The Good The Bad And The Very Ugly

Sondra Locke tells the story of her childhood in Tennessee, her career as an actress and director, her relationship and breakup with actor Clint Eastwood, and her experience with breast cancer.

- A New York Times and USA Today bestseller - Book of the Month Club 2016 Book of the Year - Second Place Goodreads Best Fiction of 2016 A beautiful and provocative love story between two unlikely people and the hard-won relationship that elevates them above the Midwestern meth lab backdrop of their lives. As the daughter of a drug dealer, Wavy knows not to trust people, not even her own parents. It's safer to keep her mouth shut and stay out of sight. Struggling to raise her little brother, Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house, until one night her star gazing causes an accident. After witnessing his motorcycle wreck, she forms an unusual friendship with one of her father's thugs, Kellen, a tattooed ex-con with a heart of gold. By the time Wavy is a teenager, her relationship with Kellen is the only tender thing in a brutal world of addicts and debauchery. When tragedy rips Wavy's family apart, a well-meaning aunt steps in, and what is beautiful to Wavy looks ugly under the scrutiny of the outside world. A powerful novel you won’t soon forget, Bryn Greenwood's All the Ugly and Wonderful Things challenges all we know and believe about love. 31 Books Bringing the Heat this Summer —Bustle Top Ten Hottest Reads of 2016 —New York Daily News Best Books of 2016 —St. Louis Post Dispatch

The author recounts his early years in Brooklyn, struggles to become an actor, work with such stars as Marlon Brando and Marilyn Monroe, and role as one of the earliest members of the famed Actors Studio.

This laugh out loud gift book makes a memorable gift for any pickleball player!The book is divided into seven chapters. Chapter One...Pickle Varieties discusses the various pickler personalities. Chapter Two...Getting Out of a Pickle lists some pickler's more colorful excuses. Chapter Three...Court Commentary shares some of the bizarre remarks specific to pickleball. Chapter Four...Dear Pickler is a dime store version of Dear Abby designed to answer life's pressing pickleball questions. Chapter Five...Keep It Kosher reminds picklers of court manners. Chapter Six...Spicy Pickles lists many of the spicier remarks heard around the courts. This108 page, 5 x 7 gift book is also complimented by delightful illustrations. Pickleball: The Good, The Bad, And The Ugly is highly recommended by; Elle From Pickleball Hell, Lobs 'Em High Di, Slammin' Sam, Newbie Ned, Tournament Tom, Addicted Annie, Poaching Paul, Master Blaster Ben, and many others. Even newbies know that this book is a sweet dill!

Although five-time Academy-Award nominee Ennio Morricone has scored numerous films in various genres, his westerns will undoubtedly remain his most memorable cinematographic accomplishments. This guide demonstrates Morricone's unique and enduring contributions to the art of film music through a discussion of his compositional and orchestrational processes, many of which are evident in his music for The Good, the Bad and the Ugly in a way that can be easily understood by both musicians and nonmusicians. Leinberger begins his study with a brief discussion of Morricone's musical background through his experience in the Italian music business, his earliest Italian film scores, and his accomplishments in Hollywood. The second chapter is a discussion of the many compositional techniques that distinguish Morricone's music from that of other film composers. Subsequent chapters examine the historical and cultural context of the film and attempt to place the style of Morricone's score for The Good, the Bad and the Ugly in relation to his scores for other well-known Westerns. The book's final chapter is an analysis of compositional techniques presented in chronological order from the film's opening credits to its climactic ending. Although this guide focuses on Morricone and his music from a theoretical perspective, other non-musical issues that are relevant to the audience's ultimate experience of the film are also discussed.