The Lamplighter

Inspired by a haunting true story, a gorgeous and atmospheric novel about the mysterious disappearance of three lighthouse keepers from a remote tower miles from the Cornish coast—and about the wives left behind On New Year’s Eve, 1972, a boat pulls up to the Maiden Rock lighthouse with relief for the keepers. But no one greets the boat. When the entrance door, locked from the inside, is battered down, rescuers find an empty tower. A table is laid for a meal not eaten. The Principal Keeper’s weather log describes a storm raging round the tower, but the skies have been clear all week. And the clocks have all stopped at 8:45. What strange fate befell the doomed men? The heavy sea whispers their names. Black rocks roll beneath the surface, drowning ghosts. And out of the swell like a finger of light, the salt-scratched tower stands lonely and magnificent. Two decades later, a writer determined to find out the truth about the men’s disappearance visits the wives who were left behind. Moving between the women’s stories and the men’s last weeks together in the lighthouse, we see long-held secrets surface and truths twist into lies as we try to piece together what happened, why and who to believe. In her riveting and suspenseful novel, Emma Stonex writes a story about isolation and obsession, reality and illusion, and what it takes to keep the light burning when all else is swallowed by darkness.

The story of Gertrude Flint, an abandoned and mistreated orphan rescued at the age of eight by Trueman Flint, a lamplighter, from her abusive guardian, Nan Grant. Gerty is lovingly raised and taught virtues and religious faith, forming her to become a moral woman. In adulthood, she is rewarded for her many tribulations by marriage to a childhood friend.

An atmospheric thriller set in nineteenth-century Edinburgh, Anthony O'Neill's elegant, darkly masterful novel is full of psychological suspense and first-rate horror. Evelyn is a clever orphan at the Fountainbridge Institute for Destitute Girls. Enchanted by a cheerful lamplighter who fires the streetlamp outside her window each evening, she mesmerizes the other girls with flights of fancy. In a time before Freudian awareness of sexuality and the subconscious mind, such tales are forbidden by the institute's governor, who warns Evelyn to cease her nocturnal storytelling. Evelyn defies him -- and is cast out of the orphanage and sacrificed to a shadowy figure claiming to be her long-lost father. Who is this man, and why does he lock Evelyn away in a hunting lodge? Years later, the mutilated body of a professor of ecclesiastical law turns up on one of Edinburgh's finest streets; the grave of a famous colonel is ravaged; a shady entrepreneur is slaughtered while dashing for a train; and a retired lighthouse keeper is ripped to shreds while walking his dog -- all this after Evelyn, now a young woman, has reappeared in the city. What connects the victims? And what of Evelyn, anguished and appealing, who repeatedly claims to have dreamed the murders in great detail -- each time blaming a mysterious "lamplighter"? Leading the official investigation is Carus Groves, a conceited yet effective police inspector desperate to cap his unremarkable career with a sensational case. Heading up the unofficial investigation is a disillusioned professor of logic and metaphysics, Thomas McKnight, and his assistant, Joseph Canavan, a strapping young gravedigger. Using reason, intuition, philosophy, and luck, these men race to solve the murders and unveil the source of Evelyn's torment, and in so doing penetrate the very gates of Hell.

Peppe becomes a lamplighter to help support his immigrant family in turn-of-the-century New York City, despite his papa's disapproval. But when Peppe's job helps save his little sister, he earns the respect of his entire family.

As Rossamèund starts his life as a lamplighter on the Wormway, he continues his fight against monsters, making friends and enemies along the way, but questions about his origins continue to plague him. Includes glossary.

Life on Meditrine Island is luxurious…but brief. Marla Neuborn has found the best post-grad job in the world—as a "Lamplighter" working on Meditrine Island, an exclusive idyllic paradise owned and operated by a consortium of billionaires. All Lamplighters have to do is tend to the mansions, cook and clean, and turn on lights to make it appear the owners are home. But the job comes with conditions. Marla will not know the exact location of the island, and she will have no contact with the outside world for the duration of her stay. Once on the island, Marla quickly learns the billionaire lifestyle is not all it is made out to be. The chief of security rules Meditrine with an iron fist. His private police force patrols the shores night and day, and CCTV cameras watch the Lamplighters relentlessly. Soon Marla will also discover first-hand that the island hides a terrible secret. She’ll meet the resident known as the Skin Mechanic. And she’ll find out why so few Lamplighters ever leave the island alive.

‘Ambitious, defiant, angry and gripping . . . the bitter story of slavery through the experience of four women’ Guardian 'Jackie Kay’s work, formally expansive and inclusive . . . is always about the opening up of our notions of identity' Ali Smith, author of How to Be Both In The Lamplighter award-winning poet and Scottish Makar Jackie Kay takes us on a journey into the dark heart of Britain’s legacy in the slave trade. First produced as a play, on the page it reads as a profound and tragic multi-layered poem. We watch as four women and one man tell the story of their lives through slavery, from the fort, to the slave ship, through the middle passage, following life on the plantations, charting the growth of the British city and the industrial revolution. Constance has witnessed the sale of her own child; Mary has been beaten to an inch of her life; Black Harriot has been forced to sell her body; and our lead, the Lamplighter, was sold twice into slavery from the ports in Bristol. Their different voices sing together in a rousing chorus that speaks to the experiences of all those brutalised by slavery, and lifts in the end to a soaring and powerful conclusion. Stirring, impassioned and deeply affecting, The Lamplighter remains as essential today as the day it was first performed. This is an essential work by one of our most beloved writers.