The Dollhouse

When she arrives at the famed Barbizon Hotel in 1952, Darby McLaughlin is everything her hall mates aren't: plain, self-conscious, homesick and convinced she doesn't belong. Yet when she befriends Esme, a Barbizon maid, she's introduced to an entirely new, colourful yet seedy side of New York City. Over half a century later, journalist Rose Lewin hears rumours of Darby's involvement in a deadly skirmish with a hotel maid. A perfect distraction from her own imploding personal life, Rose becomes obsessed with finding the truth about what really happened at the hotel.

Premiering on Fox in 2009, Joss Whedon's Dollhouse was an innovative, contentious and short-lived science fiction series whose themes were challenging for viewers from the outset. A vast global corporation operates establishments (Dollhouses) that program individuals with temporary personalities and abilities. The protagonist assumes a different identity each episode--her defining characteristic a lack of individuality. Through this obtuse premise, the show interrogated free will, morality and sex, and in the process its own construction of fantasy and its audience. A decade on, the world is--for better or worse--catching up with Dollhouse's provocative vision. This collection of new essays examines the series' relevance in the context of today's social and political issues and media landscape.

When 5 pieces of Mrs. Rutledge's dollhouse furniture disappear, she thinks Nancy took them.

A creepy, mysterious dollhouse takes center stage in this atmospheric middle-grade mystery for fans of Doll Bones and Small Spaces. Alice's world is falling apart. Her parents are getting a divorce, and they've cancelled their yearly cottage trip -- the one thing that gets Alice through the school year. Instead, Alice and her mom are heading to some small town where Alice's mom will be a live-in nurse to a rich elderly lady. The house is huge, imposing and spooky, and everything inside is meticulously kept and perfect -- not a fun place to spend the summer. Things start to get weird when Alice finds a dollhouse in the attic that's an exact replica of the house she's living in. Then she wakes up to find a girl asleep next to her in her bed -- a girl who looks a lot like one of the dolls from the dollhouse . . . When the dollhouse starts to change when Alice isn't looking, she knows she has to solve the mystery. Who are the girls in the dollhouse? What happened to them? And what is their connection to the mean and mysterious woman who owns the house?

The ninth title in Borderlands' "Little Book" series II is by cult favorite writer Ed Lee, who has created a A Little Magenta Book About a Dollhouse. WELCOME TO THE PATTEN MANOR HOUSE. It’s a horror house, a slaughter house, a devil house. And it’s something else, too: A dollhouse. Reginald Lympton collects dollhouses, and now that he’s acquired the rare Patten Doll House, he can boast the most preeminent collection in the world. But after visions too abominable to reckon, and nightmares blacker than the most bottomless abyss, he discovers in short order that his acquisition is not a prized collector’s item at all but a diabolical thoroughfare designed to serve the darkest indulgences of the King of Terrors. Edward Lee, the master of hardcore horror, has penned this audacious homage to the master of the Victorian ghost story, M.R. James.

Nancy Drew and her friends investigate when the dolls in an attic start depicting crimes that begin to happen in real life.

Dive into the world of DreamWorks Gabby's Dollhouse for a superhero adventure in this 24-page storybook! When Gabby and Pandy unbox a superhero surprise, they become the Dollhouse Defenders! It's just in time, too--CatRat has become a supervillain, and it's up to Super Gabby and Super Pandy to save Cakey and the rest of the Gabby Cats! DreamWorks Gabby's Dollhouse © 2021 DreamWorks Animation LLC. All Rights Reserved.

From Buffy the Vampire Slayer to the Marvel Cinematic Universe, Joss Whedon's work presents various representations of home spaces that give depth to his stories and storytelling. Through the spaceship in Firefly, a farmhouse in Avengers: Age of Ultron or Whedon's own house in Much Ado About Nothing, his work collectively offers audiences the opportunity to question the ways we relate to and inhabit homes. Focusing on his television series, films and comics, this collection of new essays explores the diversity of home spaces in Whedon's many 'verses, and the complexity these spaces afford the narratives, characters, objects and relationships within them.