The Good Thief

Richly imagined, gothically spooky, and replete with the ingenious storytelling ability of a born novelist, The Good Thief introduces one of the most appealing young heroes in contemporary fiction and ratifies Hannah Tinti as one of our most exciting new talents. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • San Francisco Chronicle • Kirkus Reviews Winner of the Center for Fiction First Novel Prize and an American Library Association Alex Award Twelve year-old Ren is missing his left hand. How it was lost is a mystery that Ren has been trying to solve for his entire life, as well as who his parents are, and why he was abandoned as an infant at Saint Anthony’s Orphanage for boys. He longs for a family to call his own and is terrified of the day he will be sent alone into the world. But then a young man named Benjamin Nab appears, claiming to be Ren’s long-lost brother, and his convincing tale of how Ren lost his hand and his parents persuades the monks at the orphanage to release the boy and to give Ren some hope. But is Benjamin really who he says he is? Journeying through a New England of whaling towns and meadowed farmlands, Ren is introduced to a vibrant world of hardscrabble adventure filled with outrageous scam artists, grave robbers, and petty thieves. If he stays, Ren becomes one of them. If he goes, he’s lost once again. As Ren begins to find clues to his hidden parentage he comes to suspect that Benjamin not only holds the key to his future, but to his past as well. Praise for The Good Thief "Every once in a while—if you are very lucky—you come upon a novel so marvelous and enchanting and rare that you wish everyone in the world would read it, as well. The Good Thief is just such a book—a beautifully composed work of literary magic."—Elizabeth Gilbert, author of Eat, Pray, Love "Darkly transporting . . . [In] The Good Thief, the reader can find plain-spoken fiction full of traditional virtues: strong plotting, pure lucidity, visceral momentum and a total absence of writerly mannerisms. In Ms. Tinti’s case that means an American Dickensian tale with touches of Harry Potterish whimsy, along with a macabre streak of spooky New England history."—New York Times

Set in and around St. John's, Newfoundland, in the late 1960s, The Good Thief is the story of seventeen-year-old Sonny McCluskey, who was raised by his eccentric father, a man on a mission. Sonny's father dies, leaving him the family business, a small auto repair shop, and a long-standing family secret, forcing him to navigate the emotional terrain of youth and the pressures of family. The Good Thief is a novel about tradition, love, laughter, and intrigue. It is about an ordinary young man who finds himself in an extraordinary situation.

Charlie Howard doesn't just write books about a career thief, he also happens to be one. In Amsterdam working on his latest novel, Charlie is approached by a mysterious American who asks him to steal two apparently worthless monkey figurines from two separate addresses on the same night. At first he says no. Then he changes his mind. Only later, kidnapped and bound to a chair, the American very dead and a spell in police custody behind him, does Charlie begin to realise how costly a mistake he might have made. The police think he killed the American. Others think he knows the whereabouts of the elusive third monkey. But for Charlie only three things matter: Can he clear his name? Can he get away with the haul of a lifetime? And, can he solve the briefcase-shaped plot-hole in his latest novel?

Charlie Howard, gentleman thief and famous crime-writer, has gone straight. But holing himself up in a crumbling palazzo in Venice in an attempt to concentrate on his next novel hasn't got rid of the itch in his fingers. And to make matters worse, a striking Italian beauty has just broken into his apartment and made off with his most prized possession, leaving a puzzling calling card in its place.It looks as though kicking the habit of a lifetime will be much more of a challenge than Charlie thought. Sneaking out into Venice's maze of murky canals, and trying not to relish being back on the job too much, Charlie's efforts to be reunited with his treasured first-edition of The Maltese Falconquickly embroil him in a plot that is far bigger and more explosive than he could ever have imagined. But by the time he finds himself bundling his first ever hostage into a trunk on a speedboat and on the run from the poliziahe has to admit that he is in way too deep.

With bravura storytelling, daring imagination, and fierce narrative control, this dazzling debut introduces that rare writer who finds humanity in our most unconventional behavior, and the humor beneath our darkest impulses. In these ten strange, funny, and unnerving stories, animals become the litmus test of our deepest fears and longings. In the title story, an elephant keeper courts danger from his gentle charge; in “Miss Waldron’s Red Colobus,” a headstrong young woman in Africa is lured by the freedom of the monkeys in the trees; in “Talk Turkey,” a boy has secret conversations with the turkeys on his friend’s family’s farm; in “Slim’s Last Ride,” a child plays chilling games with his pet rabbit; in “Gallus Gallus,” a pompous husband projects his anger at his wife onto her prized rooster. This fresh, inventive debut will introduce Hannah Tinti as one of the most gifted writers of her generation. Enter her world at your own risk, and you will come away bewitched.

There is a deep longing in each and every soul. A longing that goes beyond all of the money and riches in the world. This longing is beyond fairy tale endings or blissful sighs at the peaks of mountains. This longing is for us to be seen, and not only seen, but accepted. Seen and accepted for who we truly are, with no limits or conditions. It is no easy task, for it requires courage, sacrifice, and determination. Perhaps the greatest feat of all is allowing yourself to become this person. Perhaps the greatest battle of the mind is not that of right and wrong, but of allowing yourself to truly step into the person you have longed to meet your entire life: yourself. Identity, true identity, is a great venture to seek and find. Many have sought but tarried in fear of what it would really mean to fully embrace and walk confidently in who they really are within. The choice rests with you: to courageously step into becoming this person, or to slowly decay behind the mask of a status quo. It will cost you nothing, but gain you everything.

The heralded debut collection of poems by the author of What the Living Do (Norton, 1997). Selected by Margaret Atwood as a winner in the 1987 Open Competition of the National Poetry Series, this unique collection was the first sounding of a deeply authentic voice. Howe's early writings concern relationship, attachment, and loss, in a highly original search for personal transcendence. Many of the thirty-four poems in The Good Thief appeared in such prestigious journals and periodicals as The Atlantic, The American Poetry Review, Poetry, Ploughshares, The Agni Review, and The Partisan Review.

You can't keep a good thief down . . . Charlie Howard is back and robbing the city of Berlin blind, until he witnesses a murder being committed right before his eyes Charlie Howard, part-time writer, part-time thief, has been engaged in a veritable spree of larceny and misappropriation since moving to Berlin, Germany. He's supposed to be working on his next novel. But high rent and a love for thrill-seeking has been hard on his word count. But Charlie's larcenous binge is interrupted by the call to duty—on behalf of Her Majesty's Government. Four embassy employees are suspected of stealing a sensitive item. Charlie is to break into their homes, find the culprit and recover the stolen property. But there's a catch. The item is so sensitive, Charlie isn't told what he's looking for. Not its size, not its weight, nothing. He's only told that he'll recognize it when he sees it. Charlie has been a successful thief because he follows his own rules, the first being "Don't get caught." Well, after he enters the first suspect's home, he has to add a new rule: "Don't admire the view." As Charlie stares across the street, he sees something he really wishes he hadn't—a woman being murdered. And that's just for starters. What follows is a wild adventure in the former cauldron of spies. With The Good Thief's Guide to Berlin, Chris Ewan shows why he was voted as one of America's favorite British authors by a Huffington Post poll. Clever and wildly entertaining, this is a mystery series that is "big fun" (The Seattle Times).