The Goodbye Coast

In this colorful reinvention of a classic, Philip Marlowe finds himself tangled in two missing persons cases; “Ide has chiseled off the rust while keeping the soul of one of American fiction’s icons” (Dennis Lehane). The seductive and relentless figure of Raymond Chandler’s detective, Philip Marlowe, is vividly re-imagined in present-day Los Angeles. Here is a city of scheming Malibu actresses, ruthless gang members, virulent inequality, and washed-out police. Acclaimed and award-winning novelist Joe Ide imagines a Marlowe very much of our time: he’s a quiet, lonely, and remarkably capable and confident private detective, though he lives beneath the shadow of his father, a once-decorated LAPD homicide detective, famous throughout the city, who’s given in to drink after the death of Marlowe’s mother. Marlowe, against his better judgement, accepts two missing person cases, the first a daughter of a faded, tyrannical Hollywood starlet, and the second, a British child stolen from his mother by his father. At the center of The Goodbye Coast is Marlowe’s troubled and confounding relationship with his father, a son who despises yet respects his dad, and a dad who’s unable to hide his bitter disappointment with his grown boy. Steeped in the richly detailed ethnic neighborhoods of modern LA, Ide’s The Goodbye Coast is a bold recreation that is viciously funny, ingeniously plotted, and surprisingly tender.

'Private eye Philip Marlowe is transplanted into 21st-century Los Angeles in this tongue-in-cheek tribute to the classic works of Raymond Chandler... The wisecracking dialogue, outlandish characters and vicious slapstick make The Goodbye Coast a joy to read from the very first page' The Times 'A terrific read - pacy, with tension, pathos, wonderful descriptions of LA and some lovely one-liners' Guardian 'Sunshine and skullduggery, movie stars and mayhem - Joe Ide brings us Philip Marlowe who wears our twenty-first century like a well-cut suit' Ian Rankin 'How the hell do you write a mystery about Philip Marlowe, set it in Los Angeles, and still make it a total gobsmacking original? That's the miracle of Joe Ide's The Goodbye Coast. Ide has created a Philip Marlowe for the 2020s' James Patterson 'Not so much a reimagining of Chandler's world as a reinvigoration. By transplanting Philip Marlowe to 2021 LA, Joe Ide has chiseled off the rust while keeping the soul of one of American fiction's icons. The Goodbye Coast is a blast from start to finish' Dennis Lehane The seductive and relentless figure of Raymond Chandler's detective, Philip Marlowe, is vividly re-imagined in present-day Los Angeles Los Angeles - a city of scheming Malibu actresses, ruthless gang members, virulent inequality and washed-out police. Roaming the city streets is Philip Marlowe: a quiet, lonely, remarkably capable private detective, living beneath the shadow of his father - a once-decorated LAPD homicide detective now drinking his life away. Marlowe's latest client is tyrannical starlet Kendra James. Kendra's husband was fatally shot near their Malibu home, but even though that murder remains unresolved, the actress is more interested in tracking down her 17-year-old stepdaughter, who hasn't been seen for weeks. But things get complicated after Marlowe lands a second missing person search from British academic Ren Stewart, whose ex-husband has kidnapped their seven-year-old son. Steeped in the richly detailed ethnic neighborhoods of modern LA, Ide's The Goodbye Coast is a bold recreation that is viciously funny, ingeniously plotted, and surprisingly tender.

In this colorful reinvention of a classic, Philip Marlowe finds himself tangled in two missing persons cases; “Ide has chiseled off the rust while keeping the soul of one of American fiction’s icons” (Dennis Lehane). The seductive and relentless figure of Raymond Chandler’s detective, Philip Marlowe, is vividly re-imagined in present-day Los Angeles. Here is a city of scheming Malibu actresses, ruthless gang members, virulent inequality, and washed-out police. Acclaimed and award-winning novelist Joe Ide imagines a Marlowe very much of our time: he’s a quiet, lonely, and remarkably capable and confident private detective, though he lives beneath the shadow of his father, a once-decorated LAPD homicide detective, famous throughout the city, who’s given in to drink after the death of Marlowe’s mother. Marlowe, against his better judgement, accepts two missing person cases, the first a daughter of a faded, tyrannical Hollywood starlet, and the second, a British child stolen from his mother by his father. At the center of The Goodbye Coast is Marlowe’s troubled and confounding relationship with his father, a son who despises yet respects his dad, and a dad who’s unable to hide his bitter disappointment with his grown boy. Steeped in the richly detailed ethnic neighborhoods of modern LA, Ide’s The Goodbye Coast is a bold recreation that is viciously funny, ingeniously plotted, and surprisingly tender.

In this epic showdown from "one of the best crime novelists alive" (Dennis Lehane), police officer Derek Strange hunts his brother's killer through a city erupting with rage.

Lorenzo Brown loves his work. In his job as an officer for the Humane Society, he cruises the city streets, looking for dogs that are being mistreated - underfed, unclean, trained to kill. He takes pride in making their lives better. And that pride helps Lorenzo resist the pull of easier money doing the kind of work that got him a recent prison bid. Rachel Lopez loves her work, too. By day she is a parole officer, helping people - Lorenzo Brown among them - along a path to responsibility and advancement. At night she heads for the city's hotel bars, where she can always find a man who will let her act out her damage. She loses herself in sex and drink and more. But Rachel's nights are taking a toll on her days. Lorenzo knows the signs. The trouble is, he truly needs her right now. There's an eruption coming in the streets he left behind, the kind of territorial war that takes down everyone even near it. Lorenzo needs every shred of support he can get to keep from being sucked back into that battleground. He reaches out to Rachel - but she may be too far gone to help either of them. Writing with the grace and force that have earned him praise as "the poet laureate of the crime world," George Pelecanos has created a novel about two scarred and fallible people who must navigate one of life's most brutal passages. It is an unforgettable, moving, even shocking story that will leave no reader unchanged.

Raymond Chandler’s Philip Marlowe returns in The Black-Eyed Blonde—also published as Marlowe as by John Banville—the basis for the major motion picture starring Liam Neeson as the iconic detective. "Somewhere Raymond Chandler is smiling . . . I loved this book. It was like having an old friend, one you assumed was dead, walk into the room." —Stephen King "It was one of those Tuesday afternoons in summer when you wonder if the earth has stopped revolving." The streets of Bay City, California, in the early 1950s are as mean as they get. Marlowe is as restless and lonely as ever, and the private eye business is a little slow. Then a new client is shown in: blond, beautiful, and expensively dressed, she wants Marlowe to find her former lover. Almost immediately, Marlowe discovers that the man's disappearance is merely the first in a series of bewildering events. Soon he is tangling with one of Bay City's richest and most ruthless families—and developing a singular appreciation for how far they will go to protect their fortune. “It’s vintage L.A., toots: The hot summer, rain on the asphalt, the woman with the lipstick, cigarette ash and alienation, V8 coupes, tough guys, snub-nosed pistols, the ice melting in the bourbon . . . . The results are Chandleresque, sure, but you can see Banville’s sense of fun.” —The Washington Post

"Farewell, My Lovely" is a 1940 mystery novel by Raymond Chandler, the second he wrote featuring the Los Angeles private eye Philip Marlowe. It was adapted for the screen three times and was also adapted for the stage and radio.

A New York Times Book Review Editors’ Choice In the vein of Graham Greene and John le Carré, The Matchmaker delivers a chilling Cold War spy story set in West Berlin, where an American woman targeted by the Stasi must confront the truth behind her German husband's mysterious disappearance. Berlin, 1989. Protests across East Germany threaten the Iron Curtain and Communism is the ill man of Europe. Anne Simpson, an American who works as a translator at the Joint Operations Refugee Committee, thinks she is in a normal marriage with a charming East German. But then her husband disappears and the CIA and Western German intelligence arrive at her door. Nothing about her marriage is as it seems. She had been targeted by the Matchmaker—a high level East German counterintelligence officer—who runs a network of Stasi agents. These agents are his "Romeos" who marry vulnerable women in West Berlin to provide them with cover as they report back to the Matchmaker. Anne has been married to a spy, and now he has disappeared, and is presumably dead. The CIA are desperate to find the Matchmaker because of his close ties to the KGB. They believe he can establish the truth about a high-ranking Soviet defector. They need Anne because she's the only person who has seen his face - from a photograph that her husband mistakenly left out in his office - and she is the CIA’s best chance to identify him before the Matchmaker escapes to Moscow. Time is running out as the Berlin Wall falls and chaos engulfs East Germany. But what if Anne's husband is not dead? And what if Anne has her own motives for finding the Matchmaker to deliver a different type of justice?