The Future Of Architecture In 100 Buildings

The founder of Architizer.com and practicing architect draws on his unique position at the crossroads of architecture and social media to highlight 100 important buildings that embody the future of architecture. We’re asking more of architecture than ever before; the response will define our future. A pavilion made from paper. A building that eats smog. An inflatable concert hall. A research lab that can walk through snow. We’re entering a new age in architecture—one where we expect our buildings to deliver far more than just shelter. We want buildings that inspire us while helping the environment; buildings that delight our senses while serving the needs of a community; buildings made possible both by new technology and repurposed materials. Like an architectural cabinet of wonders, this book collects the most innovative buildings of today and tomorrow. The buildings hail from all seven continents (to say nothing of other planets), offering a truly global perspective on what lies ahead. Each page captures the soaring confidence, the thoughtful intelligence, the space-age wonder, and at times the sheer whimsy of the world’s most inspired buildings—and the questions they provoke: Can a building breathe? Can a skyscraper be built in a day? Can we 3D-print a house? Can we live on the moon? Filled with gorgeous imagery and witty insight, this book is an essential and delightful guide to the future being built around us—a future that matters more, and to more of us, than ever.

"Architecture is an all-embracing adventure without end," declares Dan Cruickshank in the introduction to A History of Architecture in 100 Buildings. Cruickshank's selection represents key moments in architectural history and it is truly global in scope. It includes many of the world's best-known structures, and many less obvious ones, the unsung heroes of this great and fascinating story. Having visited most of the featured buildings himself, his book is both authoritative and intimate. From the evocative remains of ancient civilizations to towering New York skyscrapers, Cruickshank's A History of Architecture in 100 Buildings is organized in seven themes. Examples are: Pioneers -- Pantheon (Rome), National Library (Paris), Flatiron Building (New York), Norkomfin Housing (Moscow), Casa Malaparte (Capri) Buildings of Vision -- Sculpture, Gate of Lions (Greece), Krak des Chevaliers (Syria), Maori Meeting House (New Zealand), Assembly Buildings (Bangladesh), Moscow Metro (Russia) Follies -- Bishop's Castle (Colorado), Falling Water (Pennsylvania), Sagrada Familia (Barcelona) Ancient, Lost and Disappearing Worlds -- Uruk (Iraq), Mud City of Chan Chan (Peru), Mesa Verde (Colorado), R.F. Scott's Hut (Antarctica), Oratory of Gallerus (Ireland) Scale: Where Size Matters -- Burj Khalif (Dubai), Crystal Island Complex (Moscow), Towers Of San Gimignano (Italy), Pyramid of the Sun and Ciudadela (Teotihuacan, Mexico), Ulm Minster (Germany) Rhetoric and Meaning -- Ise Inner Shrine (Japan), Christ in the Attic (Amsterdam), Taj Mahal (India), Crystal Island Complex (Russia), The Palace of Ctesiphon (Iraq) Survivals and Revivals -- Slave Cabins (New Orleans), Catherine Palace (Russia), Carcassonne (France) Watson's Hotel (Mumbai), Eastern State Penitentiary (Philadelphia). Architects, historians, travelers and inquisitive readers will enjoy this beautiful, sumptuously illustrated book.

Buildings have often been studies whole in space, but never before have they been studied whole in time. How Buildings Learn is a masterful new synthesis that proposes that buildings adapt best when constantly refined and reshaped by their occupants, and that architects can mature from being artists of space to becoming artists of time. From the connected farmhouses of New England to I.M. Pei's Media Lab, from "satisficing" to "form follows funding," from the evolution of bungalows to the invention of Santa Fe Style, from Low Road military surplus buildings to a High Road English classic like Chatsworth—this is a far-ranging survey of unexplored essential territory. More than any other human artifacts, buildings improve with time—if they're allowed to. How Buildings Learn shows how to work with time rather than against it.

Thirty-four contributors including designers, engineers, fabricators, contractors, construction managers, planners, and scholars examine how contemporary practices of production are reshaping the design/construction process. Through observations, arguments, and detailed project explorations contributors describe new models of practice and reorganizations of labor for the twenty-first century. Chapters include a reconsideration of craft in light of digital fabrication; an exploration of new methods of collaboration; an analysis of changes in contracts and standards; and an assessment of the new market realities of mass production and customization. Building (in) the Future includes contributions by architects James Carpenter, Mark Goulthorpe, Sheila Kennedy, Charlie Lazor, Joshua Price-Ramus, Robert A.M. Stern, and James Timberlake; BIM manager Rodd Merchant; curator Barry Bergdoll, engineer Klaus Bollinger; lawyers Howard W. Ashcraft, Jr. and Chris Noble; marketing manager Ewa Magnusson; and professors Branko Kolarevic, Reinhold Martin, and Moshen Mostafavi.

A stunning exploration of the beauty and drama of 150 black structures built by the world's leading architects over 1,000 years. A visually rich book, Black: Architecture in Monochrome casts a new eye on the beauty - and the drama - of black in the built world. Spotlighting more than 150 structures from the last 1,000 years, Black pairs engaging text with fascinating photographs of houses, churches, libraries, skyscrapers, and other buildings from some of the world's leading architects, including Mies van der Rohe, Philip Johnson, and Eero Saarinen, David Adjaye, Jean Nouvel, Peter Marino, and Steven Holl.

Architecture and Ritual explores how the varied rituals of everyday life are framed and defined in space by the buildings which we inhabit. It penetrates beyond traditional assumptions about architectural style, aesthetics and utility to deal with something more implicit: how buildings shape and reflect our experience in ways of which we remain unconscious. Whether designed to house a grand ceremony or provide shelter for a daily meal, all buildings coordinate and consolidate social relations by giving orientation and focus to the spatial practices of those who use them. Peter Blundell Jones investigates these connections between the social and the spatial, providing critical insights into the capacity for architecture to structure human ritual, from the grand and formal to the mundane. This is achieved through deep readings of individual pieces of architecture, each with a detailed description of its particular social setting and use. The case studies are drawn from throughout architectural history and from around the globe, each enabling a distinct theoretical theme to emerge, and showing how social conventions vary with time and place, as well as what they have in common. Case studies range from the Nuremberg Rally to the Centre Pompidou, and from the Palace of Westminster to Dogon dwellings in Africa and a Modernist hospital. In considering how all architecture has to mesh with the habits, beliefs, rituals and expectations of the society that created it, the book presents deep implications for our understanding of architectural history and theory. It also highlights the importance for architects of understanding how buildings frame social space before they prescribe new architectural designs of their own. The book ends with a recent example of user participation, showing how contemporary user interest and commitment to a building can be as strong as ever.

This introductory volume to Alexander's other works, A Pattern of Language and The Oregon Experiment, explains concepts fundamental to his original approaches to the theory and application of architecture.

Alternately lauded as the future of architecture or dismissed as pure folly, revolving buildings are a fascinating missing chapter in architectural history with surprising relevance to issues in contemporary architectural design. Rotating structures have been employed to solve problems and create effects that stationary buildings can't achieve. Rotating buildings offeredever-changing vistas and made interior spaces more flexible and adaptable. They were used to impress visitors, treatpatients, and improve the green qualities of a structure by keeping particular rooms in or out of the sun. The follow-up to his critically acclaimed book A-frame, Chad Randl's Revolving Architecture: A History of Buildings that Rotate, Swivel, and Pivot explores the history of this unique building type, investigating the cultural forces that have driven people to design and inhabit them. Revolving Architecture is packed with a variety of fantastic revolving structures such as a jail that kept inmates under a wardens constant surveillance, glamorous revolving restaurants, tuberculosis treatment wards, houses, theaters, and even a contemporary residential building whose full-floor apartments circle independently of each other. International examples from the late 1800s though the present demonstrate the variety and innovation of these dynamic structures.