The Liars Club 3

An account of the author's childhood in a Texas oil town and of her family's struggles with cancer, madness, and alcoholism.

James Cunnington has a pressing mission at had: He must find the daughter of a missing code breaker for the Liar's Club, a man suspected of turning traitor for Napoleon. Time is of the utmost concern. While it is evident that his ward's new tutor has something to hide, James in unaware that the woman he seeks now resides under his very roof... Desperate and near destitute, Philippa Atwater must don gentleman's clothing to pass herself off as a scholarly young tutor. Her clever--if itchy--disguise allows her time to pursue her quest to find her father, ruthlessly abducted by French spies. Closely guarding the cryptic notebook he entrusted to her care, she sense danger all around her--even in the home of her roguishly handsome new employer, James Cunnington. Now Philippa is about to discover that the desire can be as lethal as a well-aimed bullet...

A BEST BOOK OF THE YEAR New York Times Book Review • The New Yorker • Entertainment Weekly • Time • Washington Post • San Francisco Chronicle • Chicago Tribune • Christian Science Monitor • Slate • St. Louise Post-Dispatch • Cleveland Plain Dealer • Seattle Times • NBCC Award Finalist Mary Karr’s unforgettable sequel to her beloved and bestselling memoirs The Liars’ Club and Cherry “lassos you, hogties your emotions and won’t let you go” (Michiko Kakutani, New York Times). Lit is about getting drunk and getting sober; becoming a mother by letting go of a mother; learning to write by learning to live. Written with Karr's relentless honesty, unflinching self-scrutiny, and irreverent, lacerating humor, it is a truly electrifying story of how to grow up—as only Mary Karr can tell it. The Boston Globe calls Lit a book that “reminds us not only how compelling personal stories can be, but how, in the hands of a master, they can transmute into the highest art." The New York Times Book Review calls it “a master class on the art of the memoir” and Susan Cheever states, simply, that Lit is “the best book about being a woman in America I have read in years."

Ethan Damont's legendary gambling skills have earned him a place at the gaming tables of London's most exclusive homes. He has used his dubious place in Society to aid The Liar's Club. But his latest favor to the group has not only put his life in danger-it has thrown him together with the woman who tempts him to forgo his rakish ways. Lady Jane Pennington is the ravishing niece of a suspected traitor. Now it's Ethan's job to discover if the woman he finds irresistible is naïve to her uncle's deceit-or guilty of treason against the Crown... Jane can barely wait for the Season to end-until she meets Ethan Damont. After a humiliating first encounter, Jane expects a scoundrel like Ethan to joke at her expense. Instead, he behaves like a perfect gentleman. But just as Jane finds herself overcome by her desire for Ethan, he takes her captive. Suddenly, she is pulled into a dangerous world where it's impossible to know who is friend-and who is foe. Will Ethan prove to be her undoing...or the love she has always longed for?

It isn't easy moving about Society dressed like a dandy-especially when one is a ruthless spy. But that's precisely the latest mission for Liar's Club agent Dalton Montmorecy. Dalton is posing as Sir Thorogood, the elusive cartoonist whose scathing political caricatures have all of London abuzz. The true identity of Sir Thorogood is a mystery, and Dalton hopes that impersonating him will flush out the real menace before his cartoons do further damage to the Crown. Now, if Dalton could only find a way to get the irksome, yet oddly appealing widow, Clara Simpson, off his trail... When Clara meets Sir Thorogood at a ball, she's certain he is an impostor-because she's the true Sir Thorogood. Secretly penning the cartoons under the frothy nom de plume, Clara hopes to save enough money so that she can leave her in-laws and find a new residence. Now she is determined to reveal an imposter's identity-and that means doing some undercover work herself. But pretending to be someone you're not has a funny way of making a woman do things she wouldn't ordinarily dream of-even if it drives her straight into the arms of her devilishly handsome adversary!

From Mary Karr comes this gorgeously written, often hilarious story of her tumultuous teens and sexual coming-of-age. Picking up where the bestselling The Liars' Club left off, Karr dashes down the trail of her teen years with customary sass, only to run up against the paralyzing self-doubt of a girl in bloom. Fleeing the thrills and terrors of adolescence, she clashes against authority in all its forms and hooks up with an unforgettable band of heads and bona-fide geniuses. Parts of Cherry will leave you gasping with laughter. Karr assembles a self from the smokiest beginnings, delivering a long-awaited sequel that is both "bawdy and wise" (San Francisco Chronicle).

“Wickedly funny and always movingly illuminating, thanks to kick-ass storytelling and a poet's ear.” –Oprah.com The New York Times bestselling, hilarious tale of Mary Karr’s hardscrabble Texas childhood that Oprah.com calls the best memoir of a generation. The Liars’ Club took the world by storm and raised the art of the memoir to an entirely new level, bringing about a dramatic revival of the form. Karr’s comic childhood in an east Texas oil town brings us characters as darkly hilarious as any of J. D. Salinger’s—a hard-drinking daddy, a sister who can talk down the sheriff at age twelve, and an oft-married mother whose accumulated secrets threaten to destroy them all. This unsentimental and profoundly moving account of an apocalyptic childhood is as “funny, lively, and un-put-downable” (USA Today) today as it ever was.

In her first book since "The Liar's Club", Karr delves into the autobiographical subject matter of her two early collections. Various beloveds are birthed and buried in these lyrics, some of which--as the title suggests--deal with drink. Exact and surprising, her poems "take on the bedevilments of fate and grief with a diabolical edge of their own" ("Poetry").