel on an HDB childhood in Singapore... An overlooked classic of local lit." - Ng Yi-Sheng, author of last boy "A thought-provoking bildungsroman that centrals itself around a twelve year old boy. Well written with varied use of figurative language and clearly described. Although the conversations are filled with vernacular terms, their usage makes the story extremely realistic. Excellent literature." - Apollos Michio, Goodreads

The history of the comic from 19th-century to today's graphic novels.