The Collector Of Leftover Souls

Longlisted for the National Book Award for Translated Literature Urgent investigative essays covering a wide range of humanity in Brazil, from the Amazon to the favelas Eliane Brum is a star journalist in Brazil, known for her polyphonic writing that gives voice to people often underrepresented in popular literature. Brum’s reporting takes her into Brazil’s most marginalized communities: she visits the Amazon to understand the practice of indigenous midwives, stays in São Paulo’s favelas to witness the joy of a marriage and the tragedy of young men dying due to drugs and guns, and wades through the mud to capture the boom and bust of modern-day gold rushes. Brum is an enormously sensitive and perceptive interlocutor, and as she visits these places she provides intimate glimpses into both everyday and extraordinary lives: a poor father on the way to bury his son, a street performer who eats glass, a woman living out her final 115 days, and a hoarder rescuing the “leftover souls” of the city. The Collector of Leftover Souls showcases the best of Brum’s work from two books, combining short profiles with longer reported pieces. These vibrant missives range across current issues such as the human cost of exploiting natural resources, the Belo Monté Dam’s eradication of a way of life for those on the banks of the Xingu River, and the contrast between urban centers and remote villages. Told in the vibrant and idiomatic language of the people Brum writes about, The Collector of Leftover Souls is a vital work of investigative journalism from an internationally acclaimed author.

From Brazil's answer to Svetlana Alexeivich: a powerful glimpse into the lives of ordinary Brazilians.

A confrontation with the destruction of the Amazon by a writer who moved her life into the heart of the forest.In lyrical, impassioned prose, Eliane Brum recounts her move from S&ã o Paulo to Altamira, a city along the Xingu River that has been devastated by the construction of one of the largest dams in the world. In community with the human and more-than-human world of the Amazon, Brum seeks to &‘ reforest' herself while building relationships with forest peoples who carry both the scars and the resistance of the forest in their bodies. Weaving together the lived stories of the region and its history of violent corruption and destruction, Banzeiro &Ò k&Ò t&ó is a call for radical change, for the creation of a new kind of human being capable of facing the potential extinction of our species. In it, Brum reveals the direct links between structural inequities rooted in gender, race, class, and even species, and the suffering that capitalism and climate breakdown wreak on those who are least responsible for them.The title Banzeiro &Ò k&Ò t&ó features words from two cultural and linguistic traditions: banzeiro is what the Amazon people call the place where the river turns into a fearsome vortex, and &Ò k&Ò t&ó is the Yoruba word for a shell that spirals outward into infinity. Like the Xingu River, turning as it flows, this book is a fierce document of transformation arguing for the centrality of the Amazon to all our lives.

An in-depth look at Brazilian culture in the series that collects the best new writing, photography, art, and reportage from around the world. In the second half of the twentieth century Brazil made extraordinary contributions to music, sport, architecture. From bossa nova to acrobatic soccer to the daring architecture of Oscar Niemeyer and Lúcio Costa, the country seemed to embody a new, original vision of modernity, at once fluid, agile, and complex. Seen from abroad, the victory of the far right in the 2018 elections was a rude awakening that suddenly turned the Brazilian dream into a nightmare. For locals, however, illusions had started fading long ago, amid paralyzing corruption, environmental degradation, racial discrimination, and escalating violence. Luckily Brazilians have not lost their desire to fight, minorities are still determined to assert their rights, and, now that the glorious past is dead and buried, a desire to rebuild for the future is emerging. Today the challenge of telling the story of this extraordinary country consists in finding its enduring vitality amid the apparent melancholy. “The Passenger readers will find none of the typical travel guide sections on where to eat or what sights to see. Consider the books, rather, more like a literary vacation.” —Publishers Weekly “Much more than a travel guide, The Passenger is indispensable for any reader who is curious about the world.” —Il Venerdì In this volume: Order and Progress? by Jon Lee Anderson Funk, Pride and Prejudice by Alberto Riva On the River, I Was King by Eliane Brum Also: the road that dissects the Amazon; the TV tycoon who shaped Brazilian history; the neo-Pentecostal community that is winning the hearts (and wallets) of Brazilians; politicized samba dancers, idealist gangsters, and much more . . .

From Antarctica and the deserts of the US-Mexico border, to a Siberian whale-killing station and the alleyways of Taipei, these dispatches describe a world in perpetual motion (even when it is 'locked-down'). To travel, we are reminded, is to embrace the experience of being a stranger - to acknowledge that one person''s frontier is another's home. Granta 157 is guest-edited by award-winning travel writer William Atkins. It features: Jason Allen-Paisant remembers the trees of his childhood Jamaica from his home in Leeds Carlos Manuel lvarez navigates Cuba's customs system, translated by Frank Wynne Eliane Brum travels from her home in the Brazilian Amazon to Antarctica in the era of climate crisis, translated by Diane Grosklaus Whitty Francisco Cant and Javier Zamora: a former border guard travels to the US-Mexico border with a former undocumented migrant who crossed the border as a child Jennifer Croft's richly illustrated essay on postcards and graffiti, inspired by Los Angeles Bathsheba Demuth visits a whale-hunting station on the Bering Strait, Russia Sinad Gleeson visits Brazil with Clarice Lispector Kate Harris with the Tlingit people of the Taku River basin, on the border of British Columbia and Alaska Artist Roni Horn on Iceland Emmanuel Iduma returns to Lagos in his late father's footsteps, Nigeria Kapka Kassabova among the gatherers of the ancient Mesta River, Bulgaria Taran Khan with Afghan migrants in Germany and Kabul Jessica J. Lee in the alleyways of Taipei, Taiwan, in search of her mother's home Ben Mauk among the volcanoes of Duterte's Philippines Pascale Petit tracks tigers in Paris and India Photographer James Tylor on the legacy of whaling in Indigenous South Australia, introduced by Dominic Guerrera

This volume explores the history, evolution, and future of Luso-Hispanic Cultural Studies as a discipline, a pedagogical tool, and a set of working practices by bringing together a diverse group of renowned specialists to examine how the field has grown out of and radically reconsidered some of the basic premises of British Cultural Studies since the 1950s to address the many cultures of the Spanish and Portuguese-speaking world. The chapters in this volume address How Cultural Studies is being practiced in the increasingly virtual mediascapes of the twenty-first century What happens to basic critical assumptions about culture and power after they have passed through the filter of Post-Colonial and Decolonial Studies of the Luso-Hispanic world How we understand the role of culture in light of recent experiences with radical demographic shifts, populism and civil unrest within Latin America, Iberian and the Latino U.S How new ways of practising Luso-Hispanic Cultural Studies have worked their way into our pedagogy and the structure of the curriculum in the age of the increasingly privatized neoliberal university Providing keen insight and reflection on these questions, this volume is an essential read for scholars and students of Visual and Film Studies, Latin American and Iberian Studies, Luso-Brazilian Studies, Language and Culture Pedagogy, Global Studies, and for anyone interested in Cultural Studies across the Luso-Hispanic world.

“A vivid, important, and inspiring book.”— Elizabeth Kolbert, Pulitzer Prize winning author of The Sixth Extinction and Under a White Sky “Eloquently mulls the ecological dynamics of forests as well as the social, economic, cultural, and political forces that determine their fate.”—LA REVIEW OF BOOKS A powerful book about the decline and recovery of the world’s forests––with a provocative argument for their survival. In A Trillion Trees, veteran environmental journalist Fred Pearce takes readers on a whirlwind journey through some of the most spectacular forests around the world. Along the way, he charts the extraordinary pace of forest destruction, and explores why some are beginning to recover. With vivid, observant reporting, Pearce transports readers to the remote cloud forests of Ecuador, the remains of a forest civilization in Nigeria, a mystifying mountain peak in the middle of the Atlantic Ocean, and the boreal forests of western Canada and the United States, where devastating wildfires are linked to suppressing the natural fire cycles of forests and the maintenance practices of Indigenous peoples. Throughout the book, Pearce interviews the people who traditionally live in forests. He speaks to Indigenous peoples in western Canada and the United States who are fighting to control their traditional forested lands and manage them according to their traditional practices. He visits and speaks with Nepalese hill dwellers, Kenyan farmers, and West African sawyers who show him that forests are as much human landscapes as they are natural paradises. The lives of humans are now imprinted in forest ecology. At the heart of Pearce’s investigationis a provocative argument: planting more trees isn’t the answer to declining forests. If given room and left to their own devices, forests and the people who live in them will fight back to restore their own domain.

This book develops an understanding of prayer from a liberation-theological perspective. “Praying with” offers a distinctive way of praying that can help orient our prayers around the “where” we pray and “with whom” we pray as the locus of the body’s and heart’s theological praxis. The book helps create language to pray with people and in situations we are not used to praying with; it insists on praying amidst racism, poverty, violence, and suffering; it calls us to pray at night and at the end of the world when we are overcome by fear, hurt, climate disaster, or economic impoverishment; it ventures into interfaith prayer settings; and it claims a sense of “self” that is not discrete, encapsulated in its own thinking or feeling—rather, it understands the notion of the self as entangled with the whole earth and each sentient and nonsentient being. Thus, to “pray with” in this book is to take the location of one’s prayer more seriously and, individually and collectively, to gain an awareness of our grounding and positionality, therefore creating a theological structure that assumes both the listening of our own heart and the voices of everything around us.