The Fixers

The shocking, definitive account of the lawyers and media tycoons who enabled the rise of Donald Trump, featuring new revelations from a Pulitzer Prize-winning Wall Street Journal team With his blunt-force fame and the myths he’s propagated about himself, Donald Trump has always moved in a world of gossip barons, crooked lawyers, and porn stars. But when he became the Republican nominee for the presidency in 2016, all of these characters crawled out from the underbelly of Trump’s stardom and stumbled onto the global stage with him. In The Fixers, Joe Palazzolo and Michael Rothfeld have produced a deeply reported and exquisitely drawn portrait of that world, full of secret phone calls, hidden texts, and desperate deals, unearthing the practice of “catch and kill” by which Trump surrogates paid hush money to cover up his affairs, and detailing Trump’s historic relationship with his fixers—from his early, influential relationship with Roy Cohn to his reliance on Michael Cohen, National Enquirer publisher David Pecker, and former New York mayor Rudy Giuliani. It traces the arc of their interactions from the 1970s through the 2016 campaign and beyond. It is a distinctly American saga that navigates the worlds of reality TV, cash-for-trash tabloids, single-shingle law shops, celebrity bashes, high-end real estate, pornography, and politics. The characters and settings of this book are part of a vulgar circus that crisscrosses the country, from New York to L.A. to D.C. Terrifying, darkly comic, and compulsively readable, The Fixers is an epic political adventure in which greed, corruption, lust, and ambition collide, and that leads, ultimately, to the White House. Advance praise for The Fixers “Of the dozens of books chronicling Donald Trump’s presidency, The Fixers is destined to sit atop the pile. It has everything you look for in a political page-turner: Colorful characters, intrigue, sex, corruption and—unlike much of the Trump canon—meticulous, factual reporting by two ace reporters. What a read!”—John Carreyrou, New York Times bestselling author of Bad Blood

Eddie Mannix and Howard Strickling are virtually unknown outside of Hollywood and little-remembered even there, but as General Manager and Head of Publicity for Metro-Goldwyn-Mayer Studios, they lorded over all the stars in Hollywood's golden age from the 1920s through the 1940s--including legends like Garbo, Dietrich, Gable and Garland. When MGM stars found themselves in trouble, it was Eddie and Howard who took care of them--solved their problems, hid their crimes, and kept their secrets. They were "the Fixers." At a time when image meant everything and the stars were worth millions to the studios that owned them, Mannix and Strickling were the most important men at MGM. Through a complex web of contacts in every arena, from reporters and doctors to corrupt police and district attorneys, they covered up some of the most notorious crimes and scandals in Hollywood history, keeping stars out of jail and, more importantly, their names out of the papers. They handled problems as diverse as the murder of Paul Bern (husband of MGM's biggest star, Jean Harlow), the studio-directed drug addictions of Judy Garland, the murder of Ted Healy (creator of The Three Stooges) at the hands of Wallace Beery, and arranging for an unmarried Loretta Young to adopt her own child--a child fathered by a married Clark Gable. Through exhaustive research and interviews with contemporaries, this is the never-before-told story of Eddie Mannix and Howard Strickling. The dual biography describes how a mob-related New Jersey laborer and the quiet son of a grocer became the most powerful men at the biggest studio in the world.

From the bestselling author of The Inheritance Games comes a pulse-pounding YA thriller full of power plays, romantic tension, and sinister plots, perfect for fans of Elite and One of Us is Lying. When Tess Kendrick is sent to stay with her older sister in Washington D.C., she has no idea that the famed Ivy Kendrick is the capital's number one "fixer," who helps powerful people make their scandal disappear . . . for a price. Soon after Tess enrolls in the prestigious Hardwicke School, she unwittingly finds herself following in Ivy's footsteps. Tess never thought she and Ivy had much in common, but when her new friends at school need help, she discovers that her talents quickly make her Hardwicke's own go-to high school fixer. Secrets pile up as each sister lives a double life--until their worlds come crashing together in a conspiracy that reaches from the halls of Hardwicke to Capitol Hill. Suddenly, there is much more on the line than good grades, money, or relationships. The odds are stacked against Tess, and the price for this fix might be more than she can pay . . . Don't miss any of these other books by Jennifer Lynn Barnes: The Naturals The Naturals Killer Instinct All In Bad Blood Twelve Raised by Wolves: Raised by Wolves Taken by Storm Trial by Fire The Squad Perfect Cover Killer Spirit Tattoo: Tattoo Fate The Fixer Nobody Every Other Day Platinum Golden

The Fix is the most explosive story of sports corruption in a generation. Intriguing, riveting, and compelling, it tells the story of an investigative journalist who sets out to examine the world of match-fixing in professional soccer. From the Introduction Understand how gambling fixers work to corrupt a soccer game and you will understand how they move into a basketball league, a cricket tournament, or a tennis match (all places, by the way, that criminal fixers have moved into). My views on soccer have changed. I still love the Saturday-morning game between amateurs: the camaraderie and the fresh smell of grass. But the professional game leaves me cold. I hope you will understand why after reading the book. I think you may never look at sport in the same way again.

"Though news fixers are vital to the practice of international reporting--helping journalists to understand foreign languages, set up compelling interviews, and navigate unfamiliar terrain--their role is rarely made transparent to news audiences. Without news fixers, journalists would struggle to cover stories that unfold outside their own countries. Yet, fixers are some of the most underprotected and undervalued employees in the foreign news industry. This book draws upon interviews with 75 news fixers from around the world, in hopes of learning more about fixers' own perspectives on their important work. Overwhelmingly, these news workers suggest that they play the precarious role of 'ultural mediator,'bridging the divides that might exist between foreign journalists and the people who live and work in the places the journalists cover. Fixers also suggest that they deserve more upward mobility in the field of international journalism, as well as more protection from the news organizations that depend so heavily on their work"

Winner of the 1966 Pulitzer Prize and National Book Award Kiev, 1911. When a twelve-year-old Russian boy is found stabbed to death, his body drained of blood, the accusation of ritual murder is levelled at the Jews. Yakov Bok - a handyman hiding his Jewish identity from his anti-Semitic employer - is first outed and blamed. Arrested and imprisoned, Bok refuses to confess to a crime that he did not commit. What becomes of this man under pressure, for whom acquittal is made to seem as hopeless as conviction, is the subject of a terrifying masterpiece of twentieth-century fiction. Acclaim for Malamud: 'Malamud is a rich original of the first rank' Saul Bellow 'Malamud has never produced a mediocre novel... He is always profoundly convincing' Anthony Burgess 'One of Malamud's extraordinary gifts has always been for lifting the realistic world up, into the realm of metaphysical fantasy. Another has been to take life, lives, seriously' Malcolm Bradbury 'One of those rare writers who makes other writers eat their hearts out' Melvyn Bragg Of Malamud's short stories: 'I have discovered a short-story writer who is better than any of them, including myself' Flannery O'Connor

News "fixers" are locally-based media employees who serve as translators, coordinators, and guides to foreign journalists in unfamiliar terrain. Operating in the shadows, fixers' contributions to journalism are largely hidden from us, yet they underpin the entire international news industry: almost every international news story we read today could not be produced without a fixer. Indeed, without fixers' on-the-ground skill and intimate knowledge of a territory, journalists would struggle to document stories unfolding in countries outside their own. Despite this, however, fixers remain one of the most under-protected and undervalued groups contributing to the production of news. Targeted by militant groups and governments, even by their neighbors, they must often engage in a precarious balancing act, bridging the divides between foreign journalists and the people who live and work in fixers' own communities. In this book, Lindsay Palmer reveals the lives and struggle of those performing some of the most important work in international news. Drawing on interviews with 75 fixers around the world, Palmer is the first researcher to illuminate fixers' own rich narratives, offering a glimpse of how difficult it is to play the role of cultural mediator, both in and out of conflict zones. A news fixers' is not simply administrative; rather, the fixer's engagement with the story is editorial and, more importantly, cultural. Each task that a fixer takes on is a creative effort at mediating between different lived experiences of race, ethnicity, gender, sexuality, religion, politics, community, and nation. Ultimately, The Fixers offers a different picture of international reporting than most people are accustomed to seeing: one that is more collaborative, more contested, and more fluid in its understanding of "truth" in a global, cross-cultural context.

Mind Fixers tells the history of psychiatry’s quest to understand the biological basis of mental illness and asks where we need to go from here. In Mind Fixers, Anne Harrington, author of The Cure Within, explores psychiatry’s repeatedly frustrated struggle to understand mental disorder in biomedical terms. She shows how the stalling of early twentieth century efforts in this direction allowed Freudians and social scientists to insist, with some justification, that they had better ways of analyzing and fixing minds. But when the Freudians overreached, they drove psychiatry into a state of crisis that a new “biological revolution” was meant to alleviate. Harrington shows how little that biological revolution had to do with breakthroughs in science, and why the field has fallen into a state of crisis in our own time. Mind Fixers makes clear that psychiatry’s waxing and waning biological enthusiasms have been shaped not just by developments in the clinic and lab, but also by a surprising range of social factors, including immigration, warfare, grassroots activism, and assumptions about race and gender. Government programs designed to empty the state mental hospitals, acrid rivalries between different factions in the field, industry profit mongering, consumerism, and an uncritical media have all contributed to the story as well. In focusing particularly on the search for the biological roots of schizophrenia, depression, and bipolar disorder, Harrington underscores the high human stakes for the millions of people who have sought medical answers for their mental suffering. This is not just a story about doctors and scientists, but about countless ordinary people and their loved ones. A clear-eyed, evenhanded, and yet passionate tour de force, Mind Fixers recounts the past and present struggle to make mental illness a biological problem in order to lay the groundwork for creating a better future, both for those who suffer and for those whose job it is to care for them.