The Last Honest Woman

From #1 New York Times bestselling author Nora Roberts, a cynical reporter’s relentless pursuit of the truth turns into an obsession with his subject—a young widow shadowed by secrets—in The Last Honest Woman, the first O’Hurleys novel. Abigail O’Hurley Rockwell’s husband was a racing car legend behind the wheel, winning championships with a fearless skill and speed that claimed his life in a tragic and—some would say—reckless crash. Heartbroken, Abby wants nothing more than to raise her two sons in peace, but journalist Dylan Crosby is penning a book about her infamous husband’s life, determined to expose the man’s hidden past. But Abby is not a spoiled trophy wife Dylan can easily charm. She is a woman of integrity and mystery desperate to keep him at arm’s length—even as their desires for one another are on an unalterable collision course.

Abby O'Hurley, the widow of a notorious race car champion, hides her past from arrogant biographer Dylan Crosby, and professional dancer Maddy O'Hurley shows ruthless businessman Reed Valentine the importance of love.

Kirton's feminist poetry offers candid views on sex, love, and marriage from the perspective of a mixed-race woman.

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

A Goodreads Choice Awards Finalist for Best Fiction and Best Debut • BookBrowse's Best Book of the Year • A Marie Claire Best Women's Fiction of the Year • A Real Simple Best Book of the Year • A PopSugar Best Book of the Year All Written By Females • A New York Times Book Review Editors’ Choice • A Washington Post 10 Books to Read in March • A Newsweek Best Book of the Summer • A USA Today Best Book of the Week • A Washington Book Review Difficult-To-Put-Down Novel • A Refinery 29 Best Books of the Month • A Buzzfeed News 4 Books We Couldn't Put Down Last Month • A New Arab Best Books by Arab Authors • An Electric Lit 20 Best Debuts of the First Half of 2019 • A The Millions Most Anticipated Books of 2019 “Garnering justified comparisons to Khaled Hosseini’s A Thousand Splendid Suns... Etaf Rum’s debut novel is a must-read about women mustering up the bravery to follow their inner voice.” —Refinery 29 The New York Times bestseller and Read with Jenna TODAY SHOW Book Club pick telling the story of three generations of Palestinian-American women struggling to express their individual desires within the confines of their Arab culture in the wake of shocking intimate violence in their community. "Where I come from, we’ve learned to silence ourselves. We’ve been taught that silence will save us. Where I come from, we keep these stories to ourselves. To tell them to the outside world is unheard of—dangerous, the ultimate shame.” Palestine, 1990. Seventeen-year-old Isra prefers reading books to entertaining the suitors her father has chosen for her. Over the course of a week, the naïve and dreamy girl finds herself quickly betrothed and married, and is soon living in Brooklyn. There Isra struggles to adapt to the expectations of her oppressive mother-in-law Fareeda and strange new husband Adam, a pressure that intensifies as she begins to have children—four daughters instead of the sons Fareeda tells Isra she must bear. Brooklyn, 2008. Eighteen-year-old Deya, Isra’s oldest daughter, must meet with potential husbands at her grandmother Fareeda’s insistence, though her only desire is to go to college. Deya can’t help but wonder if her options would have been different had her parents survived the car crash that killed them when Deya was only eight. But her grandmother is firm on the matter: the only way to secure a worthy future for Deya is through marriage to the right man. But fate has a will of its own, and soon Deya will find herself on an unexpected path that leads her to shocking truths about her family—knowledge that will force her to question everything she thought she knew about her parents, the past, and her own future.

If there ever was a time and place to explore the territory of mature women and their journeys this would be the time. The subjects of sex, passion, confidence in JoAnn McCaig's An Honest Woman are beautifully played out against society's stereotypes of women as they age and as they confront the truths of themselves outside the societal frameworks in which they have been boxed. There are metafictional elements turned loose in this novel. First, there is an intensely self-conscious narrator and second, there are characters who live inside fictional worlds and travel outside those worlds for intense real-life encounters. Their storytelling draws attention to themselves as both living, breathing people but also fleshed-out fictional world characters. The structure of the novel is complex, layered, and interwoven. There are several narrators, stories within stories, and writers making things up and fantasizing while living real (albeit fictional) lives. There are literary allusions galore and cameo appearances by thinly disguised famous authors. It can all get a little crazy, so McCaig has provided a few support materials: an infographic that maps out the different characters, and relationships and authorships, a fairly detailed table of contents, a few postscripts, and a couple of appendices. Watch for symbols that indicate that the narrator has lapsed into fantasy and for when she returns to her "real" life, such as it is. That said, An Honest Woman has enough grounded familiar plot lines to keep a general reader interested and layered ambiguities to keep the well-read interested. While there is some undermining of traditional literary conventions, there is nothing lost in McCaig's exploration of the relationship between literature and life. The novel is humorous, and sometimes really funny; it is also a smart and warm and moving read.