The Backwash Of War

The Backwash of War - Ellen N. La Motte - First published in the year 1916; the present book 'The Backwash of War' was written by the famous writer Ellen N. La Motte. This book is a collection of the author's memoirs which sheds light on the events that took place during the World War 1. "We are witnessing a phase in the evolution of humanity, a phase called War—and the slow, onward progress stirs up the slime in the shallows, and this is the Backwash of War. It is very ugly."—Ellen N. La MotteIn September 1916, as World War I advanced into a third deadly year, an American woman named Ellen N. La Motte published a collection of stories about her experience as a war nurse. Deemed damaging to morale, The Backwash of War was immediately banned in both England and France and later censored in wartime America. At once deeply unsettling and darkly humorous, this compelling book presents a unique view of the destruction wrought by war to the human body and spirit. Long neglected, it is an astounding book by an extraordinary woman and merits a place among major works of WWI literature. This volume gathers, for the first time, La Motte's published writing about the First World War. In addition to Backwash, it includes three long-forgotten essays. Annotated for a modern audience, the book features both a comprehensive introduction to La Motte's war-time writing in its historical and literary contexts and the first extended biography of the "lost" author of this "lost classic." Not only did La Motte boldly breach decorum in writing The Backwash of War, but she also forcefully challenged societal norms in other equally remarkable ways, as a debutante turned Johns Hopkins–trained nurse, pathbreaking public health advocate and administrator, suffragette, journalist, writer, lesbian, and self-proclaimed anarchist.

Mary Borden worked for four years in an evacuation hospital unit following the front lines up and down the European theater of the First World War. This beautifully written book, to be read alongside the likes of Sassoon, Graves, and Remarque, is a collection of her memories and impressions of that experience. Describing the men as they march into battle, engaging imaginatively with the stories of individual soldiers, and recounting procedures at the field hospital, the author offers a perspective on the war that is both powerful and intimate.

"In this provocative study, Hazel Hutchison takes a fresh look at the roles of American writers in helping to shape national opinion and policy during the First World War. From the war's opening salvos in Europe, American writers recognized the impact the war would have on their society and sought out new strategies to express their horror, support, or resignation. By focusing on the writings of Henry James, Edith Wharton, Grace Fallow Norton, Mary Borden, Ellen La Motte, E. E. Cummings, and John Dos Passos, Hutchison examines what it means to be a writer in wartime, particularly in the midst of a conflict characterized by censorship and propaganda. Drawing on original letters and manuscripts, some never before seen by researchers, this book explores howthe essays, poetry, and novels of these seven literary figures influenced America's public view of events, from August 1914 through the Paris Peace Conference of 1919, and ultimately set the literary agenda for later, more celebrated texts about the war"--

A eloquent pair of observers illuminate the role of women in wartime and add significantly to the literature on the Great War.

The Human Wreckage of the Battlefield as Witnessed by an American Hospital Nurse "This war has been described as "Months of boredom, punctuated by moments of intense fright." The writer of these sketches has experienced many "months of boredom," in a French military field hospital, situated ten kilometres behind the lines, in Belgium. During these months, the lines have not moved, either forward or backward, but have remained dead-locked, in one position. Undoubtedly, up and down the long-reaching kilometres of "Front" there has been action, and "moments of intense fright" have produced glorious deeds of valour, courage, devotion, and nobility. But when there is little or no action, there is a stagnant place, and in a stagnant place there is much ugliness. Much ugliness is churned up in the wake of mighty, moving forces. We are witnessing a phase in the evolution of humanity, a phase called War--and the slow, onward progress stirs up the slime in the shallows, and this is the Backwash of War. It is very ugly. There are many little lives foaming up in the backwash."

Not only did La Motte boldly breach decorum in writing The Backwash of War, but she forcefully challenged societal norms in other equally remarkable ways, as a debutante turned Johns Hopkins–trained nurse, pathbreaking public health advocate and administrator, suffragette, journalist, writer, lesbian, and self-proclaimed anarchist.

NEW YORK TIMES BESTSELLER • Drawing on exhaustive research, this intimate account details how World War I reduced Europe’s mightiest empires to rubble, killed twenty million people, and cracked the foundations of our modern world “Thundering, magnificent . . . [A World Undone] is a book of true greatness that prompts moments of sheer joy and pleasure. . . . It will earn generations of admirers.”—The Washington Times On a summer day in 1914, a nineteen-year-old Serbian nationalist gunned down Archduke Franz Ferdinand in Sarajevo. While the world slumbered, monumental forces were shaken. In less than a month, a combination of ambition, deceit, fear, jealousy, missed opportunities, and miscalculation sent Austro-Hungarian troops marching into Serbia, German troops streaming toward Paris, and a vast Russian army into war, with England as its ally. As crowds cheered their armies on, no one could guess what lay ahead in the First World War: four long years of slaughter, physical and moral exhaustion, and the near collapse of a civilization that until 1914 had dominated the globe. Praise for A World Undone “Meyer’s sketches of the British Cabinet, the Russian Empire, the aging Austro-Hungarian Empire . . . are lifelike and plausible. His account of the tragic folly of Gallipoli is masterful. . . . [A World Undone] has an instructive value that can scarcely be measured”—Los Angeles Times “An original and very readable account of one of the most significant and often misunderstood events of the last century.”—Steve Gillon, resident historian, The History Channel

"Now It Can Be Told" by Philip Gibbs is a book about World War I. In this book, the author provides insight into some aspects of the war that the world should know and remember as a warning of what will happen again if a heritage of evil and folly is not cut out of the hearts of people. The book also describes the reality of modern warfare, not only as it appeared to British soldiers but to soldiers on all fronts where conditions were the same.