The House Of Medici

An account of the fortunes and influences of the great Florentine banking family, covering over three hundred years of soldiers, art patrons, collectors, builders, popes, statesmen, and scholars.

At its height Renaissance Florence was a centre of enormous wealth, power and influence. A republican city-state funded by trade and banking, its often bloody political scene was dominated by rich mercantile families, the most famous of which were the Medici. This enthralling book charts the family’s huge influence on the political, economic and cultural history of Florence. Beginning in the early 1430s with the rise of the dynasty under the near-legendary Cosimo de Medici, it moves through their golden era as patrons of some of the most remarkable artists and architects of the Renaissance, to the era of the Medici Popes and Grand Dukes, Florence’s slide into decay and bankruptcy, and the end, in 1737, of the Medici line.

“Takes a novel angle on Cosimo [de Medici]’s rise to power by telling the story of his mistress, the Circassian slave Maddalena . . . an incomparable cast.” —Historical Novel Society Ever-loyal Maddalena, a diminutive, dark-skinned, blue-eyed slave, has borne Cosimo de Medici a son and seen him rise to a position in the Church. Now, late in life, she finds herself committed to a convent, as part of a scheme to prevent Cosimo’s sons from sending the Medici bank into ruin by hiding a fortune in gold for Cosimo’s grandson, Lorenzo, to inherit. But as the months go by, and the gold does not appear, her faith in Cosimo begins to wane and with it, her confidence in her own worth. Has she been duped? Approaching old age, she finds in the abbess a confessor, to whom she can confide her true story and perhaps, at the same time, convince herself that her life has been worthwhile. But the abbess has objectives of her own, and the two of them may not be on the same side. Edward Charles presents an enthralling evocation of fifteenth-century Florence in a novel of intrigue, wealth, deception, and high political drama. The largest and most respected financial institution in Europe in its prime, the Medici bank came to represent the might of a family of great influence and power, who scaled the very heights of human grandeur but were to suffer through one of the most catastrophic financial crashes of early banking as the survival of a dynasty hung in the balance. “A vivid tapestry of Florentine history . . . Imaginatively structured.” —Booklist (starred review)

It was a dynasty with more wealth, passion, and power than the houses of Windsor, Kennedy, and Rockefeller combined. It shaped all of Europe and controlled politics, scientists, artists, and even popes, for three hundred years. It was the house of Medici, patrons of Botticelli, Michelangelo and Galileo, benefactors who turned Florence into a global power center, and then lost it all. The House of Medici picks up where Barbara Tuchman's Hibbert delves into the lives of the Medici family, whose legacy of increasing self-indulgence and sexual dalliance eventually led to its self-destruction. With twenty-four pages of black-and-white illustrations, this timeless saga is one of Quill's strongest-selling paperbacks.

The Medici are famous as the rulers of Florence at the high point of the Renaissance. Their power derived from the family bank, and this book tells the fascinating, frequently bloody story of the family and the dramatic development and collapse of their bank (from Cosimo who took it over in 1419 to his grandson Lorenzo the Magnificent who presided over its precipitous decline). The Medici faced two apparently insuperable problems: how did a banker deal with the fact that the Church regarded interest as a sin and had made it illegal? How in a small republic like Florence could he avoid having his wealth taken away by taxation? But the bank became indispensable to the Church. And the family completely subverted Florence's claims to being democratic. They ran the city. Medici Money explores a crucial moment in the passage from the Middle Ages to the Modern world, a moment when our own attitudes to money and morals were being formed. To read this book is to understand how much the Renaissance has to tell us about our own world. Medici Money is one of the launch titles in a new series, Atlas Books, edited by James Atlas. Atlas Books pairs fine writers with stories of the economic forces that have shaped the world, in a new genre - the business book as literature.

Having founded the bank that became the most powerful in Europe in the fifteenth century, the Medici gained massive political power in Florence, raising the city to a peak of cultural achievement and becoming its hereditary dukes. Among their number were no fewer than three popes and a powerful and influential queen of France. Their influence brought about an explosion of Florentine art and architecture. Michelangelo, Donatello, Fra Angelico, and Leonardo were among the artists with whom they were socialized and patronized.Thus runs the "accepted view” of the Medici. However, Mary Hollingsworth argues that this is a fiction that has now acquired the status of historical fact. In truth, the Medici were as devious and immoral as the Borgias. In this dynamic new history, Hollingsworth argues that past narratives have focused on a sanitized view of the Medici—wise rulers, enlightened patrons of the arts, and fathers of the Renaissance—and their story was reinvented in the sixteenth century, mythologized by later generations of Medici who used this as a central prop for their legacy.Hollingsworth's revelatory re-telling of the story of the family Medici brings a fresh and exhilarating new perspective to the story behind the most powerful family of the Italian Renaissance.

The third instalment in a prize-winning series charting the rise of the House of Medici as they become Masters of Florence and progenitors of the Renaissance. Fontainebleau, 1536. Francis II, Dauphin and heir to the French throne, is dead. Poisoned. And the royal court believe Catherine de' Medici to be the murderer. Catherine's husband Henry will now be the next King of France – and the Medici are known to stop at nothing in the pursuit of power. But not yet queen and without an heir of her own, seventeen-year-old Catherine cannot be sure of securing her family's legacy. To ensure the conception of an heir, she will need to seek help from an unexpected ally: Nostradamus, the reclusive astronomer and purported seer. Dismissed by most as a charlatan and a heretic, Catherine knows he will be her only hope in becoming a mother to the future king. Amid court intrigues, betrayals, and humiliations, Catherine waits. She awaits the death of her father-in-law, King Francis, and the birth of a son to carry her name. For once she is queen, Catherine de' Medici's power will only grow. But that power comes at a heavy cost, one she might ever regret. 'Strukul has a brilliant style and a rare imagination' Tim Willocks 'Matteo Strukul has arrived with a bang. His historical saga, Medici, is a worldwide success' Il Venerdì

Miles Unger's biography of this complex figure draws on primary research in Italian sources and on his intimate knowledge of Florence, where he lived for several years."--BOOK JACKET.