The Man Without A Country

NEW YORK TIMES BESTSELLER • “For all those who have lived with Vonnegut in their imaginations . . . this is what he is like in person.”–USA Today In a volume that is penetrating, introspective, incisive, and laugh-out-loud funny, one of the great men of letters of this age–or any age–holds forth on life, art, sex, politics, and the state of America’s soul. From his coming of age in America, to his formative war experiences, to his life as an artist, this is Vonnegut doing what he does best: Being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions. Praise for A Man Without a Country “[This] may be as close as Vonnegut ever comes to a memoir.”–Los Angeles Times “Like [that of] his literary ancestor Mark Twain, [Kurt Vonnegut’s] crankiness is good-humored and sharp-witted. . . . [Reading A Man Without a Country is] like sitting down on the couch for a long chat with an old friend.”–The New York Times Book Review “Filled with [Vonnegut’s] usual contradictory mix of joy and sorrow, hope and despair, humor and gravity.”–Chicago Tribune “Fans will linger on every word . . . as once again [Vonnegut] captures the complexity of the human condition with stunning calligraphic simplicity.”–The Australian “Thank God, Kurt Vonnegut has broken his promise that he will never write another book. In this wondrous assemblage of mini-memoirs, we discover his family’s legacy and his obstinate, unfashionable humanism.”–Studs Terkel

The Man Without a Country is a short story by Edward Everett Hale. Lieutenant Philip Nolan forsakes his nation during a court case for treachery, and is subsequently condemned to spend the rest of his life at sea.

Philip Nolan: The Man Without a Country is Chuck Pfarrer’s captivating adaptation of Edward Everett Hale’s American classic “The Man Without a Country,” first published in The Atlantic Monthly more than a century ago. Masterfully blending history and fiction, Pfarrer tells the story of a young artillery officer, Philip Nolan, who becomes embroiled in Aaron Burr’s 1807 conspiracy to invade the territories of the Louisiana Purchase. Insinuating his scheme has official approval, Burr convinces Nolan to carry a coded message into the Orleans Territory. Nolan has no knowledge of the former vice president’s intended treason—and Burr has no idea that Thomas Jefferson has discovered his scheme. Soon Philip Nolan is in military custody with Burr, charged an accessory to the plot. The nation holds its breath as Burr is tried for attempting to tear apart the Union. The charges against Burr seem ironclad, but his lawyers are clever, and Burr walks free. An embarrassed prosecution looks for a scapegoat, and expands the charges against Nolan to include desertion and sedition. Learning that his own court martial will proceed, despite Burr’s acquittal, Nolan denounces his accusers, damns his country, and tells the court he wishes never again to hear the words “United States” as long as he lives. The judges return with an ominous verdict: the prisoner’s wish will be granted. Nolan is sentenced to permanent exile aboard a series of U.S. warships, never again to hear news from or speak of his country. Decades pass. Shuttled from ocean to ocean, Nolan realizes he is a stateless person, estranged from his keepers and forgotten by his country. Eventually passed aboard an American frigate in the Mediterranean, Nolan comes into the custody of a newly commissioned lieutenant, Frank Curran. When Barbary pirates capture an American whaleship, the pair is drawn into a web of international deceit and mortal danger. As a rescue mission is launched, Nolan teaches the young officer a lesson about duty, loyalty, and the meaning of patriotism. Equal parts adventure, naval history, and morality tale, Philip Nolan: The Man Without a Country is more than frigate duels and small boat actions. Intricately plotted and beautifully crafted, the novel is a poignant and closely observed examination of the human condition.

History of Eastern Europe, Russia.

The Man Without A Country - And Other Tales is an unchanged, high-quality reprint of the original edition of 1888. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road comes a "profoundly disturbing and gorgeously rendered" novel (The Washington Post) that returns to the Texas-Mexico border, setting of the famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law—in the person of aging, disillusioned Sheriff Bell—can contain. As Moss tries to evade his pursuers—in particular a mysterious mastermind who flips coins for human lives—McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

A Man Without a Country is an essay collection published in 2005 by the author Kurt Vonnegut. The extremely short essays that make up this book deal with topics ranging from the importance of humor, to problems with modern technology, to Vonnegut's opinions on the differences between men and women. Most prevalent in the text, however, are those essays that elucidate Vonnegut's opinions on politics, and the issues in modern American society, often from a decidedly humanistic perspective. In January 2007, Vonnegut indicated that he intended this to be his final work, a statement that proved to be correct with his death in April 2007. Later published works of Vonnegut's were all published posthumously, and consisted almost entirely of previously unpublished material from early in his career.