The Cold Days

Between three and four thousand civilians, primarily Serbian and Jewish, were murdered in the Novi Sad massacre of 1942. Hungarian soldiers and gendarmes carried out the crime in the city and surrounding areas, in territory Hungary occupied after the German attack on Yugoslavia. The perpetrators believed their acts to be a contribution to a new order in Europe, and as a means to ethnically cleanse the occupied lands. In marked contrast to other massacres, the Horthy regime investigated the incident and tried and convicted the commanding officers in 1943-44. Other trials would follow. During the 1960s, a novel and film telling the story of the massacre sparked the first public open debate about the Hungarian Holocaust. This book examines public contentions over the Novi Sad massacre from its inception in 1942 until the final trial in 2011. It demonstrates how attitudes changed over time toward this war crime and the Holocaust through different political regimes and in Hungarian society. The book also views how the larger European context influenced Hungarian debates, and how Yugoslavia dealt with memories of the massacre.

After a brief interlude in the afterlife, Harry Dresden’s new job makes him wonder if death was really all that bad in this novel in the #1 New York Times bestselling series. Harry Dresden is no longer Chicago’s only professional wizard. Now, he’s Winter Knight to Mab, the Queen of Air and Darkness. Her word is his command. And her first command is the seemingly impossible: kill an immortal. Worse still, there is a growing threat to an unfathomable source of magic that could mean the deaths of millions. Beset by enemies new and old, Harry must gather his friends and allies, prevent an apocalypse, and find a way out of his eternal subservience before his newfound infinite powers claim the only thing he has left to call his own... His soul.

From the author of The Last Thing You Said, a YA romance about a girl on a boys hockey team who happens to fall for the team captain. Holland Delviss wants to be known for her talent as a hockey player, not a hockey player who happens to be a girl. So, to keep her spot on the boys’ varsity team, she has rules: Practice harder than anyone else, even if that means 5 A.M. training sessions. Keep a low profile, even if that means ignoring trolls calling her a distraction, a gimmick, or worse. But when her team is selected for HockeyFest, a televised statewide event, Holland becomes the lead story (Goodbye, rule #2!). Not everyone is thrilled with Holland’s new fame, but there’s one person who fiercely supports her, and it’s the last person she expects: her bossy team co-captain, Wes. And Wes begins surprising her. He shares her passion for ’80s glam metal, and his touch feels strangely electric. With the cameras set to roll, Holland is dangerously close to breaking yet another rule: No dating teammates, ever. A deeply romantic and empowering novel about shutting out the noise from the crowd, so you can listen to your heart. A Junior Library Guild Selection “A fun romp of a teen romance via an exciting hockey season, this book has all the right ingredients—a spunky, multifaceted main character, a love interest who turns out to be a decent individual, and plenty of internal and external conflict. . . . A teenage love story steamy enough to melt the ice in the rink.” —Kirkus Reviews “A fun read that simultaneously puts the reader into the hockey world as an insider and an outsider. . . . It’s a last-act gut punch that really puts a spotlight on what female athletes have to deal with. A must-read for anyone who has had to defy expectations.” ?Booklist

Prisoners suffer in every conflict, but American servicemen captured during the Korean War faced a unique ordeal. Like prisoners in other wars, these men endured harsh conditions and brutal mistreatment at the hands of their captors. In Korea, however, they faced something new: a deliberate enemy program of indoctrination and coercion designed to manipulate them for propaganda purposes. Most Americans rejected their captors’ promise of a Marxist paradise, yet after the cease fire in 1953, American prisoners came home to face a second wave of attacks. Exploiting popular American fears of communist infiltration, critics portrayed the returning prisoners as weak-willed pawns who had been “brainwashed” into betraying their country. The truth was far more complicated. Following the North Korean assault on the Republic of Korea in June of 1950, the invaders captured more than a thousand American soldiers and brutally executed hundreds more. American prisoners who survived their initial moments of captivity faced months of neglect, starvation, and brutal treatment as their captors marched them north toward prison camps in the Yalu River Valley. Counterattacks by United Nations forces soon drove the North Koreans back across the 38th Parallel, but the unexpected intervention of Communist Chinese forces in November of 1950 led to the capture of several thousand more American prisoners. Neither the North Koreans nor their Chinese allies were prepared to house or feed the thousands of prisoners in their custody, and half of the Americans captured that winter perished for lack of food, shelter, and medicine. Subsequent communist efforts to indoctrinate and coerce propaganda statements from their prisoners sowed suspicion and doubt among those who survived. Relying on memoirs, trial transcripts, debriefings, declassified government reports, published analysis, and media coverage, plus conversations, interviews, and correspondence with several dozen former prisoners, William Clark Latham Jr. seeks to correct misperceptions that still linger, six decades after the prisoners came home. Through careful research and solid historical narrative, Cold Days in Hell provides a detailed account of their captivity and offers valuable insights into an ongoing issue: the conduct of prisoners in the hands of enemy captors and the rules that should govern their treatment.

Nana comes from Africa to North America to visit her family and is having a difficult time getting used to winter.

ÒThis story will be remembered for years to come.Ó ÑComicosity COLD HEART. The wedding of the century is over. Batman took the long walk down the aisle for CatwomanÉand now his life has been shaken to its core. COLD FACTS. But this blow is just the beginning. Called to serve on the jury for the trial of Mr. Freeze, Bruce Wayne finds himself confronted with questions about his costumed alter egoÕs excessive forceÑleaving him contemplating hanging up the cape and cowl for good. COLD BLOOD. With Bruce sidelined, Dick GraysonÑBatmanÕs original sidekick and closest friendÑputs aside his Nightwing role and assumes the mantle of the Dark Knight himself, putting him on the front linesÉand in great danger. COLD WAR. The Russian assassin called the KGBeast is back, and now this relic of geopolitical warfare is rampaging through Gotham City with an anonymous puppet master pulling his strings. Facing broken hearts, broken bodies and an identity crisis like no other, can Bruce and Dick stop a cold war before they catch their deaths? Critically acclaimed writer Tom King (Mister Miracle) continues his landmark run on one of comicsÕ most iconic heroes in Batman Vol. 8: Cold Days, featuring stunning work from superstar artists Lee Weeks (Batman/Elmer Fudd Special), Matt Wagner (Trinity) and Tony S. Daniel (Batman R.I.P.).

Brent Spiner’s explosive and hilarious novel is a personal look at the slightly askew relationship between a celebrity and his fans. If the Coen Brothers were to make a Star Trek movie, involving the complexity of fan obsession and sci-fi, this noir comedy might just be the one. Set in 1991, just as Star Trek: The Next Generation has rocketed the cast to global fame, the young and impressionable actor Brent Spiner receives a mysterious package and a series of disturbing letters, that take him on a terrifying and bizarre journey that enlists Paramount Security, the LAPD, and even the FBI in putting a stop to the danger that has his life and career hanging in the balance. Featuring a cast of characters from Patrick Stewart to Levar Burton to Trek creator Gene Roddenberry, to some completely imagined, this is the fictional autobiography that takes readers into the life of Brent Spiner, and tells an amazing tale about the trappings of celebrity and the fear he has carried with him his entire life. Fan Fiction is a zany love letter to a world in which we all participate, the phenomenon of “Fandom.”

The inaugural winner of The Novel Prize, an international biennial award established by Giramondo (Australia), Fitzcarraldo Editions (UK) and New Directions (USA). Cold Enough for Snow was unanimously chosen from over 1500 entries. A novel about the relationship between life and art, and between language and the inner world – how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter. A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafés and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother’s family in Hong Kong, and the daughter’s own formative experiences. But uncertainties abound. How much is spoken between them, how much is thought but unspoken? Cold Enough for Snow is a reckoning and an elegy: with extraordinary skill, Au creates an enveloping atmosphere that expresses both the tenderness between mother and daughter, and the distance between them. 'So calm and clear and deep, I wished it would flow on forever.' — Helen Garner 'Rarely have I been so moved, reading a book: I love the quiet beauty of Cold Enough for Snow and how, within its calm simplicity, Jessica Au camouflages incredible power.' — Edouard Louis 'Au’s prose is elegant and measured. In descriptions of bracing clarity she evokes ‘shaking delicate impressions’ of worlds within worlds that are symbolic of the parts of ourselves we keep hidden and those we choose to lay bare. Put simply, this novel is an intricate and multi-layered work of art — a complex and profound meditation on identity, familial bonds and our inability to fully understand ourselves, those we love and the world around us.' — Jacqui Davies, Books+Publishing