The Center Cannot Hold

A much-praised memoir of living and surviving mental illness as well as "a stereotype-shattering look at a tenacious woman whose brain is her best friend and her worst enemy" (Time). Elyn R. Saks is an esteemed professor, lawyer, and psychiatrist and is the Orrin B. Evans Professor of Law, Psychology, Psychiatry, and the Behavioral Sciences at the University of Southern California Law School, yet she has suffered from schizophrenia for most of her life, and still has ongoing major episodes of the illness. The Center Cannot Hold is the eloquent, moving story of Elyn's life, from the first time that she heard voices speaking to her as a young teenager, to attempted suicides in college, through learning to live on her own as an adult in an often terrifying world. Saks discusses frankly the paranoia, the inability to tell imaginary fears from real ones, the voices in her head telling her to kill herself (and to harm others), as well as the incredibly difficult obstacles she overcame to become a highly respected professional. This beautifully written memoir is destined to become a classic in its genre.

Turtledove's alternate history of America in the last 150 years continues . . . The second book in the American Empire sequence takes the violent American civil war (which has become a world war) to 1924: a time of rebuilding. Life is slowly returning to normal in the devastated cities of Europe and Canada. In the United States, the Socialist Party battles Calvin Coolidge to hold on to power. And it seems as if the Socialists can do no wrong as the stock market soars and America enjoys a prosperity unknown for half a century. But as old names like Custer and Roosevelt fade into history a new generation faces new uncertainties,. In a world of occupiers and the occupied, of simmering hatreds, shattered lives and pent-up violence, the centre can no longer hold. And for a powerful nation, the ultimate shock will come when a fleet of foreign aircraft rains death and destruction on one of the great cities of the United States.

Okonkwo is the greatest warrior alive, famous throughout West Africa. But when he accidentally kills a clansman, things begin to fall apart. Then Okonkwo returns from exile to find missionaries and colonial governors have arrived in the village. With his world thrown radically off-balance he can only hurtle towards tragedy. Chinua Achebe's stark novel reshaped both African and world literature. This arresting parable of a proud but powerless man witnessing the ruin of his people begins Achebe's landmark trilogy of works chronicling the fate of one African community, continued in Arrow of God and No Longer at Ease.

“Things fall apart; the centre cannot hold.” These words from Yeats's poem “The Second Coming” provide Why the Center Can't Hold with its organizing theme. And although Yeats was describing the grim atmosphere of post-World War I Europe, O'Neill regards the poem's pronouncements as eerily predictive of the state of the world as we are currently observing it. O'Neill takes them as predictive of the agency in particular of the United States--the “Center”--in bringing about in the world the more general chaos we are now observing (relative to various refugee and migrant crises, the emergence of sophisticated and even postmodern forms of militant and cyber terrorism, banking and other monetary crises, environmental catastrophes under the aegis of climate change, the defunding of public higher education, the persistence of virulent forms of racism and other types of intolerance, the concentration of wealth in fewer and fewer hands, the marginalisation and even outright elimination of human labor forces, etc.). O'Neill provides historical analyses that illuminate why this is the case, and he also asks what changes in the United States -- in its politics, in its socio-cultural formations, and in its beliefs and (supposedly common) values -- might help us to avoid the inevitable (and lamentable) destruction that seems ahead.

The “dazzling” and essential portrayal of 1960s America from the author of South and West and The Year of Magical Thinking (The New York Times). Capturing the tumultuous landscape of the United States, and in particular California, during a pivotal era of social change, the first work of nonfiction from one of American literature’s most distinctive prose stylists is a modern classic. In twenty razor-sharp essays that redefined the art of journalism, National Book Award–winning author Joan Didion reports on a society gripped by a deep generational divide, from the “misplaced children” dropping acid in San Francisco’s Haight-Ashbury district to Hollywood legend John Wayne filming his first picture after a bout with cancer. She paints indelible portraits of reclusive billionaire Howard Hughes and folk singer Joan Baez, “a personality before she was entirely a person,” and takes readers on eye-opening journeys to Death Valley, Hawaii, and Las Vegas, “the most extreme and allegorical of American settlements.” First published in 1968, Slouching Towards Bethlehem has been heralded by the New York Times Book Review as “a rare display of some of the best prose written today in this country” and named to Time magazine’s list of the one hundred best and most influential nonfiction books. It is the definitive account of a terrifying and transformative decade in American history whose discordant reverberations continue to sound a half-century later.

"Gulden's black and white still portraits... are breathtaking... The Centre Cannot Hold is a superb photographic document of a disappearing world." Le Journal de la Photographie "The product of Gulden's efforts is a beautiful collection of true wildl

The goal of this book is to shed psychoanalytic light on a concept—informed consent—that has transformed the delivery of health care in the United States. Examining the concept of informed consent in the context of psychoanalysis, the book first summarizes the law and literature on this topic. Is informed consent required as a matter of positive law? Apart from statutes and cases, what do the professional organizations say about this? Second, the book looks at informed consent as a theoretical matter. It addresses such questions as: What would be the elements of a robust informed consent in psychoanalysis? Is informed consent even possible here? Can patients really understand, say, transference or regression before they experience them, and is it too late once they have? Is informed consent therapeutic or countertherapeutic? Can a “process view” of informed consent make sense here? Third, the book reviews data on the topic. A lengthy questionnaire answered by sixty-two analysts reveals their practices in this regard. Do they obtain a statement of informed consent from their patients? What do they disclose? Why do they disclose it? Do they think it is possible to obtain informed consent in psychoanalysis at all? Do they think the practice is therapeutic or countertherapeutic, and in what ways? Do they think there should or should not be an informed consent requirement for psychoanalysis? The book should appeal above all to therapists interested in the ethical dimensions of their practice.

Powerful, affecting essays on mental illness, winner of the Graywolf Press Nonfiction Prize and a Whiting Award An intimate, moving book written with the immediacy and directness of one who still struggles with the effects of mental and chronic illness, The Collected Schizophrenias cuts right to the core. Schizophrenia is not a single unifying diagnosis, and Esmé Weijun Wang writes not just to her fellow members of the “collected schizophrenias” but to those who wish to understand it as well. Opening with the journey toward her diagnosis of schizoaffective disorder, Wang discusses the medical community’s own disagreement about labels and procedures for diagnosing those with mental illness, and then follows an arc that examines the manifestations of schizophrenia in her life. In essays that range from using fashion to present as high-functioning to the depths of a rare form of psychosis, and from the failures of the higher education system and the dangers of institutionalization to the complexity of compounding factors such as PTSD and Lyme disease, Wang’s analytical eye, honed as a former lab researcher at Stanford, allows her to balance research with personal narrative. An essay collection of undeniable power, The Collected Schizophrenias dispels misconceptions and provides insight into a condition long misunderstood.