The Museum Of Unnatural History

One of the most impressive collections of unnatural history of all time - as eclectic as the universe and as strange as life itself. Built by the enigmatic Terence Brumby in the 25th century, the Museum of Unnatural History was a living catalogue of what humans created after ethical constraints were removed. With dry humour and masterful understatement, Bumbly explores the ethical dilemmas and unimaginable extremes of human ingenuity that resulted from unchecked technological, biological and social advances. Lavishly illustrated throughout with drawings from Bumbly's notebooks.

Viktor Wynd, master of the contemporary Wunderkabinett, is back with a collection of artifacts and curiosities that are more bizarre and wonderful than ever. For over a decade, from a tiny storefront in east London, the artist Viktor Wynd has been reinventing the cabinet of curiosities for the 21st century. The Viktor Wynd Museum of Curiosities, Fine Art & UnNatural History is now one of the city's most tantalizing tourist destinations. Wynd first introduced his worldview in the book Viktor Wynd's Cabinet of Wonders, which John Waters called "an insanely delightful how-to guide...told with lunatic humor and absolute joy." In this new volume, he takes readers on a tour inside his mildly-twisted mind, delving deeper into his philosophy of collecting, and describing personal connections to the objects he treasures. Written in his trademark charismatic style, which blends whimsical stories with odd facts and obscure references, this book is filled with lavish and theatrical photographs and drawings. Loosely organized into thematic chapters, it ponders the beauty of skulls and masks; explores beasts, freaks, monsters, fairies, and mermaids; covers magical plants, hallucinogens, erotica, and dandies; and dips into the world of the occult. This might not be a book for everyone. However, it is a book everyone interested in cabinets of curiosities should have on their shelf.

During a visit to this most unusual museum, the reader discovers a strange, scary, and eclectic collection of art and prehistoric life.

The griffin, the sunbird, manticores, unicorns – all manner of glorious creatures never captured in zoos, museums or photographs are packed vividly into this collection of stories. Neil Gaiman has included some of his own childhood favourites alongside stories classic and modern to spark the imagination of readers young and old. All contributors have given their work free to benefit Dave Eggers' literacy charity, 826DC. Also includes a new Neil Gaiman Story.

It seems like a regular field trip to a natural history museum - until Zack gets locked inside for the night and discovers what really goes on in those display cases when no one is watching

ONE OF THE NEW YORK TIMES BOOK REVIEW'S 10 BEST BOOKS OF THE YEAR A major book about the future of the world, blending intellectual and natural history and field reporting into a powerful account of the mass extinction unfolding before our eyes Over the last half a billion years, there have been five mass extinctions, when the diversity of life on earth suddenly and dramatically contracted. Scientists around the world are currently monitoring the sixth extinction, predicted to be the most devastating extinction event since the asteroid impact that wiped out the dinosaurs. This time around, the cataclysm is us. In The Sixth Extinction, two-time winner of the National Magazine Award and New Yorker writer Elizabeth Kolbert draws on the work of scores of researchers in half a dozen disciplines, accompanying many of them into the field: geologists who study deep ocean cores, botanists who follow the tree line as it climbs up the Andes, marine biologists who dive off the Great Barrier Reef. She introduces us to a dozen species, some already gone, others facing extinction, including the Panamian golden frog, staghorn coral, the great auk, and the Sumatran rhino. Through these stories, Kolbert provides a moving account of the disappearances occurring all around us and traces the evolution of extinction as concept, from its first articulation by Georges Cuvier in revolutionary Paris up through the present day. The sixth extinction is likely to be mankind's most lasting legacy; as Kolbert observes, it compels us to rethink the fundamental question of what it means to be human.

"A comprehensive modern-day bestiary."--The New Yorker