The Crawling Hand

A short mystery that's high on suspense! This is a perfect page turner if you want to finish a thriller in one sitting, especially for reluctant and struggling readers. Cool, edgy crime detective duo, Jas and Sam are teens who solve spine-chilling cases - using equal measures of humour and heroism along the way! In this mystery, 'The Crawling Hand', Jas and Sam hear a knock on the door of their detective agency. It looks like no one is there but then they notice a skeleton's hand on the floor! The hand can crawl, it can talk and it is in urgent need of help to find its missing body. There's a case to be solved! Reading level for this book:- ATOS: 2.6 Lexile ® Measure: 360L Book Band: 11 Lime

There are things best left, unseen, untouched, best forgotten and lost. This wretched tome is one such object, a reeking witness to the horror that consumed the once resplendent kingdom of Gyldenbrae. A scavenged collection of manuscripts, fables, etchings, scribbles and lies! Why would you want such a thing? The Crawling King is a fully-illustrated collection of horror stories by award winning independent animator, Einar Baldvin. This massive, cloth-bound book features 200 pages of ink and watercolor illustrations and hand-written stories, each set in the lost kingdom of Gyldenbrae. Every original page was meticulously crafted by hand before being aged by coffee and fire to mimic the look of forgotten manuscripts, ancient fables, and half-eaten letters. The Crawling King is a unique and unforgettable book that invites readers to delve deep into the ruins of a forgotten world and to subsequently lose their minds as they unravel the mystery of the doom that ravaged an entire kingdom.

American International Pictures was in many ways the "missing link" between big-budget Hollywood studios, "poverty-row" B-movie factories and low-rent exploitation movie distributors. AIP first targeted teen audiences with science fiction, horror and fantasy, but soon grew to encompass many genres and demographics--at times, it was indistinguishable from many of the "major" studios. From Abby to Zontar, this filmography lists more than 800 feature films, television series and TV specials by AIP and its partners and subsidiaries. Special attention is given to American International Television (the TV arm of AIP) and an appendix lists the complete AITV catalog. The author also discusses films produced by founders James H. Nicholson and Samuel Z. Arkoff after they left the company.

"Well, I doubt you'll ever see a bigger insect." Gabby Nichols is putting her son to bed when she hears her daughter cry out. 'Mummy there's a daddy longlegs in my room!' Then the screaming starts... Alan Travers is heading home from the pub when something rushes his face - a spider's web. Then something huge and deadly lumbers from the shadows... Kevin Alperton is on his way to school when he is attacked by a mosquito. A big one. Then things get dangerous. But it isn't the dead man cocooned inside a huge mass of web that worries the Doctor. It isn't the swarming, mutated insects that make him nervous. It isn't an old man's garbled memories of past dangers that intrigue him. With the village cut off from the outside world, and the insects becoming more and more dangerous, the Doctor knows that no one is safe. Not unless he can decode the strange symbols engraved on an ancient stone circle, and unravel a mystery dating back to the Second World War.

'Back to the Fifties' examines the explosion of Fifties nostalgia in Hollywood film and popular music from the early 1970s to the late 1980s. It both complicates and transcends standard diagnoses of the political function of nostalgia in popular media, and sheds new light on a crucial and underexamined period in American politics and culture. By closely examining the ways that 'the Fifties' were remade and recalled in films and in pop music, the book notes the importance of 'the Fifties' to a generation of Americans and explores the ways popular culture facilitates cultural memory.

The Nigerian condition has been the subject of conversation among writers, policymakers, and market men and women. There is no where the subject is not broached or discussed and often solutions are proffered, from the rational to the mundane. This is to be applauded because a culture of debate is to be preferred to silence as it is a national asset. Indeed, it is the duty of the ruling elite within the state sphere to distil the feedback from the citizenry and turn it into an outcome that is healthy for the polity.

Strands describes a year's worth of walking on the ultimate beach: inter-tidal and constantly turning up revelations: mermaid's purses, lugworms, sea potatoes, messages in bottles, buried cars, beached whales and a perfect cup from a Cunard liner. This is a series of meditations prompted by walking on the wild estuarial beaches of Ainsdale Sands between Blackpool and Liverpool, Strands is about what is lost and buried then discovered, about all the things you find on a beach, dead or alive, about flotsam and jetsam, about mutability and transformation - about sea-change.