The Crypt Prison For The Bizarre And Tainted

Book 2 of the Final Cassowary Fight Club Series: Vortex and Nerezza fight to keep themselves from plunging into the insanity of the new club, while Venom and Nikayda are forced to adjust to the ominous prison, the Crypt.

BE PREPARED. You find yourself in a world of astronauts and aliens, of barbarians and fairies, of angels and teenage eldritch gods. Man-eating porn stars, feral environmentalists, color-shifters, cemented time-travelers, babies birthed from fish bowls. What is this strange and beautiful place? FEED YOUR FICTION ADDICTION. These stories are gritty, spicy, slightly neurotic. They're hot and cold, black and white, soft and sharp. Witness fresh hot authors of fiction in their debut, but be careful--you might get burned! A genre descended from editorial slush piles, vanity presses, and scribbled napkins, this is the absolute best of the New New Ultra Weird. This canonic anthology chronicles the development of a legendary new genre from its humble origins to its great acclaim by Gary Busey himself. You don't want to miss the New New Ultra Weird!

Some family secrets are deadly… Inventorying human remains can be difficult at the best of times without a creepy security guard hovering over Maddie Foster’s shoulder. Nervous about being stuck in the crypt with the strange man, Maddie asks a friend of a friend to drop by and pretend to be her boyfriend to force the guy to back off. Raptor operative Josh Warner recently moved to Oregon to take over as guardian to his troubled niece and open a new private security branch in the Pacific Northwest. Josh doesn’t hesitate to help Maddie and is intrigued by the brainy museologist. His protective nature kicks into high gear as he discovers she may be in very real danger. Tensions run hot in the summer heat as Josh’s work puts everyone he cares about at risk, and Maddie’s research into the museum collection raises questions better left buried. As their city teeters on the precipice of violence, Josh and Maddie find themselves embroiled in a deadly scheme that could reshape the nation.

Presents four tales of terror in the spirit of the original EC Comics series, including the tale of a young man whose online multiplayer role-playing game life turns into an obsession that blurs the virtual and the real, with horrific consequences.

Tracing the development of horror entertainment since the late 18th century, this study argues that scientific discovery, technological progress, and knowledge in general have played an unparalleled role in influencing the evolution of horror. Throughout its many subgenres (biological horror, cosmic horror and others) and formats (film, literature, comics), horror records humanity's uneasy relationship with its own ability to reason, understand, and learn. The text first outlines a loose framework defining several distinct periods in horror development, then explores each period sequentially by looking at the scientific and cultural background of the period, its expression in horror literature, and its expression in horror visual and performing arts.

An extraordinary modern novel in the Victorian tradition, Charles Palliser has created something extraordinary—a plot within a plot within a plot of family secrets, mysterious clues, low-born birth, high-reaching immorality, and, always, always the fog-enshrouded, enigmatic character of 19th century—London itself. “So compulsively absorbing that reality disappears . . . One is swept along by those enduring emotions that defy modern art and a random universe: hunger for revenge, longing for justice and the fantasy secretly entertained by most people that the bad will be punished and the good rewarded.”—The New York Times “A virtuoso achievement . . . It is an epic, a tour de force, a staggeringly complex and tantalizingly layered tale that will keep readers engrossed in days. . . . The Quincunx will not disappoint you. It is, quite simply, superb.”—Chicago Sun-Times “A bold and vivid tale that invites the reader to get lost in the intoxicating rhythms of another world. And the invitation is irresistible.”—San Francisco Chronicle “A remarkable book . . . In mood, color, atmosphere and characters, this is Charles Dickens reincarnated . . . It is an immersing experience.”—Los Angeles Times Book Review “To read the first pages is to be trapped for seven-hundred odd more: you cannot stop turning them.”—The New Yorker “Few books, at most a dozen or two in a lifetime, affect us this way. . . . For sheer intricacy and ingenuity, for skill and clarity of storytelling, it is the kind of book readers wait for, a book to get lost in.”—The Philadelphia Inquirer