The New Moon S Arms

"A mainstream magical realism novel set in the Caribbean on the fictional island of Dolorosse. It tells the story of a 50-something grandmother whose mother disappeared when she was a teenager and whose father has just passed away as she begins menopause.

Published in 1893, this is the second edition of an entertaining and fascinating collection of proverbs, rhymes and sayings about the weather.

Informative, profusely illustrated guide to locating and identifying craters, rills, seas, mountains, other lunar features. Newly revised and updated with special section of new photos. Over 100 photos and diagrams. "Extraordinary delight awaits the amateur astronomer or teacher who opens this book." — The Science Teacher.

In a yearly ritual the citizens of ancient Athens chased a couple in wedding regalia through the streets under a hail of stones, to shouts of "Out with sickness and famine! In with health and wealth!" The broken bodies were left to decompose outside the city gates. Normally the victims would come from among society's downtrodden or outcasts, and exchange their lives for a year of luxury at the city's expense. But in defiance of tradition, and as an expression of protest, a poet from an aristocratic family volunteers her flawless 30-year-old body. This is her story.

Focusing on Samuel Taylor Coleridge, Mary Robinson and Mary Shelley, this book uses key concepts of androgyny, subjectivity and the re-creative as a productive framework to trace the fascinating textual interactions and dialogues among these authors. It crosses the boundary between male and female writers of the Romantic period by linking representations of gender with late Enlightenment upheavals regarding creativity and subjectivity, demonstrating how these interrelated concerns dismantle traditional binaries separating the canonical and the noncanonical; male and female; poetry and prose; good and evil; subject and object. Through the convergences among the writings of Coleridge, Mary Robinson, and Mary Shelley, the book argues that each dismantles and reconfigures subjectivity as androgynous and amoral, subverting the centrality of the male gaze associated with canonical Romanticism. In doing so, it examines key works from each author's oeuvre, from Coleridge's “canonical” poems such as Rime of the Ancient Mariner, through Robinson's lyrical poetry and novels such as Walsingham, to Mary Shelley's fiction, including Frankenstein, Mathilda, and The Last Man.