The Prisoner In The Third Cell

Imprisoned by Herod, John the Baptist struggles to understand a Lord who did not meet his expectations—a dramatic account offering insight into the ways of God.

This collection bundles three titles from beloved author Gene Edwards into one e-book for a great value! A Tale of Three Kings This best-selling tale is based on the biblical figures of David, Saul, and Absalom. For the many Christians who have experienced pain, loss, and heartache at the hands of other believers, this compelling story offers comfort, healing, and hope. Christian leaders and directors of religious movements throughout the world have recommended this simple, powerful, and beautiful story to their members and staff. You will want to join the thousands who have been profoundly touched by this incomparable story. The Prisoner in the Third Cell Imprisoned by Herod, John the Baptist struggles to understand a Lord who did not meet his expectations—a dramatic account offering insight into the ways of God. The Divine Romance A breathtakingly beautiful saga spanning from eternity to eternity, presented from the view of angels. Experience creation, the crucifixion, and the resurrection from this unique viewpoint, and gain a better understanding of the majestic love of God. Gene Edwards’s classic tale is the greatest love story ever told.

This book advances conceptualisations and empirical understanding of the prison cell. It discusses the complexities of this specific carceral space and addresses its significance in relation to the everyday experiences of incarceration. The collected chapters highlight the array of processes and practices that shape carceral life, adding the cell to a rich area of discussion in penal scholarship, criminology, anthropology, sociology and carceral geography. The chapters highlight key aspects such as penal philosophies, power relationships, sensory and emotional engagements with place to highlight the breadth and depth of interdisciplinary perspectives on the prison cell: a contested place of home, labour and leisure. The Prison Cell’s empirical attention is global in its consideration, bringing together both contemporary and historical work that focuses upon the cell in the Global North and South including examples from a variety of geographical locations and settings, including police custody, prisons and immigrant detention centres. This book is an important and timely intervention in the growing and topical field of carceral studies. It presents the only standalone collection of essays with a sole focus on the space of the cell.

Michael Vey seems like an ordinary teenager, but he has a unique power. After his mother is kidnapped he and his friends have to find his mother and fight the hunters to save other kids with the same powers.

A sweeping account of imprisonment--in time, in language, and in a divided country--from Korea's most acclaimed novelist In 1993, writer and democracy activist Hwang Sok-yong was sentenced to five years in the Seoul Detention Center upon his return to South Korea from North Korea, the country he had fled with his family as a child at the start of the Korean War. Already a dissident writer well-known for his part in the democracy movement of the 1980s, Hwang's imprisonment forced him to consider the many prisons to which he was subject--of thought, of writing, of Cold War nations, of the heart. In this capacious memoir, Hwang moves between his imprisonment and his life--as a boy in Pyongyang, as a young activist protesting South Korea's military dictatorships, as a soldier in the Vietnam War, as a dissident writer first traveling abroad--and in so doing, narrates the dramatic revolutions and transformations of one life and of Korean society during the twentieth century.

Cullen Thomas was just like the thousands of other American kids who travel abroad after college. He was hungry for meaning and excitement beyond a nine-to-five routine, so he set off for Seoul, South Korea, to teach English and look for adventure. What he got was a three-and-a- half-year drug-crime sentence in South Korea's prisons, where the physical toll of life in a cell was coupled with the mental anguish of maintaining sanity in a world that couldn't have been more foreign. This is Thomas's unvarnished account of his eye-opening, ultimately life-affirming experience. Brother One Cell is part cautionary tale, part prison memoir, and part insightful travelogue that will appeal to a wide readership, from concerned parents to armchair adventurers.

Michel Foucault's writing about the Panopticon in Discipline and Punish has dominated discussions of the prison and the novel, and recent literary criticism draws heavily from Foucauldian ideas about surveillance to analyze metaphorical forms of confinement: policing, detection, and public scrutiny and censure. But real Victorian prisons and the novels that portray them have few similarities to the Panopticon. Sean Grass provides a necessary alternative to Foucault by tracing the cultural history of the Victorian prison, and pointing to the tangible relations between Victorian confinement and the narrative production of the self. The Self in the Cell examines the ways in which separate confinement prisons, with their demand for autobiographical production, helped to provide an impetus and a model that guided novelists' explorations of the private self in Victorian fiction.