The Lost Love Song

A feel-good romance by the author of Star-crossed, perfect for anyone who loves David Nicholls, Marian Keyes and Jojo Moyes. Arie and Diana were destined to be together. Arie falls for Diana in a heartbeat. Their love creates a life for them, a marriage and a home. Pianist Diana wants to capture this in a song for Arie. But that’s not where the story ends... After Diana debuts their song to a room full of strangers, tragedy strikes and Arie never gets to hear it. There’s still a verse to come. Diana’s melody lives beyond her and the lost love song begins to find its way back home. Can it help Arie to find new hope, and a new love? Readers love Minnie Darke 'Witty, mischievous and intelligent... if you enjoy Marian Keyes or Mhairi McFarlane, you'll enjoy this. 'A clever and witty comedy' 'Warm, funny, addictive, I couldn’t put it down.' 'A smart and funny novel' 'Beautifully written with warmth and wit... a truly delightful read.' 'Uplifting, romantic and fabulous... I loved this charming book.'

From Tracey Garvis Graves, the bestselling author of The Girl He Used to Know comes a love song of a story about starting over and second chances in Heard It in a Love Song. Love doesn’t always wait until you’re ready. Layla Hilding is thirty-five and recently divorced. Struggling to break free from the past—her glory days as the lead singer in a band and a ten-year marriage to a man who never put her first—Layla’s newly found independence feels a lot like loneliness. Then there's Josh, the single dad whose daughter attends the elementary school where Layla teaches music. Recently separated, he's still processing the end of his twenty-year marriage to his high school sweetheart. He chats with Layla every morning at school and finds himself thinking about her more and more. Equally cautious and confused about dating in a world that favors apps over meeting organically, Layla and Josh decide to be friends with the potential for something more. Sounds sensible and way too simple—but when two people are on the rebound, is it heartbreak or happiness that’s a love song away?

Behind every great love song is a great love story. It's been seven years and Diana is finally ready to marry her long-time fiancé, Arie; she's even composing a beautiful love song for him, working on it in hotels and concert halls as she criss-crosses the world as a classical pianist. Before she can finish it, though, tragedy strikes--and Diana is lost to Arie forever. But her song might not be. . . . In Australia, the world has gone quiet for Arie and he lives his life accordingly, struggling to cope with his loss. In Scotland, Evie is taking stock of her life after the end of another lacklustre almost-relationship. Years of wandering the globe and failing to publish her poetry have taken their toll, and she might finally be ready to find what her travels have never been able to give her: a real home. As Diana's song is passed from musician to musician, winding its way around the world, it just might bring these two lost souls together. With heart-wrenching emotion, The Lost Love Song explores what it means to be lost, what it means to be found, and the power of music to bring people together.

From the author of The Latehomecomer, a powerful memoir of her father, a Hmong song poet who sacrificed his gift for his children's future in America In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses; extemporizing or drawing on folk tales, he keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes. Following her award-winning book The Latehomecomer, Kao Kalia Yang now retells the life of her father Bee Yang, the song poet, a Hmong refugee in Minnesota, driven from the mountains of Laos by American's Secret War. Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until, one day, a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good. But before they do, Bee, with his poetry, has polished a life of poverty for his children, burnished their grim reality so that they might shine. Written with the exquisite beauty for which Kao Kalia Yang is renowned, The Song Poet is a love story -- of a daughter for her father, a father for his children, a people for their land, their traditions, and all that they have lost.

Simon had always expected love to feel different than this. Whether it was his Catholic upbringing or the poetry he'd read - Simon had thought that true love would be uplifting, fulfilling, that it would give a meaning to his loitering, and add joy to his leisure. But not this kind of love. This love was a flesh-eating monster, sharp-clawed and evil-eyed, ravishing his mind with medieval cruelty. Dr Simon Mráz is a respected specialist and lecturer at the Charles University in Prague. He is a serious man, responsible. His students call him The Cruel Doctor Frost not because he's unkind, but because of his unwavering, ice-cold composure. As a psychiatrist, he values sanity. And sanity can be found in work, restraint, and self-control. Not many know of that one time in the past when The Cruel Doctor Frost lost his cool. His ill-advised, secret affair with a student left Simon deeply wounded. Since that day, every minute of Simon's life has been a struggle to remain sane, functioning. He's managed so far - as long as he is needed, as long as his work makes a difference, Simon can scrape together enough strength to get up in the morning and run off the nightmares. But when his friends begin drifting away, his beloved protégé becomes independent, and the man who bereaved Simon of his precious sanity might return... Simon's mind and body stop responding to his impressive willpower.

This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton’s Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets of the eleventh and twelfth centuries called fin’amor: love as an end in itself, mutual and freely chosen even in the face of social, religious, or political retribution. Neither eros nor agape, neither exclusively of the body, nor solely of the spirit, this love is a middle path. Alongside this tradition has grown a critical movement that employs a 'hermeneutics of suspicion', in Paul Ricoeur’s phrase, to claim that passionate love poetry is not what it seems, and should be properly understood as worship of God, subordination to Empire, or an entanglement with the structures of language itself – in short, the very things it resists. The book engages with some of the seminal literature of the Western canon, including the Bible, the poetry of Ovid, and works by English authors such as William Shakespeare and John Donne, and with criticism that stretches from the earliest readings of the Song of Songs to contemporary academic literature. Lively and enjoyable in its style, it attempts to restore a sense of pleasure to the reading of poetry, and to puncture critical insistence that literature must be outwitted. It will be of value to professional, graduate, and advanced undergraduate scholars of literature, and to the educated general reader interested in treatments of love in poetry throughout history.

An aspiring teenage singer finds herself playing a different tune when she falls for a boy who could jeopardize her future dreams in Olivia Wildenstein's romantic YA novel, Not Another Love Song. Angie has studied music her entire life, nurturing her talent as a singer. Now a high school senior, she has an opportunity to break into Nashville's music scene via a songwriting competition launched by her idol, Mona Stone. Discouraged by her mother, who wishes Angie would set more realistic life goals, she nonetheless pours her heart and soul into creating a song worthy of Mona. But Angie's mother is the least of her concerns after she meets Reedwood High’s newest transfer student, Ten. With his endless collection of graphic tees, his infuriating attitude, smoldering good looks, and endearing little sister, Ten toys with the rhythm of Angie’s heart. She’s never desired anything but success until Ten entered her life. Now she wants to be with him and to be a songwriter for Mona Stone, but she can’t have both. And picking one means losing the other.

At Santa Cruz Central High School, they called them the misfits, the outcasts, the weirdos. But most of us knew them as the Lost Boys...Miller Stratton is a survivor. After a harrowing childhood of poverty, he will do anything it takes to find security for himself and his mom. He's putting all his hopes and dreams in the fragile frame of his guitar and the beauty he creates with its strings and his soulful voice.Until Violet.No one expects to meet the love of their life at age thirteen. But the spunky rich girl steals Miller's heart and refuses to give it back.Violet McNamara's life hasn't been as simple as it looks. Her picture-perfect family is not so perfect after all. Her best friend Miller is her one constant and she is determined not to ruin their friendship with romantic complications.But the heart wants what it wants. As Miller's star begins to rise to stratospheric heights, what will it take for Violet to realize that she's the girl in all of his love songs?Lost Boys is a new series of interconnected, coming-of-age standalones from USA Today bestselling author Emma Scott, coming in 2020