The Magic Of Drama An Oral Performance Activity Book

This is a complete drama course in one book. 'The Magic of Drama' is a reproducible integrated oral skills textbook. The book is intended to be used by high school and college ESL students at the high intermediate to advanced levels. As a main or supplementary text, it can be used in a variety of classes, including: speaking and listening; oral communication skills for international teaching assistants; public speaking, drama; film or literature; any class in which drama, film, or literature is used as a medium for learning. 'The Magic of Drama' uses movies, plays, songs, news, short stories, poetry, proverbs, props and pictures as resources for: activities, discussions, debates, interviews, impromptu speaking, improvisations, original dramas, video-taped performances, skills, fluency, thinking on your feet, clear pronunciation, vocabulary development, listening comprehension, grammatical accuracy and making presentations. Also includes a supplement which provides activities for a selection of plays and movies. The supplement includes activities for these plays, which have also been made into movies: The Heiress, The Best Man, Harvey, Inherit The Wind, Liliom/Carousel, Romeo and Juliet/West Side Story. The supplement also includes activities for these movies: Parenthood, 1776, South Pacific, Field of Dreams, Stanley and Iris and Mr. Holland's Opus. After engaging in the activities in this text, students are more confident and successful communicators who look forward to the next opportunity to converse, present and perform.

This workbook has been designed and written for students in high school and university who may be interested in how performance works. The chapters cover broad topics drawn from the field of performance studies, an academic field developed out of theatre studies, anthropology, sociology and cultural studies in the 1980s and 1990s. Web of Performance covers key topics in performance studies: Performance as a form of Play, Ritual, Healing, Education, Power, Identity and Everyday Life. Each of these topics works like a web, inviting students to explore in multiple directions, across many threads.

A 'big-book' edition of Alison Lester's all-time favourite Australian beach book, perfect for library and classroom storytimes.

Shortlisted for the UKLA Academic Book Award 2013! Covering the essential areas of practice, this book suggests ways to make your literacy teaching as creative and engaging as possible. Children get the most out of their learning when it is exciting, and this book offers great ideas for classroom practice, whilst making careful links to research. Sections advise on teaching narrative, poetry and non-fiction, and each chapter contains case studies and ideas to try out in practice. The authors cover a broad range of topics, including: - exploring traditional tales - writing from experience - using playground games as a foundation for literacy - performing poetry. Written for teachers working with children aged 3-11 years, this book gives you the opportunity to develop children's literacy in enjoyable and interesting ways.

How to teach English language students with drama - for professional English language teachers. This new book covers the exciting sector of teaching English language students using drama, plays and with theatre techniques. The book covers a wide range of subjects for teachers including how to plan class work, choosing appropriate texts, working with students with theatrical techniques, modifying dialogue and lines for different levels of student, stage management, and how these all work together to improve language appreciation and learning; using classic plays, suggested characters; resources beyond the textbook; using stories, songs, games, etc.

Providing a distillation of knowledge in the various disciplines of arts education (dance, drama, music, literature and poetry and visual arts), this essential handbook synthesizes existing research literature, reflects on the past, and contributes to shaping the future of the respective and integrated disciplines of arts education. While research can at times seem distant from practice, the Handbook aims to maintain connection with the live practice of art and of education, capturing the vibrancy and best thinking in the field of theory and practice. The Handbook is organized into 13 sections, each focusing on a major area or issue in arts education research.

Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.