The Midwife

A haunting and moving debut, The Midwife by Tricia Cresswell is perfect for fans of The Familiars and The Binding. 1830. After a violent storm, a woman is found alone, naked, near death on the Northumberland moors. She has no memory of who she is or how she got there. But she can remember how to help a woman in labour, how to expertly dress a wound and can speak fluent French. With the odds against her – a penniless single woman – she starts to build her life from scratch, using her skills to help other woman around her. She finds a happy place in the world. Until tragedy strikes, and she must run for her life. In London, Dr Borthwick lives a solitary life working as an accoucheur together with his midwife, Mrs Bates, dealing with mothers and babies in both the elegant homes of high society, and alongside a young widow, Eleanor Johnson, volunteering in the slums of the Devil’s Acre. His professional reputation is spotless and he keeps his private life just as clean, isolating himself from any new acquaintances. He is harbouring a dark secret from his past, one that threatens to spill over everything . . .

NATIONAL BESTSELLER • This modern classic from the author of The Flight Attendant is a compulsively readable novel that explores questions of human responsibility that are as fundamental to our society now as they were when the book was first published. A selection of Oprah's original Book Club that has sold more than two million copies. On an icy winter night in an isolated house in rural Vermont, a seasoned midwife named Sibyl Danforth takes desperate measures to save a baby’s life. She performs an emergency cesarean section on a mother she believes has died of stroke. But what if—as Sibyl's assistant later charges—the patient wasn't already dead? The ensuing trial bears the earmarks of a witch hunt, forcing Sibyl to face the antagonism of the law, the hostility of traditional doctors, and the accusations of her own conscience. Exploring the complex and emotional decisions surrounding childbirth, Midwives engages, moves, and transfixes us as only the very best novels ever do. Look for Chris Bohjalian's new novel, The Lioness!

This omnibus edition of Call the Midwife, Shadows of the Workhouse and Farewell to the East End chronicles Jennifer Worth's career as a midwife from start to finish, from her arrival in the war-scarred Docklands as a wide-eyed trainee, to the demolition of the tenements and subsequent closure of Nonnatus House. It provides a fascinating snapshot of social history, documenting the East End in the days when there was a real sense of community, when times were tough but there was plenty of good humour and neighbourly support to help the inhabitants through the harsh econonic climate. The book also enables readers to follow Jennifer's personal story, as she discovers the amazing resilience of a population still bearing the scars of war, and the vibrant community of nuns with whom she lives and who teach her the skills of midwifery. In stories that are funny, disturbing and moving in equal measure, we meet prostitutes and abortionists, bigamists and mischievous nuns, and see Jennifer earn the confidence of people whose lives are often stranger than fiction.

This work supplied English midwives and English women with a compendium of information for the Continent and from the author's own thirty years of experience.

Finalist for a 2014 Alberta Literary Award Between 1870 and 1970, 26 million Italians left their homeland and travelled to places like Canada, Australia and the United States, in search of work. Many of them never returned to Italy. Against this historic backdrop comes the story of Rosina, a Calabrian matriarch, who worked as a midwife in an area where only one doctor served three villages. She was also the only member of the Russo family to remain in Italy after the mass migration of the 1950s. Written by Rosina's great-great- granddaughter, Rosina, the Midwife is a charming memoir that is at once a Canadian story and an Italian one. Through Kluthe's meticulous research and great insight, we see her great-grandfather Generoso labouring through the harsh Edmonton winter in order to buy passage to Canada for his wife and children; we glimpse her grandmother Rose huddled in a third-class cabin, sick from the motion of the boat; and we watch, teary-eyed, as her great-great-grandmother Rosina is forced to say goodbye, one by one, to the people she loves.

The third and final book in the bestselling CALL THE MIDWIFE trilogy, now a major BBC TV series starring Miranda Hart and Jessica Raine. The hit BBC TV series CALL THE MIDWIFE is based on the memoirs of Jennifer Worth, chronicling her life as a midwife in London in the 1950s. FAREWELL TO THE EAST END is the third book in the trilogy. Following on from the bestselling CALL THE MIDWIFE and SHADOWS OF THE WORKHOUSE, Jennifer brings her story to a conclusion. Post-war life could be a struggle - the devastating effects of TB, dangerous backstreet abortions, people driven to extremes by poverty - but there was also warmth and humour. Like Megan'mave, the identical twins who share the same browbeaten husband; the eccentric Sister Monica Joan; and gauche debutante Chummy, who wants to be a missionary. FAREWELL TO THE EAST END shines a light on the lives, culture and stories of a bygone era, and is both moving and heartwarming in equal measure.

Not since Anna Diamant’s The Red Tent or Geraldine Brooks’s People of the Book has a novel transported readers so intimately into the complex lives of women centuries ago or so richly into a story of intrigue that transcends the boundaries of history. A “lavishly detailed” (Elle Canada) debut that masterfully captures sixteenth-century Venice against a dramatic and poetic tale of suspense. Hannah Levi is renowned throughout Venice for her gift at coaxing reluctant babies from their mothers using her secret “birthing spoons.” When a count implores her to attend his dying wife and save their unborn son, she is torn. A Papal edict forbids Jews from rendering medical treatment to Christians, but his payment is enough to ransom her husband Isaac, who has been captured at sea. Can she refuse her duty to a woman who is suffering? Hannah’s choice entangles her in a treacherous family rivalry that endangers the child and threatens her voyage to Malta, where Isaac, believing her dead in the plague, is preparing to buy his passage to a new life. Told with exceptional skill, The Midwife of Venice brings to life a time and a place cloaked in fascination and mystery and introduces a captivating new talent in historical fiction.

A fascinating slice of social history - Jennifer Worth's tales of being a midwife in 1950s London, now a major BBC TV series. Jennifer Worth came from a sheltered background when she became a midwife in the Docklands in the 1950s. The conditions in which many women gave birth just half a century ago were horrifying, not only because of their grimly impoverished surroundings, but also because of what they were expected to endure. But while Jennifer witnessed brutality and tragedy, she also met with amazing kindness and understanding, tempered by a great deal of Cockney humour. She also earned the confidences of some whose lives were truly stranger, more poignant and more terrifying than could ever be recounted in fiction. Attached to an order of nuns who had been working in the slums since the 1870s, Jennifer tells the story not only of the women she treated, but also of the community of nuns (including one who was accused of stealing jewels from Hatton Garden) and the camaraderie of the midwives with whom she trained. Funny, disturbing and incredibly moving, Jennifer's stories bring to life the colourful world of the East End in the 1950s.