The Divine And The Cursed

From multi-award-winning author J.E. Reed comes a breathtaking new series full of love and survival. A queen in hiding. Two countries at war. When eighteen-year-old Arianna is stolen from her family and sold into slavery, she spends months disguised as a half-breed Fae struggling against the devastations of a decade-long war. But she never expected to find herself at the mercy of her country's greatest enemy. General Rion is ruthless and commanding. He relishes in his reputation as The Demon-a vile creature incapable of love or compassion. With a secret no one can know, Arianna strives to placate him while plotting her escape, but sometimes fate has other plans and rumors can't always be trusted. She'll have to make a choice. Kill the most feared male on the continent or stay and let a forbidden bond take root. But what will happen when he discovers her secret? Trigger Warnings: War, Violence, Slavery, Torture, Death, Blood, Starvation, Kidnapping, Injury, SA (no on page descriptions only mentioned), Loss of a Parent

Return to the world of inklings, tattoo magic, and evil deities as Celia uncovers the secrets of the ink in order to stop Diavala once and for all. This eagerly anticipated sequel to Ink in the Blood is perfect for fans of Leigh Bardugo and Wicked Saints. Celia Sand faced Diavala and won, using ink magic to destroy the corrupt religion of Profeta that tormented her for a decade. But winning came with a cost. Now Celia is plagued with guilt over her role in the death of her best friend. When she discovers that Diavala is still very much alive and threatening Griffin, the now-infamous plague doctor, Celia is desperate not to lose another person she loves to the deity’s wrath. The key to destroying Diavala may lie with Halcyon Ronnea, the only other person to have faced Diavala and survived. But Halcyon is dangerous and has secrets of his own, ones that involve the ink that Celia has come to hate. Forced to choose between the ink and Diavala, Celia will do whatever it takes to save Griffin—even if it means making a deal with the devil himself.

From multi-award-winning author J.E. Reed comes a breathtaking new series full of love and survival. A queen in hiding. Two countries at war. When eighteen-year-old Arianna is stolen from her family and sold into slavery, she spends months disguised as a half-breed Fae struggling against the devastations of a decade-long war. But she never expected to find herself at the mercy of her country's greatest enemy. General Rion is ruthless and commanding. He relishes in his reputation as The Demon-a vile creature incapable of love or compassion. With a secret no one can know, Arianna strives to placate him while plotting her escape, but sometimes fate has other plans and rumors can't always be trusted. She'll have to make a choice. Kill the most feared male on the continent or stay and let a forbidden bond take root. But what will happen when he discovers her secret? Trigger Warnings: War, Violence, Slavery, Torture, Death, Blood, Starvation, Kidnapping, Injury, SA (no on page descriptions only mentioned), Loss of a Parent

Look out for the original series starring Katherine Langford coming soon to Netflix! The Lady of the Lake is the true hero in this cinematic twist on the tale of King Arthur created by Thomas Wheeler and legendary artist, producer, and director Frank Miller (300, Batman: The Dark Knight Returns, Sin City). Featuring 8 full-color and 30 black-and-white pieces of original artwork by Frank Miller. Whosoever wields the Sword of Power shall be the one true King. But what if the Sword has chosen a Queen? Nimue grew up an outcast. Her connection to dark magic made her something to be feared in her Druid village, and that made her desperate to leave… That is, until her entire village is slaughtered by Red Paladins, and Nimue’s fate is forever altered. Charged by her dying mother to reunite an ancient sword with a legendary sorcerer, Nimue is now her people’s only hope. Her mission leaves little room for revenge, but the growing power within her can think of little else. Nimue teams up with a charming mercenary named Arthur and refugee Fey Folk from across England. She wields a sword meant for the one true king, battling paladins and the armies of a corrupt king. She struggles to unite her people, avenge her family, and discover the truth about her destiny. But perhaps the one thing that can change Destiny itself is found at the edge of a blade.

Celia and Anya, friends who use tattoo magic to send divine messages, must rely on one another to survive when they discover the fake deity they serve is very real--and very angry.

This is a book about curses. It is not about curses as insults or offensive language but curses as petitions to the divine world to render judgment and execute harm on identified, hostile forces. In the ancient world, curses functioned in a way markedly different from our own, and it is into the world of the ancient Near East that we must go in order to appreciate the scope of their influence. For the ancient Near Easterners, curses had authentic meaning. Curses were part of their life and religion. They were not inherently magic or features of superstitions, nor were they mere curiosities or trifling antidotes. They were real and effective. They were employed proactively and reactively to manage life’s many vicissitudes and maintain social harmony. They were principally protective, but they were also the cause of misfortune, illness, depression, and anything else that undermined a comfortable, well-balanced life. Every member of society used them, from slave to king, from young to old, from men and women to the deities themselves. They crossed cultural lines and required little or no explanation, for curses were the source of great evil. In other words, curses were universal. Because curses were woven into the very fabric of every known ancient Near Eastern society, they emerge frequently and in a wide variety of venues. They appear on public and private display objects, on tomb stelae, tomb lintels, and sarcophagi, on ancient kudurrus and narûs. They are used in political, administrative, social, religious, and familial contexts. They are the subject of incantations. They are tools that exorcise demons and dispel disease; they ban, protect, and heal. This is the phenomenology of cursing in the ancient Near East, and this is what the present work explores.

War. Betrayal. Magic. The Game Has Only Begun... She's battled grueling trials, crippling heartache, and horrendous monsters. But the battle is far from over.

Gamers trapped in a medieval world full of magic, monsters, and mayhem. Their survival means killing and there's only one path to freedom. Will anyone win? It was only meant to be a game...