The Assassination Of Julius Caesar

“A provocative history” of intrigue and class struggle in Ancient Rome—“an important alternative to the usual views of Caesar and the Roman Empire” (Publishers Weekly). Most historians, both ancient and modern, have viewed the Late Republic of Rome through the eyes of its rich nobility—the 1 percent of the population who controlled 99 percent of the empire’s wealth. In The Assassination of Julius Caesar, Michael Parenti recounts this period, spanning the years 100 to 33 BC, from the perspective of the Roman people. In doing so, he presents a provocative, trenchantly researched narrative of popular resistance against a powerful elite. As Parenti carefully weighs the evidence concerning the murder of Caesar, he adds essential context to the crime with fascinating details about Roman society as a whole. In these pages, we find reflections on the democratic struggle waged by Roman commoners, religious augury as an instrument of social control, the patriarchal oppression of women, and the political use of homophobic attacks. The Assassination of Julius Caesar offers a whole new perspective on an era thought to be well-known. “A highly accessible and entertaining addition to history.” —Book Marks

A professor of history and classics describes the actual events of March 15, 44 BC, when Julius Caesar was murdered during the Roman civil wars, and comparies them to those outlined by William Shakespeare in his famous play.--Publisher's description.

Many men killed Julius Caesar. Only one man was determined to kill the killers. From the spring of 44 BC through one of the most dramatic and influential periods in history, Caesar's adopted son, Octavian, the future Emperor Augustus, exacted vengeance on the assassins of the Ides of March, not only on Brutus and Cassius, immortalized by Shakespeare, but all the others too, each with his own individual story. The last assassin left alive was one of the lesser-known: Cassius Parmensis was a poet and sailor who chose every side in the dying Republic's civil wars except the winning one, a playwright whose work was said to have been stolen and published by the man sent to kill him. Parmensis was in the back row of the plotters, many of them Caesar's friends, who killed for reasons of the highest political principles and lowest personal piques. For fourteen years he was the most successful at evading his hunters but has been barely a historical foot note--until now. The Last Assassin dazzlingly charts an epic turn of history through the eyes of an unheralded man. It is a history of a hunt that an emperor wanted to hide, of torture and terror, politics and poetry, of ideas and their consequences, a gripping story of fear, revenge, and survival.

'Then fall, Caesar!" -- Talking tyrannicide -- Caesar's murdered heirs -- Aftershocks.

What actions are justified when the fate of a nation hangs in the balance, and who can see the best path ahead? Julius Caesar has led Rome successfully in the war against Pompey and returns celebrated and beloved by the people. Yet in the senate fears intensify that his power may become supreme and threaten the welfare of the republic. A plot for his murder is hatched by Caius Cassius who persuades Marcus Brutus to support him. Though Brutus has doubts, he joins Cassius and helps organize a group of conspirators that assassinate Caesar on the Ides of March. But, what is the cost to a nation now erupting into civil war? A fascinating study of political power, the consequences of actions, the meaning of loyalty and the false motives that guide the actions of men, Julius Caesar is action packed theater at its finest.

Why did a group of Roman senators gather near Pompey's theater on March 15, 44 B.C., to kill Julius Caesar? Was it their fear of Caesar's tyrannical power? Or were these aristocratic senators worried that Caesar's land reforms and leanings toward democracy would upset their own control over the Roman Republic? Parenti (History as Mystery, etc.) narrates a provocative history of the late republic in Rome (100-33 B.C.) to demonstrate that Caesar's death was the culmination of growing class conflict, economic disparity and political corruption. He reconstructs the history of these crucial years from the perspective of the Roman people, the masses of slaves, plebs and poor farmers who possessed no political power. Roughly 99% of the state's wealth was controlled by 1% of the population, according to Parenti. By the 60s B.C., the poor populace had begun to find spokesmen among such leaders as the tribunes Tiberius Gracchus and his younger brother, Gaius. Although the Gracchi attempted to introduce various reforms, they were eventually murdered, and the reform movements withered. Julius Caesar, says Parenti, took up where they left off, introducing laws to improve the condition of the poor, redistributing land and reducing unemployment. As Parenti points out, such efforts threatened the landed aristocracy's power in the Senate and resulted in Caesar's assassination. Parenti's method of telling history from the ''bottom up'' will be controversial, but he recreates the struggles of the late republic with such scintillating storytelling and deeply examined historical insight that his book provides an important alternative to the usual views of Caesar and the Roman Empire.

A companion volume to the highly successful and widely used Ancient Greece, this Sourcebook is a valuable resource for students at all levels studying ancient Rome. Lynda Garland and Matthew Dillon present an extensive range of material, from the early Republic to the assassination of Julius Caesar. Providing a comprehensive coverage of all important documents pertaining to the Roman Republic, Ancient Rome includes: source material on political developments in the Roman Republic (509–44 BC) detailed chapters on social phenomena, such as Roman religion, slavery and freedmen, women and the family, and the public face of Rome clear, precise translations of documents taken not only from historical sources, but also from inscriptions, laws and decrees, epitaphs, graffiti, public speeches, poetry, private letters and drama concise up-to-date bibliographies and commentaries for each document and chapter a definitive collection of source material on the Roman Republic. All students of ancient Rome and classical studies will find this textbook invaluable at all levels of study.

Unraveling the many mysteries surrounding the murder of Julius Caesar The assassination of Julius Caesar is one of the most notorious murders in history. Two thousand years after it occurred, many compelling questions remain about his death: Was Brutus the hero and Caesar the villain? Did Caesar bring death on himself by planning to make himself king of Rome? Was Mark Antony aware of the plot, and let it go forward? Who wrote Antony's script after Caesar's death? Using historical evidence to sort out these and other puzzling issues, historian and award-winning author Stephen Dando-Collins takes you to the world of ancient Rome and recaptures the drama of Caesar's demise and the chaotic aftermath as the vicious struggle for power between Antony and Octavian unfolded. For the first time, he shows how the religious festivals and customs of the day impacted on the way the assassination plot unfolded. He shows, too, how the murder was almost avoided at the last moment. A compelling history that is packed with intrigue and written with the pacing of a first-rate mystery, The Ides will challenge what you think you know about Julius Caesar and the Roman Empire.